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Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...

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The sport dance athlete: aerobic-anaerobic capacities and kinematics to improve the performance<br />

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Fig. 2. Angles between dancers’ hips in each standard dance (Q = Quickstep ; SW = Slow Waltz ; T = Tango; SF = Slow Foxtrot ;<br />

VW = Viennese Waltz)<br />

To our knowledge, only one previous study exist in<br />

literature on ballroom dancers kinematics [3]. In this<br />

study, kinematics was presented as a method to study<br />

and to extract relevant parameters for training from the<br />

motion of the subjects. In this study, done at an early<br />

stage of motion analysis technology, graphs of pelvis<br />

trajectories of the dancing couple and step length<br />

were considered only in a qualitative way. The study<br />

also analyzed the pelvis oscillations in the vertical and<br />

horizontal planes in a top couple with a Fast Fourier<br />

Transform algorithm. They concluded that the pelvis<br />

oscillation was in synchronicity with the tempo and was<br />

not influenced by athlete’s body height. This conclusion<br />

gives information about the ability of the dancer<br />

to follow the tempo, regardless of their body height,<br />

but does not give information about the segment kinematics.<br />

In our study, we concentrated on knee flexion<br />

angles which we found different degrees of correlation<br />

with body height in all styles where deep knee flexions<br />

are required by the movement (r = 0.53 in right knee in<br />

the Slow Foxtrot, 0. 48 in left knee in Tango and 0.39 in<br />

right knee in Tango; 0.25 in right knee in Slow Foxtrot;<br />

0.20 in right knee in Viennese Waltz and 0.32 in left<br />

knee in Viennese Waltz p < 0.05). As the fluidity of the<br />

movement is important for the aesthetics of the dance,<br />

our results suggest that the dancers must not be too<br />

high, in order to limit the vertical oscillations of the body<br />

which can affect speed and fluidity in the horizontal<br />

plane (hip alignment). To confirm this hypothesis, we<br />

didn’t found any correlation between hip alignment and<br />

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Fig. 3. Dancers’ minimum knee angles in each standard dance (Q = Quickstep ; SW = Slow Waltz ; T = Tango; SF = Slow Foxtrot;<br />

VW = Viennese Waltz)<br />

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