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Boxoffice-Febuary.28.1953

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—<br />

Matches Zukor's 50-Year Span in Films<br />

Carl Christian, Tuckerman, Ark., Played First Pictures of Original Famous Players Corp.<br />

TUCKERMAN, ARK.—Fifty years in the<br />

motion picture industry, occasion for the<br />

golden jubilee celebration of Adolph Zukor,<br />

also is a milestone this year for Carl Chiistian.<br />

owner of the Cozy Theatre here. And,<br />

in honor of his half-century in show business.<br />

Christian is overhauling and renovating the<br />

Cozy, because, he says, "I want to do more<br />

I expect my 51st year in .show business to be<br />

the best of all."<br />

Christian, who calls himself an "amateur<br />

scientist, experimenter, technician, hobbyist<br />

and student." started in show business via<br />

sound with an Edison phonograph in 1903 and<br />

later added slide lecture shows, then motion<br />

pictures.<br />

His background of 50 years in the industry<br />

brings Christian many memories, including a<br />

number of reminiscences about Zukor.<br />

"In 1912." Christian wrote BOXOFFICE,<br />

"Adolph Zukor came out with the first fulllength<br />

feature attraction—the immortal Sarah<br />

Bernhardt in 'Queen Elizabeth.' Zukor's associate<br />

was that able Broadway producer. Daniel<br />

Frohman. Zukor's company was named<br />

Famous Players Corp. Soon after 'Queen<br />

Elizabeth.' Jesse L. Lasky. with that genius<br />

of production and direction, Cecil B. DeMille.<br />

made 'The Squaw Man.' a virile he-man story<br />

starring Dustin Farnum.<br />

"Zukor and Lasky later formed the Famous<br />

Players-Lasky Corp., establishing the feature<br />

pictiu-e as a permanent top attraction in the<br />

movie world. Feature nights in theatres were<br />

increased to double program prices with<br />

heavy attendance.<br />

In 1913. after ten years as a traveling exhibitor<br />

in the south and southwest, I settled down<br />

and opened my first theatre where I had the<br />

Carl Christian, owner of the Cozy Theatre,<br />

Tuckerman, Ark., is celebrating his<br />

50th anniversary in theatre business. He<br />

is shown here in a photograph made in<br />

1912 when he was traveling the south<br />

and southwest with a photo-slide show,<br />

which he photographed then showed in<br />

local theatres.<br />

profitable pleasure of playing all the first<br />

pictures of Zukor and his associates. The two<br />

previously mentioned, and others such as the<br />

Mary Pickford pictures when she was a mere<br />

slip of a girl, too young to play anything<br />

but juvenile roles, such as 'Tess of the Storm<br />

Country,' a real tear-jerker.<br />

"In 1915, the Famous Players-Lasky Corp.<br />

bought Paramount Picture Corp. with Paramount<br />

as its distributing channel. This<br />

brought to the .screen greater art and talent,<br />

like the Barrymore family, Wallace Reid,<br />

Marguerite Clark. Douglas Fairbanks sr., and<br />

others too numerous to mention."<br />

FILMS WERE ONLY SHORTS<br />

All of these events, starting in 1912, occurred<br />

some nine years after Christian originally<br />

entered the business. In 1903, when he first<br />

started showing pictures, the films were<br />

merely short subject shots from 40 to 75 feet<br />

long, no reading, no beginning and no end.<br />

"Edison's machine instructions." he wrote,<br />

"recommended that the exhibitor write the<br />

name of the subject on a slide and run it before<br />

running the film. Most of the early<br />

motion picture projection machines were sold<br />

and made to operate as attachments to slide<br />

projectors. The upper reel holder had a gear<br />

and crank for rewinding film right back on<br />

the machine.<br />

"The MotiogTaph of 1905-06 had a gear<br />

shift whereby the operator could shift a<br />

lever and rewind with the same crank that he<br />

had cranked the picture through with. One<br />

reel, about 16 minutes, constituted a show, if<br />

the exhibitor knew how to put that much<br />

film together on one reel. Edison's first film<br />

with a coordinated story. 'The Great Train<br />

Robbery.' was only 885 feet long, running<br />

about 14 minutes."<br />

During his first ten years in business. Christian<br />

traveled, making photographs in the daytime<br />

and showing them at night. His biggest<br />

success, he said, came in 1911-12 with a highspeed<br />

high-pressure photo-exhibition show,<br />

whereby he came into a town and made snapshots<br />

and speedshots of the natives, then<br />

showed them on the screen at the local<br />

theatre.<br />

BROKE RECORDS REGULARLY<br />

"I had a good line of advertising and created<br />

much excitement shooting people going<br />

and coming, and I often rigged up and shot<br />

funny stunts on the streets to the delight<br />

of the public and a terrific rush at the boxoffice.<br />

I broke records with this show in<br />

