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The Book of ceremonial Magic

The Book of ceremonial Magic

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Footnotes<br />

177:1 <strong>The</strong> mutilations <strong>of</strong> the Divine Names in the Grimoires are part <strong>of</strong> the distinguishing<br />

characteristics <strong>of</strong> these works, and hence they are preserved in the text. It may scarcely be<br />

necessary to inform the student that the words mentioned should read AHIH, ASHR,<br />

AHIH.<br />

177:2 <strong>The</strong> Key <strong>of</strong> Solomon <strong>of</strong>fers choice between a vessel <strong>of</strong> brass, <strong>of</strong> lead varnished<br />

within and without, and <strong>of</strong> earth.<br />

178:1 Psalm vi. and Psalm xlii. in the Vulgate.<br />

178:2 <strong>The</strong> plant here condemned is prescribed by the Key <strong>of</strong> Solomon.<br />

179:1 As these Psalms, lxxi. and cxvi. in the Vulgate, are widely separated from each<br />

other, and so also in the Authorised Version, it is difficult to determine those which are<br />

referred to in the text.<br />

180:1 <strong>The</strong> names given in the Key <strong>of</strong> Solomon are Adonai, Lazai, Dalmai, Aima, Elohi.<br />

180:2 A short way to <strong>Magic</strong> by means <strong>of</strong> perfumes is given by Nyrauld in his work on<br />

Lycanthropy. To discern future events, fumigate yourself with linseed and seed <strong>of</strong><br />

psellium, or with roots <strong>of</strong> violets and wild parsley. To drive away evil spirits and<br />

phantoms, make a perfume <strong>of</strong> calamon, peony, mint and palma Christi. To attract<br />

serpents, burn the windpipe <strong>of</strong> a stag; to expel them, burn a horn <strong>of</strong> the same animal.<br />

Make a perfume with gall <strong>of</strong> fish, thyme, roses and aloe wood. When kindled, sprinkle<br />

with water or blood, and presently the whole house will seem full <strong>of</strong> water or <strong>of</strong> blood, as<br />

the case may be. Add earth which has been turned up by a ploughshare, and the ground<br />

will appear to tremble. <strong>The</strong> enumeration might be continued almost indefinitely.<br />

§ 9. Concerning the Time <strong>of</strong> Operation<br />

When the sacrifice <strong>of</strong> the Art or its substitute has once been completed, the operator is in<br />

possession <strong>of</strong> all the materials that he will require ex hypothesi for the performance <strong>of</strong><br />

Goëtic works as described in the <strong>Book</strong> <strong>of</strong> True Black <strong>Magic</strong> or the Grimorium Verum. But<br />

as the first <strong>of</strong> these Rituals ordains that the preparation <strong>of</strong> the artist shall be made in<br />

accordance with certain planetary influences, so in like manner does it regulate the time<br />

<strong>of</strong> operation or accomplishment. <strong>The</strong> instructions still follow, and still in a confused<br />

manner, the authority <strong>of</strong> the Clavicle. It will be well to reproduce them here in a succinct<br />

analysis, though the piecemeal nature <strong>of</strong> the treatise attributed to Iroë-Grego leaves the<br />

rules without much practical value, while no attention is paid to them by other makers <strong>of</strong><br />

Grimoires:--

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