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"<br />
. . . . be<br />
"<br />
Myers Opens Attack<br />
On Prereleasing<br />
(Continued from page 10)<br />
specific clearance will be granted.'<br />
"This," contended Myers, "assumes that<br />
waiting time between different runs of a picture<br />
in any area does not constitute clearance<br />
unless the distributor says it is so. This is a<br />
very convenient theory for those who want<br />
to perpetuate the theatre monopoly that the<br />
courts have said should be dissolved. Under<br />
the decree clearance between theatres in substantial<br />
competition 'shall not be in excess<br />
of what is reasonably necessary to protect the<br />
licensee in the run granted' and no clearance<br />
may be granted between theatres not in substantial<br />
competition. By the prerelease plan,<br />
pictures are withheld from general release<br />
Just as long as the distributors see fit. Thus<br />
the clearance over the theatre playing first<br />
run on general release, and over the subsequent<br />
runs, not only is unreasonable but indeterminate."<br />
CITES 'MOST FLAGRANT' ASPECT<br />
Myers said, "Perhaps the most flagrant<br />
aspect" of this is that the clearance granted<br />
to theatres playing on prerelease over the<br />
theatres playing on general release is not<br />
measured for the protection of the licensee<br />
"but solely in the interest and at the whim<br />
of the distributors."<br />
And this approach to the clearance problem<br />
is not what the courts intended, he declared.<br />
The courts actually rejected a plea<br />
by the majors that in granting clearance they<br />
be permitted "to take into consideration what<br />
is reasonable for a fair return to the licensor."<br />
Instead the court said : "In the setting of this<br />
case, the only measure of reasonableness of a<br />
clearance under the Sherman act standards is<br />
the special needs of the licensee for the competitive<br />
advantage It affords."<br />
"Actually," Myers declared, "the companies<br />
are extending clearance to noncompetitive<br />
theatres which never were subjected to clearance<br />
before."<br />
'WERE ^fEVER IN COMPETITION'<br />
"We all know of situations where theatres<br />
in towns of less than 75,000 have played day<br />
and date with the first runs in nearby larger<br />
cities presumably because they were not<br />
deemed to be in substantial competition. Now<br />
they must wait until the city has its prerelease<br />
run and the distributor sees fit to put the<br />
picture in general release."<br />
"All this is being done," Myers said, in particularly<br />
strong language, "not in unwitting<br />
violation of the decree but in Icnowing, wilful<br />
and deliberate contempt of the court."<br />
"A purpose to evade the decree is the only<br />
PKJSsible explanation of Columbia's declaration<br />
that 'no specific cleai'ance will be<br />
granted.' The same purpose is to be found in<br />
the provision that has just been called to our<br />
attention in Paramount's printed contract<br />
form. These printed forms are not subject<br />
to negotiation. They are part of a form and<br />
in order to get pictures you must sign on the<br />
dotted line. Here is the new provision:<br />
" 'Distributor shaU have the right to<br />
exhibit or grant a license to exhibit any of<br />
said motion pictures as a "roadshow,"<br />
"tryout," or "preview" or a special midnight<br />
exhibition at any time prior to the<br />
exhibition thereof hereunder. Any such<br />
exhibition shall not be deemed a run of<br />
said motion picture, nor shall the run.<br />
Loews Not Selling to TV,<br />
Stockholders Are Told<br />
NEW YORK—Loew's, Inc., has no present<br />
plans to sell pictures to television, stockholders<br />
were informed at the annual meeting of<br />
the corporation Thursday (26). Short subjects<br />
have not been made for TV because this<br />
production has proved unprofitable for other<br />
companies. Besides, said Loew's executives<br />
at the meeting, the company favors the more<br />
than 14,000 motion picture theatres that are<br />
its customers.<br />
All directors were re-elected at the meeting,<br />
but not until after executive heard considerable<br />
criticism of the company's management,<br />
earnings and overhead costs. What the dissident<br />
faction wanted to know was how the<br />
management could increase dividends. Told<br />
that salaries exceeding $1,000 a week had been<br />
reduced materially, the group was not particularly<br />
satisfied..<br />
Charles C. Moskowitz, vice-president and<br />
treasurer, told the stockholders that earnings<br />
during the first 28 weeks of the fiscal year<br />
amounted to 40 cents a share compared to six<br />
cents a share in the first 12 weeks. He also<br />
pointed out that Loew's foreign revenue is<br />
estimated at 38 per cent of the company's<br />
earnings, which is higher than that of any<br />
other company.<br />
The dissident group asked for more "outside"<br />
representation on the board, but did<br />
