Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...
Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...
Antropomotoryka nr 55.indb - Akademia Wychowania Fizycznego w ...
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The sport dance athlete: aerobic-anaerobic capacities and kinematics to improve the performance<br />
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Fig. 2. Angles between dancers’ hips in each standard dance (Q = Quickstep ; SW = Slow Waltz ; T = Tango; SF = Slow Foxtrot ;<br />
VW = Viennese Waltz)<br />
To our knowledge, only one previous study exist in<br />
literature on ballroom dancers kinematics [3]. In this<br />
study, kinematics was presented as a method to study<br />
and to extract relevant parameters for training from the<br />
motion of the subjects. In this study, done at an early<br />
stage of motion analysis technology, graphs of pelvis<br />
trajectories of the dancing couple and step length<br />
were considered only in a qualitative way. The study<br />
also analyzed the pelvis oscillations in the vertical and<br />
horizontal planes in a top couple with a Fast Fourier<br />
Transform algorithm. They concluded that the pelvis<br />
oscillation was in synchronicity with the tempo and was<br />
not influenced by athlete’s body height. This conclusion<br />
gives information about the ability of the dancer<br />
to follow the tempo, regardless of their body height,<br />
but does not give information about the segment kinematics.<br />
In our study, we concentrated on knee flexion<br />
angles which we found different degrees of correlation<br />
with body height in all styles where deep knee flexions<br />
are required by the movement (r = 0.53 in right knee in<br />
the Slow Foxtrot, 0. 48 in left knee in Tango and 0.39 in<br />
right knee in Tango; 0.25 in right knee in Slow Foxtrot;<br />
0.20 in right knee in Viennese Waltz and 0.32 in left<br />
knee in Viennese Waltz p < 0.05). As the fluidity of the<br />
movement is important for the aesthetics of the dance,<br />
our results suggest that the dancers must not be too<br />
high, in order to limit the vertical oscillations of the body<br />
which can affect speed and fluidity in the horizontal<br />
plane (hip alignment). To confirm this hypothesis, we<br />
didn’t found any correlation between hip alignment and<br />
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Fig. 3. Dancers’ minimum knee angles in each standard dance (Q = Quickstep ; SW = Slow Waltz ; T = Tango; SF = Slow Foxtrot;<br />
VW = Viennese Waltz)<br />
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