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Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...

Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...

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Alina Klonova, Juris Klonovs, Andrea Giovanardi, Antonio Cicchella<br />

nę amatorsko wykazało, iż czynnikiem dyskryminującym jest w tym przypadku motoryka stawu biodrowego, nie<br />

stwierdzono natomiast różnic w parametrach fizjologicznych.<br />

Wyniki i wnioski. Odnotowano różnicę poziomu pułapu tlenowego pomiędzy mężczyznami i kobietami, nie<br />

wykazując żadnej statystycznie istotnej zależności pomiędzy reprezentowaną przez tancerzy międzynarodową<br />

kategorią klasową a poziomem VO 2<br />

max, progiem anaerobowym czy produkcją kwasu mleczanowego. Wykazano,<br />

iż na wysoki poziom sportowy współczesnych par wpływa postęp technik treningowych. Opisano motorykę stawu<br />

kolanowego w trakcie wykonywania quickstepa, walca angielskiego, tanga, slow-foksa i walca wiedeńskiego,<br />

wykazując zasadnicze różnice w pracy kończyn górnych, a co za tym idzie – różne wymagania energetyczne w tych<br />

tańcach. W podsumowaniu podkreślono, iż wprawdzie prezentowanie wysokiej klasy sportowej przez zawodnika<br />

zależy od jego umiejętności technicznych, mimo to jednak do sprostania długim treningom i turniejom konieczna<br />

jest wysoka sprawność fizyczna.<br />

Introduction<br />

It is widely accepted that physiological characteristics<br />

are the basic requirement for learning and performing<br />

and sport and technical skills are built upon its. While<br />

this is a commonly accepted concept for sport with<br />

heavy muscular effort, there are controversial opinions<br />

about the “athletization” of arts performers [1]. Albeit<br />

there exist many studies on the physiological and biomechanics<br />

characteristics of classical dancers [2], very<br />

few studies concentrate on sport dance [3, 4]. The sport<br />

dance model of performance is that of “A dexterity activity<br />

with great muscular involvement” [5], thus posing the<br />

accent on the “dexterity” aspects and with an emphasis<br />

on muscular aspects of the performance. Astrand [6]<br />

classified sport dance as “extremely heavy” especially<br />

for female athletes. Due that it is a sport performed in a<br />

couple, the knowledge of aerobic and anaerobic parameters<br />

of each component of the couple is necessary for<br />

a proper physical matching. Having an idea about the<br />

physical load of ballroom dance competitions, we can<br />

refer to the International Standard Dance Music IDSF<br />

Tempo Regulation [7]. The definitions are the following:<br />

Slow Waltz 28–30 bars per minute, 3/4 timing<br />

Tango 31–33 bars per minute, 4/4 time<br />

Viennese Waltz 58–60 bars per minute, 3/4 time<br />

Foxtrot 28–30 bars per minute, 4/4 time<br />

Quickstep 50–52 bars per minute, 4/4 time<br />

The duration of one dance in the competition should<br />

be between 90 and 120 seconds. Ten to twenty seconds<br />

rest is allowed between each dance. A certain mix<br />

of strength, flexibility, and endurance together with the<br />

capacity to stay focused on the aesthetics of the performance<br />

is necessary factor to be successful in this sport<br />

[7]. Endurance seems to be a basic motor capacity albeit<br />

obviously not so important as in endurance sport:<br />

the long competition sessions, poses a certain load on<br />

the cardio-respiratory apparatus of the dancers, and the<br />

oxygen consumption and lactate production/sustainability<br />

capacities seem to be important supportive factors<br />

of the performance [2]. Aims of our study are to 1) provide<br />

an updated physiological profile of the male and female<br />

sport dance athletes; 2) assess differences in the<br />

couple (male vs female) both for oxygen consumption,<br />

lactate production and for biomechanical kinematics parameters;<br />

3) provide basic biomechanical parameters of<br />

this sport useful for technique evaluation; 4) compare<br />

results of top level couple with amateur athletes.<br />

Methods<br />

15 males and 15 females were considered for physiological<br />

and biomechanical measures (mean age: 26,5 and<br />

26,45 years; height 176 ± 9 and 167 ± 8 cm, weight 66,3 ±<br />

12 and 54 ± 10 kg, mean dancing experience of 16 years).<br />

The dancer’s age, compared with those reported in the<br />

study of Blanksby [4] of 23 year ago in a sample of comparable<br />

level of qualification, show a tendencies toward<br />

an increase. In the Blanskby study, the authors reported<br />

a mean age of 23,2 years for males and 21,8 for females.<br />

In our study the mean ages are respectively 26,5 and 27,8.<br />

It is interesting to note that the height does not show important<br />

changes: 176,1 and 166,8 cm for male and female<br />

in our study vs 176,8 and 165,4 cm in the Blanksby study<br />

while body weight is increased in male and decreased in<br />

females, showing a tendency toward body mass increase,<br />

66,35 and 54 kg in our group vs 60,5 and 57,7 kg in<br />

Blanksby study for body weight. The subjects were tested<br />

for VO 2<br />

max on the treadmill (K4b 2 oxygen consumption<br />

system Cosmed, Italy) using an incremental protocol until<br />

the exhaustion. The subjects, after a warm up, started the<br />

test walking at 6 km/h (Exere, Air Machine, Italy) at 0%<br />

slope, and then the speed was increased by 1 km/h every<br />

minute until exhaustion. Maximum velocity achieved was<br />

recorded and anaerobic threshold was computed according<br />

to Whipp [8]. After the cessation of the incremental<br />

test, a drop of venous blood was taken from the ear lobe<br />

and analyzed with a Lactate Scout portable lactacydometer<br />

at three and six minutes and the higher value was<br />

– 32 –

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