every house I showed in for two years. Nearly<br />

every town had a theatre, if there was any<br />

electricity. Admissions were five and ten<br />

cents and added attractions like my photoslide<br />

show or vaudeville brought ten and<br />

20 cents.<br />

"While the present day. practical talking<br />

pictures started around 1927-28 with Warner<br />

Bros, and Western Electric. Edison in 1912<br />

with his diamond disk phonograph did bring<br />

out a complete roadshow talking picture deal,<br />

which was sold over the nation on states<br />

rights. This was a once-over roadshow, having<br />

no repeat program. It was very good and<br />

was synchronized. Along about 1906-07 there<br />

was a Fi-ench sound picture introduced, just<br />

a song or two, not synchronized and not very<br />

satisfactory."<br />

In 1941, with a circuit of six prosperous theatres,<br />

two in county seat towns, and after<br />

having been a bachelor for 60 years. Christian<br />

married and "settled down." It was then that<br />

he began working on plans to build a model<br />

ATTENTION<br />

MOVIE FANS!<br />

The Coty ThMire will bo cloMd down lomporarily lor a complole<br />

overhauling Bod redecoraling job. tn prepainllon lor the celebra<br />

Hon of C«rl ChrUliftn, SOth SHOW ANNIVERSARY — Marking up<br />

lllly yean In a wonderluUy Intoreallng and somelkmes exciting<br />

business. Ihrough good limes and bad.— through three wars, alorms.<br />

burrlcines. lidal waves, fires, highwater. drouths, boal waves,<br />

bittiards. dust btorma. and cpidomtcs. With all these experiences,<br />

and seme were pretty rough.— there has b«oD thousands of sun<br />

shiny days in whirh I b'tvo shown to, and brought joy and «dtortainmeni<br />

to more than a million p«oplo. This alone is a cherished<br />

reward that will long bring many pleasant momorios to the remaining<br />

years of a humble and opliraisllc scul- Optimistic because<br />

I want to do mor»—havmg marked up mdny accomplishments and<br />

successes in these fifty years, that have added much to my know<br />

ledge and wisdom. 1. therefore, expect my 51st year to bo the best<br />

of all—so walch tor further announcements and our reopening<br />

date.<br />

The first show I put on. lilty years ago. was in a school house<br />

demonstrating Edison's Talking Machine (phonograph) with records<br />

of bands, orchestras, songs and talking sketches— with playback<br />

records, made with audience participating. It was a marvelous<br />

experience to many patrons, aa it was their first lime to hear<br />

be reproduction of sound. Very few h=)d even henrd of the telephone<br />

with its strange voice coming over a wire. The Ihirteon dol<br />

lars and aixty-flve cents 1 took in on this first show was a big<br />

linanclal success to a country boy who liked to tinker with machines<br />

and. tor that mailer, still does.<br />

Incidentally I have right hore in Tuckerman the ortgloal Edison<br />

Phonograph and some of the records with which I pat on that<br />

lirst show titty years 370. and will have it on exhibit on my anni<br />

versary opening night and give everyone an opportunity to s«e and<br />

hear it— if I can make it work— I think I can!<br />

Thanking everyone tor the confidence and patronage tbey<br />

have given me in Ihe past and invillag you to my SOth Anniversary<br />

Party—watch for dale.<br />

I im yours sincerely.<br />

Carl Christian<br />

Advertising is very important to<br />

Carl Christian, owner of the Cozy Theatre,<br />

Tuckerman. This is a copy of a<br />

2 column, 7 Viz -inch ad which he ran<br />

in the Tuckerman Record after closing<br />

the Cozy for renovation in observance<br />

of his SOth anniversary in show business.<br />

theatre which would incorporate in its design<br />

the lessons he had learned in his years of theatre<br />

experience, and eight or ten inventions<br />

of his own in projection, lighting, electronics<br />

and sound.<br />

Christian, who does all his own blueprints,<br />

had his plans completed by Dec. 1. 1941, but<br />

along came Pearl Harbor.<br />

"Since then." he said, "with taxation, government<br />

regulations, discrimination and persecution,<br />

it has been tough sledding. But, I<br />

still have a desire to build that theatre and<br />

can do so. if the government eases up the<br />

burden it has saddled on the theatre business.<br />

"I have brought my theatre plan up to date<br />

and have incorporated in it an idea which I<br />

think will bring the public back to the theatre.<br />

It has to be an event, like going to a<br />

picnic. In other words, the public is going to<br />

want to go to the movies because 'everybody<br />

else will be there.' That's just what I propose<br />

to build into my model theatre, just old,<br />

tried and proven showmanship, put together<br />

in a new combination and on a more elaborate<br />

scale. And, believe me, I think I can give<br />

it top billing."<br />

BOXOFFICE<br />

:<br />

: February 28, 1953 sc 63

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