not make any nominations from the floor.<br />
Then the group criticized directors for not<br />
holding more of the stock. But, management<br />
spokesmen pointed out, there had been no<br />
decreases in holdings and Moskowitz had<br />
boosted his holdings during the year from<br />
availability or clearance provided herein<br />
governed thereby or computed<br />
thereon.'<br />
Myers said that while this may seem merely<br />
to protect the ditsributor, if it sold a picture<br />
for exhibition on general availability and later<br />
decided to make It a prerelease or roadshow,<br />
"the real purpose Is to forestall any exhibitor<br />
who licenses a picture on general release, subsequent<br />
to its prerelease exhibition, from resorting<br />
to arbitration, or the courts, or the<br />
Department of Justice for the violation Inherent<br />
in the prerelease practice."<br />
"There you are ... a deliberate attempt<br />
to make the exhibitor agree in advance to<br />
condone and, in effect, to become parties to<br />
flagrant violations of the decree and of the<br />
law as a condition to the right to license pictures<br />
in interstate commerce and trade."<br />
In his address, Myers also attacked competitive<br />
bidding as practiced by the distributors.<br />
He also contended that the prerelease method<br />
falls short of complying with the requirement<br />
that "each picture be so offered and taken<br />
theatre by theatre solely on its merits and<br />
without discrimination."<br />
In the first place, he contended, all theatres<br />
in all cities and towns other than the key<br />
cities expressly included are excluded from<br />
consideration.<br />
"In the second place, independent theatres<br />
in the key cities desiring to play the pictures<br />
prerelease, either exclusively or day and date<br />
with the entrenched circuit theatres, face the<br />
3,000 to a total of 4,500 shares.<br />
Theatre concession revenue for the past<br />
year was estimated at $970,000, compared with<br />
$952,000 the previous year. Forty-five per<br />
cent of this came from sales of popcorn and<br />
25 per cent each from the sales of candy and<br />
ice cream.<br />
A breakdown of sales and profits of the theatre<br />
branch of the company was put at 43<br />
per cent, compared with 46 per cent the<br />
previous year. Eleven theatres, it was reported,<br />
were sold under divorcement provisions<br />
for a loss of $134,824. Thirteen are still<br />
to be divested—with the divorcement deadline<br />
set at Feb. 6, 1954.<br />
Advertising costs in 1952 were about $6,000,-<br />
000, stockholders were told, a higher than<br />
usual figure because of "Quo Vadls." They<br />
are expected to be lower this year, except for<br />
possible heavy advertising of the picture<br />
abroad.<br />
Moskowitz said the company had aided in<br />
the technical development of Cinemascope<br />
and had high hopes for it, as to what financial<br />
arrangements had been made with 20th Century-Fox<br />
to use it, he said he would tell the<br />
stockholders privately but not in public.<br />
All directors were re-elected. They are<br />
George A. BrowneU, Leopold Friedman,<br />
P. Joseph HoUeran, Eugene W. Leake,<br />
Charles C. Moskowitz, William A. Parker,<br />
William F. Rodgers, J. Robert Rubin, Nicholas<br />
M. Schenck, Joseph R. Vogel and Henry<br />
Rogers Winthrop. Each received more than<br />
4,000,000 votes. The number of shares voted<br />
was 4,056,000 out of 5,142,615 outstanding.<br />
hopeless obstacle of the latters long purse.'<br />
"Finally, and most important, competitive<br />
bidding can be and many believe that it is<br />
made a cloak for perpetuating in secrecy and<br />
with an outward show of fairness the same<br />
favoritism toward affiliated theatres and the<br />
same discrimination against independent theatres<br />
that led the court to impose the antidiscrimination<br />
provision."<br />
There is no way, he charged, in which bids<br />
can be accurately compared, so the distributors<br />
"are free to exercise an arbitrary choice."<br />
The distributors, by refusing to disclose the<br />
bids to exhibitors entering into the competition,<br />
deny the exhibitors the opportunity to<br />
protest.<br />
"If anyone in this room can point out to me<br />
wherein the prerelease practice conforms to<br />
this provision of the decree, or any of the<br />
others I have noted, I wish they would do so.<br />
I do not say this facetiously, because it is a<br />
very grave matter. No industry branch can<br />
benefit indefinitely from unlawful acts and<br />
in the end of all branches are liable to be<br />
badly hurt."<br />
TV Set Output for Year High<br />
WASHINGTON—Television industry forecasts<br />
show a strong consumer demand for<br />
receivers this year, with production levels set<br />
at 6,500,000 sets, the industry told the National<br />
Production Authority on Thursday (18).<br />
But NPA officials were skeptical about supplies<br />
of some scarce metals needed for TV sets.<br />
BOXOFFICE :: February 28, 1953 13