Wine Investment in South Africa - Cape Wine Academy
Wine Investment in South Africa - Cape Wine Academy
Wine Investment in South Africa - Cape Wine Academy
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Krige is sell<strong>in</strong>g previous v<strong>in</strong>tages of P<strong>in</strong>otage through three négociants now and by 2012 will<br />
have a full en primeur system <strong>in</strong> place for the 2011 v<strong>in</strong>tage. By 2012 Krige believes his<br />
w<strong>in</strong>es will have sufficient credibility to sell <strong>in</strong> barrel and expects to add the Paul Sauer red<br />
blend to the offer. Krige believes other f<strong>in</strong>e w<strong>in</strong>e producers will soon follow and with<strong>in</strong> five<br />
years there will be the basis of an en primeur system <strong>in</strong> <strong>South</strong> <strong>Africa</strong>. With en primeur<br />
offer<strong>in</strong>g the best opportunity to realise profit any expansion of such schemes must bode well<br />
for <strong>in</strong>creased w<strong>in</strong>e <strong>in</strong>vestment.<br />
‘This secondary market, which the <strong>South</strong> <strong>Africa</strong>n w<strong>in</strong>e <strong>in</strong>dustry needs more of so as<br />
to establish itself as a producer of really premium w<strong>in</strong>es, will open up a totally new<br />
set of dynamics <strong>in</strong> the w<strong>in</strong>e <strong>in</strong>dustry, as well as creat<strong>in</strong>g an appreciation for and<br />
collectability of f<strong>in</strong>e local w<strong>in</strong>es’ ( Krige, 2011a ).<br />
The release of the Black Label P<strong>in</strong>otage is a deliberate attempt to stimulate a secondary<br />
trad<strong>in</strong>g market, ‘<strong>in</strong> which demand outstrips supply to the extent where a number of collectors<br />
and w<strong>in</strong>e-lovers partake <strong>in</strong> a healthy will<strong>in</strong>g-buyer, will<strong>in</strong>g-seller scenario as is the case <strong>in</strong> the<br />
French <strong>in</strong>dustry’ ( Krige, 2011 ).<br />
There may be a very limited trad<strong>in</strong>g platform for w<strong>in</strong>e at present but the signs are good for<br />
the future and most <strong>in</strong>vestment is based on predict<strong>in</strong>g future trends and gambl<strong>in</strong>g on future<br />
supply and demand.<br />
8.2.7 Lack of Icon w<strong>in</strong>es<br />
‘Icon’ w<strong>in</strong>e, some def<strong>in</strong>itions ;<br />
‘object come to be regarded as hav<strong>in</strong>g a special status’ (Wikipedia)<br />
‘ limited, pre sold, hands on, unique style and quality’ ( L.VdWesthuizen )<br />
‘A cult w<strong>in</strong>e must have its own particular taste… and it must have age<strong>in</strong>g potential’ ( Dubourdieu )<br />
Only 1% of the world’s w<strong>in</strong>es are tradable, it seems, the very best of just four or five<br />
countries; their icon w<strong>in</strong>es. With such a short history of f<strong>in</strong>e w<strong>in</strong>es SA has not established<br />
its top w<strong>in</strong>es on the world stage;<br />
‘I am afraid that <strong>South</strong> <strong>Africa</strong> just does not have any iconic w<strong>in</strong>es’<br />
( Sutcliffe, email, 2011 ).<br />
Nevertheless, icon w<strong>in</strong>es are emerg<strong>in</strong>g <strong>in</strong> SA even though f<strong>in</strong>e w<strong>in</strong>es only constitute 6% or<br />
7% of the w<strong>in</strong>e market <strong>in</strong> SA ( Ratcliffe, 2011 Appendix G ). Bordeaux took four hundred<br />
years to establish its classification hierarchy and even then changes were made later. If it is<br />
true that SA’s f<strong>in</strong>e w<strong>in</strong>es are only some 20 years <strong>in</strong> the mak<strong>in</strong>g then it is hardly surpris<strong>in</strong>g<br />
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