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Untitled - Narodowe Centrum Kultury

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tytuł artykułu 27<br />

It is difficult to work single-handedly<br />

in culture. Cultural institutions don’t<br />

exist in a vacuum, but in a network<br />

of social and cultural relationships.<br />

Cultural projects, large and small,<br />

require not only collaboration with<br />

partners but also close ties with the<br />

surrounding community. To implement<br />

them we need partners – sometimes<br />

a few, often more than ten or twenty.<br />

A good experience with project partnerships paves the way for<br />

longer-lasting cooperation in the form of other joint projects or strategic<br />

partnerships.<br />

strategic partnerships<br />

These include not only actions necessary to carry out individual projects<br />

but also permanent collaboration based on common goals. Strategic<br />

partnerships last longer than project partnerships and involve<br />

actions taken to achieve goals set by the partners.<br />

Strategic partnerships within the field of culture are rare.<br />

Much more often they are cross-sector partnerships, such as those<br />

designed to promote a region, tourism, safety or solutions to social<br />

issues. In such arrangements, partners from different sectors share<br />

clearly defined areas of operation. Typically, all partners in a strategic<br />

partnership have equal status and act together. Their activities<br />

may focus on general issues, legal solutions, industry or local<br />

policies and on implementing a jointly developed strategy. The best<br />

example of a partnership pursuing a common strategy are local action<br />

groups.<br />

Another example is coalition partnership, a model that has<br />

recently been gaining ground in Poland. Coalitions bring together<br />

institutions and organisations from various industries in order<br />

to undertake a specific, usually short-term, action. Despite varying<br />

interests and goals, they unite, since joint action allows them to<br />

meet the needs of all coalition partners. One example of such coalitions<br />

are joint efforts of different organisations to change the national<br />

or local legislation, procedures and solutions unfavourable to<br />

coalition partners.<br />

Another are formal and informal organisations that engage<br />

in the debate on cultural policies in Poland. This leads to the formation<br />

of independent civil movements, e.g. the Committee for Radical<br />

Cultural Change (Poznań); European Area of Culture Consortium,<br />

Szczecin 2016; Warsaw 2020 Initiative, a coalition of artists, activists<br />

and cultural managers who advocate change in Warsaw’s cultural policy;<br />

and 2010 Culture Citizens.<br />

cross-sector partnerships<br />

Nowadays cultural activities are not the sole domain of public cultural<br />

institutions run by the central government or local authorities. Citizens<br />

– including artists, culture animators and activists – work for<br />

non-profit organisations, associations and foundations.<br />

Culture is also part of the private sector. Companies operating<br />

in the cultural field make up the creative industry. Representatives<br />

of all three sectors can appreciate and use their unique potentials:<br />

the permanence, continuity and infrastructure of the public sector;<br />

the dynamism, passion and willingness for voluntary action of the<br />

social sector; and the capital resources and market skills of the private<br />

sector. Local partnerships are often impossible without the support<br />

of the Church and other religious organisations that bond local<br />

communities.<br />

To be efficient, cross-sector partnership must be complete and<br />

complementary. One example of cross-sector partnership is plaza24.pl.<br />

Operated from Płaza, a small village in Chrzanów District, Lesser Poland<br />

Province, this online venture involves the most prominent public<br />

and private sector players, including the village administrator, the local<br />

school, the parish, two associations, a sports club, health centre,<br />

beekeeping farm, welfare home, voluntary fire brigade and kindergarten.<br />

The leader’s mantle was taken up by a public library.<br />

what forms can cultural partnerships take<br />

Formalised project partnerships typically involve partnership agreements<br />

for specific projects. Parties to the agreements are legal entities:<br />

cultural institutions, NGOs, businesses. One of the parties takes<br />

the leader role, and the parties define their roles, responsibilities and<br />

rights, financial terms, third party liability, the period of the agreement,<br />

and settlement of disputes.<br />

An example of formalised cross-sector partnership is a partnership<br />

formed in Szczecin to mark the Year of Chopin in 2010 as<br />

part of the project Beyond Time and Space (funded by the Ministry<br />

of Culture and National Heritage, the city of Szczecin and from<br />

the partners’ own resources). Partners included the Mieczysław<br />

Karłowicz Philharmonic in Szczecin, Szczecin Artistic Agency, 13<br />

Muses Club Community Centre, Szczecin 2016 and the following<br />

NGOs: Artelier Foundation, Boogie Brain Association of Cultural

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