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Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ...

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Frequent debates occur over which curricular<br />

components are ‘sacred cows,’ but the solution is<br />

tangibly resolved only in a handful of programs like<br />

Rhode Island School of Design (risd) and University<br />

of Cincinnati’s College of Design, Architecture,<br />

Art, and Planning (daap). risd’s Bachelor of Fine<br />

Arts (bfa) degree is a typical four-year program<br />

offering the expected course requirements, such as<br />

foundations, liberal arts, electives, and various design<br />

studios. Above and beyond the bfa curriculum, risd<br />

also offers an optional fifth year of coursework,<br />

which results in a Bachelor of Graphic Design (bgd)<br />

degree. This additional year enables students to<br />

acquire 6 credit hours of professional internships<br />

(as opposed to zero required for the bfa). It also<br />

incorporates 12 more graphic design studio credit<br />

hours, 9 additional art and design elective credit<br />

hours, and 3 more liberal arts credit hours. risd’s<br />

solution is a win-win for both educators and students.<br />

RISD 2009–2010 Undergraduate<br />

Graphic Design Curriculum comparing<br />

BFA & BGD credit hour distribution<br />

The need for additional time beyond the fourth<br />

year is addressed, along with the preservation of<br />

established coursework to compensate for the lack of<br />

time. By giving students this option, it allows them to<br />

gauge their competency level versus their career goals<br />

during their senior year of the design program and<br />

decide if the additional year is warranted.<br />

In contrast, daap in Cincinnati, Ohio also offers<br />

a five-year program, yet it is treated as a standard<br />

requirement to obtain a Bachelor of Science in<br />

Graphic Design, not a supplemental add-on. As a<br />

result, graphic design majors graduate from daap<br />

with a year and a half of professional practice<br />

experience, and are therefore better prepared to enter<br />

into the full-time workplace over other students with<br />

little to no experience.<br />

Another curricular concept that is rarely<br />

visualized within design school publications is their<br />

evaluation process of student work. Due to the<br />

increase in complexity of today’s design programs,<br />

portfolio reviews for admissions is more necessary<br />

than ever. 70% of professors polled are against open<br />

admission policies and believe that portfolios should<br />

be required for acceptance into reputable graphic<br />

design programs. This process favorably catches<br />

students who may need preliminary instruction<br />

prior to delving into the rigorous graphic design<br />

studio courses, yet it also creates an adverse aura<br />

of exclusivity surrounding the program itself.<br />

54

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