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Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ...

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EXPECTATION 3 | design discourse<br />

EXPECtAtiON 3<br />

design<br />

discourse<br />

Steven Heller indicates that, “In professional schools,<br />

the tendency is to stress craft and skills. It is a continuing<br />

battle to remind students that there is no poetry in skills<br />

alone.” 12 For that reason, it is becoming more critical than<br />

ever for design students develop their own informed ‘voice’<br />

within the context of design – past, present, and future.<br />

Ben Graham, Creative Director/Principal of Turnstyle<br />

Design Studio in Seattle discloses, “The best candidates<br />

are those who have done their research well and can<br />

communicate why they’re qualified to work for us versus<br />

another firm.” Professionals like Graham reaffirm that a<br />

student’s articulation of design begins with the presentation<br />

of their own work. Unfortunately, survey results show that<br />

design students are not mastering this fundamental skill.<br />

Design discourse ranks as the number one shortcoming of<br />

new graduates entering today’s professional workplace.<br />

12 Heller, Education of an e-Designer,103.<br />

We [as educators] cover<br />

form-giving well, but our<br />

students need to work harder<br />

to develop their critical thinking<br />

and communication skills.<br />

Samantha Lawrie, Professor<br />

Auburn University<br />

Auburn, Alabama<br />

19

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