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Boxoffice-December.17.1955

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—<br />

— —<br />

'Kismef and Music Hall Xmas Show<br />

Open Strong as NY Holdovers Lag<br />

NEW YORK—The season's first<br />

Christmas<br />

show, the combination of the Radio City<br />

Music Hall "Nativity" pageant, plus MGM's<br />

Cinemascope musical, "Kismet," attracted<br />

long waiting lines daily at the world's largest<br />

theatre while the majority of the long run<br />

holdovers lagged and some of them did poor<br />

business.<br />

"The Rose Tattoo," which opened at the<br />

Astor December 12 and got strong reviews,<br />

and "The Prisoner," which opened at the<br />

Plaza December 10 to rave notices, also did<br />

exceptionally well with the latter breaking<br />

the theatre's record for Saturday and Sunday<br />

(10, 11) business. Two other Columbia pictures,<br />

"The Last Frontier" at the Paramount<br />

'<br />

and "The Crooked Web at the RKO Palace,<br />

also did good business.<br />

With the holdovers it was a different story<br />

except for "Guys and Dolls," in its sixth<br />

week at the Capitol, and the two-a-day attractions,<br />

"Cinei-ama Holiday" in its 44th<br />

week at the Warner Theatre and "Oklahoma!"<br />

in its ninth week at the Rivoli, which<br />

attracted the out-of-towners and those New<br />

Yorkers not too occupied with Christmas<br />

shopping. "The Desperate Hours," in it.5 ninth<br />

week at the Criterion, resorted to dally "previews<br />

of a forthcoming attraction" and "Good<br />

Morning, Miss Dove" in its third and final<br />

week at the Roxy, "Queen Bee" in its third<br />

week at Loew's State, "Quentin Durward" in<br />

its third week at the Mayfair and "The Big<br />

Knife" in its fifth and final week at the<br />

Victoria were way off.<br />

In addition to "The Prisoner," several other<br />

art house films held up exceptionally well,<br />

including "Diabolique," which also had waiting<br />

lines each evening of its third week at<br />

the Fine Arts; "Umberto D.," which had a<br />

fifth week even above the preceding one at<br />

the tiny Guild Theatre; "Hill 24 Doesn't<br />

Answer" in its sixth good week at the World<br />

and "Marty" in its 35th week at the Sutton.<br />

"The Life of Emile Zola," revival of the Paul<br />

Muni 1937 film, also held up well in its<br />

fourth week at the Baronet.<br />

The second Christmas holiday film, "The<br />

Rains of Ranchipur," in conjunction with a<br />

new ice stageshow at the Roxy, opened<br />

December 15. Two United Artists films,<br />

"Heidi and Peter" and "The Man With the<br />

Golden Arm," also opened during the w-eek.<br />

(Average Is 100)<br />

Astor— Rebel Without o Cause (WB), 5 days of<br />

7th wk 105<br />

Baronet—The Life of Emile Zola (WB), revival,<br />

4th wk 115<br />

Copitol—Guys and Dolls (MGM), 6th wk 130<br />

Criterion—The Desperate Hours (Pore), 9th wk...IOO<br />

Fine Arts— Diabolique lUMPO), 3rd wk 160<br />

55th St.—Foreign revivols<br />

Globe—One Way Ticket to Hell (Independent). ... 1 00<br />

Guild—Umberto D. (Harrison), 5th wk 145<br />

Little Carnegie— I Am a Camera (DCA), 18th wk..)00<br />

Loew's State—Queen Bee (Col), 3rd wk 100<br />

Mayfair—Quentin Durward (MGM), 3rd wk 100<br />

Normandie—The African Lion (Buena Vista), 13th<br />

wk 110<br />

Palace—The Crooked Web (Col), plus vaudeville. .120<br />

Paramount—The Lost Frontier (Col) 115<br />

Pons—The Trouble With Horry (Para), 9th wk...llO<br />

