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Nicole Roberts MFA Thesis Visual Component Artwork - Savannah ...

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visualizing curricular concepts<br />

In visualizing the pedagogical change of graphic design, the biggest issue is the time<br />

limitation in comparison with the “encyclopedic amounts of information” to learn (as<br />

Paul Rand would say). During the onset of this research, several educators and students<br />

expressed concern as to how a graphic design curriculum could possibly incorporate any<br />

additional components. Professors seemed already overwhelmed with back-to-back studios,<br />

full to capacity. They are pressed for time; 55% of educators would rather have the longer<br />

semester term system over the collegiate ten-week quarter structure to administer the new<br />

and necessary coursework. Students frowned at the proposition of tagging on an additional<br />

year of coursework, when four years already seemed like an eternity. Given the necessity of<br />

including new professional expectations into the curriculum, it is fair to say that four years<br />

has become unrealistic to complete a comprehensive undergraduate education where the<br />

student is truly prepared for today’s increasingly demanding workplace. 50% of educators<br />

surveyed agreed. Graphic Design Department Chair, Santiago Piedrafita of North Carolina<br />

State University is part of the other 50% who believe as the need for additional coursework<br />

arises, it means certain existing coursework has become outdated.<br />

The problem in thinking four<br />

years isn’t enough to prepare<br />

undergraduates for entry<br />

level positions is the fault of<br />

design faculty who refuse to<br />

reconsider or let go of sacred<br />

cows in the curriculum.<br />

Santiago Piedrafita, Department Chair<br />

North Carolina State University<br />

Raleigh, North Carolina<br />

53

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