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The Common Ground Network for Life and Choice Manual

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<strong>The</strong> dialogue design presented in the workshop plans uses active listening very proactively to<br />

change communication patterns. Aside from these scripted uses of active listening,<br />

whenever there is room <strong>for</strong> misunderst<strong>and</strong>ing of a question or a statement, it is good to ask<br />

<strong>for</strong> this <strong>for</strong>m of restatement from someone on the other side of the conflict. A simple<br />

statement works such as, "Can one of you who are pro-life please restate Ellie's question, so<br />

that we are sure we all know what she is asking?"<br />

Active listening can also be an effective way to defuse strong emotions or an argumentative<br />

tone. Assurance that a concern or viewpoint has been heard may reduce the person’s need to<br />

intensify or repeat what he or she is saying. (More on this in section 4, below.)<br />

3. Provide Time to Think. We ask facilitators to pause <strong>for</strong> a minute after introducing a<br />

dialogue question to allow participants time to consider their answer. This helps to produce<br />

thoughtful responses that are within the limited time frame that is given <strong>for</strong> answering. It<br />

also lets people devote themselves to listening once the dialogue begins because they have<br />

already thought about what to say. Last, this pause “levels the playing field” between people<br />

who are always to ready to talk, <strong>and</strong> those who need more time to put thoughts into words.<br />

4. Alternate Speakers. <strong>The</strong>re are two factors operating here. One is that the facilitator needs<br />

to appear even-h<strong>and</strong>ed. Another is that it is usually uncom<strong>for</strong>table <strong>for</strong> people to listen to at<br />

least some parts of what is said by those with whom they strongly disagree. For these<br />

reasons have speakers in the initial round of responding to a dialogue questions so that no<br />

one side “has the floor” <strong>for</strong> too long at a time. If the group undertakes the second small<br />

group dialogue activity of asking one another questions not taking turns in this way results in<br />

people on one side being on the answering end <strong>for</strong> what feels like an uncom<strong>for</strong>tably long<br />

time be<strong>for</strong>e the others get a chance to ask their questions. Beyond the initial round of<br />

responses, this can be let go unless you notice the participants on one side dominating the<br />

conversation.<br />

5. Draw out the <strong>Common</strong> <strong>Ground</strong>. <strong>The</strong> facilitator’s ear should be attuned to picking up<br />

themes, experiences, emotions <strong>and</strong> concerns that run through the conversation <strong>and</strong> cross the<br />

lines of conflict. <strong>The</strong> group can be asked if they have heard any commonalities. <strong>The</strong><br />

facilitator may suggest what he or she is hearing <strong>and</strong> test whether this con<strong>for</strong>ms to<br />

participants’ perceptions. This should not be <strong>for</strong>ced or artificial. But it is important.<br />

Because people usually come to dialogue on this <strong>and</strong> like issues with an assumption that a<br />

vast sea of difference divides them from their opposites, the early discovery of anything<br />

shared – e.g. the same anxiety about dialogue, the identical or a similar hero (these are<br />

opening questions in the initial small group dialogue) -- begins to break down that<br />

perception. As the dialogue progresses, the emergence of overlapping values <strong>and</strong> concerns<br />

becomes energizing <strong>and</strong> exciting <strong>for</strong> participants. Probably the most frequent answer to our<br />

evaluation question asking what participants liked best about a workshop is, they learned

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