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Untitled - Narodowe Centrum Kultury

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88<br />

GROUNDed<br />

GROUNDed is a performance<br />

piece produced by a group<br />

of mothers living in and<br />

around Podkowa Leśna. It<br />

was preceded by a series of<br />

workshops (butoh dance, hula<br />

dance, contact improvisation<br />

and archaic singing) and<br />

meetings of about a dozen<br />

young women who were<br />

both writers, directors and<br />

actresses in the performance.<br />

The project was initiated by<br />

culture animators associated<br />

with the Culture and Civic<br />

Initiative Centre in Podkowa<br />

Leśna.<br />

t<br />

he project was conceived by<br />

Joanna Sarnecka and Aga Papis,<br />

culture animators at the<br />

Culture and Civic Initiative Centre and mothers<br />

who intuitively felt there was a public<br />

need for constructing a shared story of all<br />

mothers. Aga Papis has extensive experience<br />

in arts as performer, painter, slam<br />

poet, art therapist, yoga practitioner, educator<br />

and computer graphic designer. An<br />

ethnographer by training, Joanna Sarnecka<br />

is a director, actress and dance enthusiast<br />

who is passionate about butoh and folk<br />

dance. They both invited a dozen or so<br />

young mothers, most of them residents of<br />

Podkowa Leśna, to join the GROUNDed<br />

project. It was a response to the women’s<br />

need to express themselves through art and<br />

desire to tell the story of the unique existential<br />

experience they shared – the experience<br />

of childbirth – through body language:<br />

movement, sound, image, that is, through<br />

theatre. The theatrical efforts were inspired<br />

by works of anthropological, philosophical<br />

and literary culture including Jolanta Brach-<br />

Czaina’s Cracks in Existence, Adrianne<br />

Rich’s Of Woman Born, Sławomir Mrożek’s<br />

Personal Comments, Frida Kahlo’s painting<br />

Mi Nascimento, and, above all, the personal<br />

experience of the women who were part of<br />

the project.<br />

the project<br />

Starting from February 2011, project participants<br />

met once a week to get to know each<br />

other and talk about their experience of giving<br />

birth. The performance piece evolved in<br />

tune with their stories, oscillating between<br />

butoh, contact improvisation, song and spoken<br />

word. Preparation for the performance<br />

involved body and voice work. Participants<br />

took part in butoh and hula dance workshops<br />

run by the CKiIO. The group honed their voices<br />

in archaic singing workshops. They played<br />

and sang music created especially for the<br />

production, which matched the tone of the<br />

story. The meetings, both the stories of giving<br />

birth and the performance itself, were recorded<br />

on video. The film footage shot during<br />

the project is now being edited into a movie<br />

by Klaudiusz Kowalski.<br />

Photo: Cezary Kępka (3)

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