Plazo—The Prisoner (Col) 200<br />

Radio City Music Hall Kismet (MGM), plus<br />

anuol Xmas stage show 1 80<br />

Rivoli—Oklahomal (Todd-AO), 9th wk. of two-aday<br />

130<br />

Roxy—Good Morning, Miss Dove (20th-Fox), 3rd<br />

wk<br />

no<br />

Sutton Morty (UA), 35fh wk 110<br />

Trans-Lux 52nd St. This Strange Passion [Omnifilms),<br />

2nd wk 105<br />

Victoria—The Big Knife lUA), 5th wk 105<br />

Warner—Cinerama Holiday (SW), 44th wk. of<br />

two-a-day ^ 1 40<br />

World—Hill 24 Doesn't Answer (Continental),<br />

6th wk 115<br />

Philadelphia First Runs<br />

Do Bumpor Business<br />

PHILADELPHIA—Christmas shopping, so<br />

far, has made no perceptible inroads on the<br />

local boxoffice. Among first runs enjoying<br />

a big week, "Guys and Dolls" was the standout,<br />

scoring a whopping 305 in its third week<br />

at the Randolph.<br />

Arcadia—Trial (MGM), 5th wk 190<br />

Boyd— Cinerama Ho.iday, 41 st wk 110<br />

Fox—Good Morning, Miss Dove (20th-Fox) 100<br />

Goldmon—Man With the Gun (UA) 120<br />

Mastboum—The Treasure of Poncho Villa (RKO). . 95<br />

Midtown—The Desperate Hours (Paro), 6th wk. . 90<br />

Randolph—Guys and Dolls (MGM), 3rd wk 305<br />

Sianley—The Tender Trap (MGM), 2nd wk 105<br />

Stanton—The African Lion (Buena Vista), 2nd wk 120<br />

Studio— I Am a Camera (DCA) 250<br />

Trans-Lux—To Catch o Thief (Para), 12th wk. 80<br />

Viking—The Big Knife (UA) 1 80<br />

Christmas Shopping Hurts<br />

Grosses in Baltimore<br />

BALTIMORE—First run exhibitors continued<br />

to depend upon weekend business to<br />

bolster grosses while pre-Christmas shopping<br />

offered such stiff competition. <strong>Boxoffice</strong>s<br />

were not sufficiently busy during weekday<br />

matinees and nights, although "The Deep<br />

Blue Sea" attracted attention and "Texas<br />

Lady" ran a close second.<br />

Century—The Tender Trap (MGM), 4th wk 90<br />

Film Centre—Cocktails in the Kitchen (Assoc.<br />

Artists) 100<br />

Hippodrome—Texos Lady (RKO) 100<br />

Little—Gone With the Wind (MGM), reissue 95<br />

New—The Deep Blue Sea (20th-Fox) 110<br />

Mayfair—Tarantula (U-l); Running Wild (U-l). ... 90<br />

Playhouse— I Am a Camera (DCA), 5th wk 90<br />

Stanley— I Died a Thousand Times (WB) 90<br />

The Cinema— Chance Meeting (Pacemakers), 3rd<br />

wk 85<br />

Buffalo <strong>Boxoffice</strong> Takes<br />

Seasonal Nosedive<br />

BUFFALO—Crowds have started shopping<br />

instead of theatregoing and boxoffices here<br />

were affected all along the line. "Top Gun"<br />

at Shea's Buffalo and "Target Zero" at the<br />

Paramount held to normal. "Naked Street"<br />

went a bit over normal in the Center.<br />

Buffalo—Top Gun (UA)<br />

1 00<br />

Center—The Naked Street (UA)...<br />

1 05<br />

Century—Texas Lady (RKO)<br />

85<br />

Cinema—The Divided Heart (Rep).<br />

90<br />

Lafayette— Kiss of Fire (U-l)<br />

90<br />

Paramount—Torget Zero (WB) 100<br />

Place of Theatre Manager<br />

In Community Described<br />

NEW YORK—The place of the motion<br />

picture theatre manager in his community<br />

was described by Emanuel FYisch, president<br />

of the Metropolitan Motion Picture Theatres<br />

Ass'n, at the New School for Social Research<br />

Thursday (15). His talk was one in a series<br />

on the implications of motion pictures in<br />

contemporary life conducted by Rita Hochheimer.<br />

Ampa's Christmas Party<br />

To Be Held December 20<br />

NEW YORK—The 39th<br />

annual Christmas<br />

