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CSI in the News - CSI Today

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Blurr<strong>in</strong>g <strong>the</strong> L<strong>in</strong>e Between Onstage and OffBy Tom DiriwachterJanuary 12, 2011Burned out on <strong>the</strong> service <strong>in</strong>dustry after a decadewait<strong>in</strong>g tables at <strong>the</strong> same Times Squarerestaurant, and—hav<strong>in</strong>g had four full-length playsand countless one-acts produced <strong>in</strong> New York Cityand Los Angeles—feel<strong>in</strong>g that, maybe, myplaywrit<strong>in</strong>g career had peaked, I was f<strong>in</strong>allydeterm<strong>in</strong>ed to get a "real" job. This is what I'mcontemplat<strong>in</strong>g on <strong>the</strong> deck of <strong>the</strong> Staten IslandFerry, on my way home from a particularly try<strong>in</strong>gTuesday lunch shift at <strong>the</strong> restaurant. Arriv<strong>in</strong>g atPhoto by Peter Welch my apartment, I check my voice mail. There's acall from Lissa Moira, from Off-Off-Broadway'sTheater for <strong>the</strong> New City. She's <strong>in</strong>terested <strong>in</strong> <strong>in</strong>clud<strong>in</strong>g "Age Out," my play about struggl<strong>in</strong>g for yearsas an artist while wait<strong>in</strong>g tables, <strong>in</strong> <strong>the</strong> <strong>the</strong>ater's Chrysalis Workshop. When I call Lissa back, my<strong>in</strong>tention is to decl<strong>in</strong>e <strong>the</strong> offer, but she persuades me to consider it. A couple days later, I tell heryes."Age Out" is developed throughout <strong>the</strong> 16-week workshop. The play is cast. Rehearsals beg<strong>in</strong>. Factand fiction become very blurry with an autobiographical play when <strong>the</strong> lead actor—<strong>the</strong> one play<strong>in</strong>gTim, <strong>the</strong> character based on me—is about my age, looks someth<strong>in</strong>g like me, and happens to havegone to Rutgers, major<strong>in</strong>g <strong>in</strong> communications with a concentration <strong>in</strong> advertis<strong>in</strong>g, just like I did. Heeven wears <strong>the</strong> same blue suede Pumas. But th<strong>in</strong>gs get downright uncanny when <strong>the</strong> actor, BobHomeyer, has a dire prediction for what becomes of his character: me. One night, amiscommunication about a canceled rehearsal leaves Bob and me alone <strong>in</strong> <strong>the</strong> <strong>the</strong>ater lobby, wherewe get <strong>in</strong>to a reveal<strong>in</strong>g conversation."I th<strong>in</strong>k I know what happens to Tim," he declares."What happens to Tim?" is <strong>the</strong> question that everyone asks. My reply is always that I don't know.Though it makes perfect sense that <strong>the</strong> actor play<strong>in</strong>g Tim would be concerned with this, given <strong>the</strong>actorly practice of creat<strong>in</strong>g a character bio, it never occurred to me that someone else would attemptan answer."What?" I f<strong>in</strong>ally ask, unable to mask my desperation.Page 117 of 157

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