Untitled - Narodowe Centrum Kultury
Untitled - Narodowe Centrum Kultury
Untitled - Narodowe Centrum Kultury
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88<br />
GROUNDed<br />
GROUNDed is a performance<br />
piece produced by a group<br />
of mothers living in and<br />
around Podkowa Leśna. It<br />
was preceded by a series of<br />
workshops (butoh dance, hula<br />
dance, contact improvisation<br />
and archaic singing) and<br />
meetings of about a dozen<br />
young women who were<br />
both writers, directors and<br />
actresses in the performance.<br />
The project was initiated by<br />
culture animators associated<br />
with the Culture and Civic<br />
Initiative Centre in Podkowa<br />
Leśna.<br />
t<br />
he project was conceived by<br />
Joanna Sarnecka and Aga Papis,<br />
culture animators at the<br />
Culture and Civic Initiative Centre and mothers<br />
who intuitively felt there was a public<br />
need for constructing a shared story of all<br />
mothers. Aga Papis has extensive experience<br />
in arts as performer, painter, slam<br />
poet, art therapist, yoga practitioner, educator<br />
and computer graphic designer. An<br />
ethnographer by training, Joanna Sarnecka<br />
is a director, actress and dance enthusiast<br />
who is passionate about butoh and folk<br />
dance. They both invited a dozen or so<br />
young mothers, most of them residents of<br />
Podkowa Leśna, to join the GROUNDed<br />
project. It was a response to the women’s<br />
need to express themselves through art and<br />
desire to tell the story of the unique existential<br />
experience they shared – the experience<br />
of childbirth – through body language:<br />
movement, sound, image, that is, through<br />
theatre. The theatrical efforts were inspired<br />
by works of anthropological, philosophical<br />
and literary culture including Jolanta Brach-<br />
Czaina’s Cracks in Existence, Adrianne<br />
Rich’s Of Woman Born, Sławomir Mrożek’s<br />
Personal Comments, Frida Kahlo’s painting<br />
Mi Nascimento, and, above all, the personal<br />
experience of the women who were part of<br />
the project.<br />
the project<br />
Starting from February 2011, project participants<br />
met once a week to get to know each<br />
other and talk about their experience of giving<br />
birth. The performance piece evolved in<br />
tune with their stories, oscillating between<br />
butoh, contact improvisation, song and spoken<br />
word. Preparation for the performance<br />
involved body and voice work. Participants<br />
took part in butoh and hula dance workshops<br />
run by the CKiIO. The group honed their voices<br />
in archaic singing workshops. They played<br />
and sang music created especially for the<br />
production, which matched the tone of the<br />
story. The meetings, both the stories of giving<br />
birth and the performance itself, were recorded<br />
on video. The film footage shot during<br />
the project is now being edited into a movie<br />
by Klaudiusz Kowalski.<br />
Photo: Cezary Kępka (3)