party of the Associated Motion Picture Advertisers<br />

will be held at the Piccadilly Hotel<br />

Tuesday i20). Neil Hamilton will be the<br />

master of ceremonies. Among film players<br />

expected to attend is Karen Sharpe, United<br />

Artists starlet.<br />

'HEIDI' OPENING—Leonard Bloom,<br />

left, manager of the Little Carnegie<br />

Theatre, New York, greets Fred Gygax,<br />

Swiss consul general, who was guest of<br />

honor at the opening of "Heidi and<br />

Peter," Lazar Wechsler production filmed<br />

in Switzerland.<br />

Industry Leaders at<br />

'Golden Arm' Event<br />

NEW YORK—Arnold M. Picker, United<br />

Artists vice-president in charge of foreign<br />

distribution, came on from HoUyw'ood Thursday<br />

115) to attend the invitation opening of<br />

Otto Pi-eminger's "The Man With the Golden<br />

Arm" at the Victoria Theatre. Other UA<br />

executives on hand for the event included:<br />

Robert S. Benjamin, William J. Heineman,<br />

Max E. Youngstein and Ai'thur B. Krim,<br />

president.<br />

Exhibitor leaders and production and distribution<br />

heads from other companies were<br />

also on hand to see the opening of the controversial<br />

film and 55 out-of-town newspaper<br />

critics from 36 key cities were flown to New<br />

York by UA from points as distant as Los<br />

Angeles, Houston and Toronto and remained<br />

overnight as guests of UA.<br />

The exhibitor leaders included:<br />

Herman Becker, Horry Brandt, Richard Brandt,<br />

Leo Brecher, Max A. Cohen, Gus Eyssell, Nat Fellmon,<br />

Emanuel Frisch, Sam Goodman, John H. Harris, Julius<br />

Joelson, Harry Kalmine, Arthur M. Loew, Fred Lynch,<br />

Frank Marshall, Charles Moss, Larry Morris, Arthur<br />

L. Mayer, Clem Perry, Eugene Picker, Matthew Polon,<br />

Walter Reade jr., Harold Rinzler, Sam Rinzler, Sam<br />

Rosen, Sol A. Schwartz, Joseph Seider, Robert K.<br />

Shapiro, Robert Sherman, Wilbur Snaper and Robert<br />

M. Weitmon.<br />

Industry leaders included:<br />

R. W. Altschuler, Maurice Bergman, Charles Boosberg,<br />

Jock Cohn, Ned E. Depinet, Charles Einfeld,<br />

William C. Gehring, Morey Goldstein, Edward L.<br />

Hyman, Leo Jaffe, Ben Kalmenson, Sid Kromer,<br />

Theodore Kupfermon, Robert Lantz, Jules Levey,<br />

Joseph L. Monkiewicz, James A. Mulvey, Robert<br />

Mochrie, Frank McCarthy, Thomas F. O'Neil, Daniel<br />

O'Shea, E. K. O'Shea, Hugh Owen, Milton R. Rackmil,<br />

Charles M. Reagan, A. Schneider, A. W, Schwatberg,<br />

Silas F. Seadler, Spyros P. Skouras, Horry M. Warner<br />

and Major Albert Warner.<br />

Film and stage celebrities who attended<br />

included:<br />

Gilbert Miller, Thelma Ritter, Harry Belofonte,<br />

Marlene Dietrich, Janet Blair, Carol Bruce, Dagmor,<br />

Arlene Francis, Rita Gam, Huntington Hartford, Fanny<br />

Hurst, Phil Silvers, Carmel Myers, Billy Rose, Paula<br />

Stone, Eva Gobor, Melvyn Douglas, Pearl Bailey, Kim<br />

Hunter, Audrey Meadows, Gloria Vonderbilt, Blonche<br />

Yurka and three members of the "Golden Arm" cast,<br />

Doro Merande, Arnold Stang and Darren McGavin.<br />

The opening event was beamed to a<br />

national audience of more than 23,000,000<br />

with a live telecast over WPIX and broadcast<br />

over two of the NBC network radio shows.<br />

Shirley Thomas, Hollywood reporter for NBC,<br />

flew to New York to interview celebrities and<br />

this was taped to be aired Fi'iday over 197<br />

NBC stations.<br />

E-2 BOXOFFICE December 17, 1955

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