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038 Issue # 11/11 : PublIc Issues<br />

Usages and appropriations in Tokyo<br />

Life on the streets of Tokyo is less versatile than it<br />

is in Shanghai, even on the very small streets, the roji.<br />

At the beginning of the 20th century, some intellectuals<br />

liked to stroll through the small streets of Tokyo's old<br />

town. Following Walter Benjamin, some writers turned<br />

strolling into literary content and a lifestyle (Schulz<br />

2008). But not much of this remains in the 21st century.<br />

Strolling in the city, rather, seems to correspond to<br />

a European idea. Nowadays, Tokyo residents move through<br />

the city very purposefully, whether they cover great<br />

distances using the extremely efficient public transport<br />

system, or whether they only move within their quarter,<br />

in which most of the distances can be covered comfortably<br />

on foot or by bicycle. Tokyo is a paradise for cyclists.<br />

You can ride everywhere and in both directions, even on<br />

the pavements (fig. 17). In addition, bikes are very cheap<br />

and are seldom stolen.<br />

Tokyo's public space is appropriated much less intensively<br />

by residents than in Shanghai. A typical appropriation<br />

which is quite refined (and therefore accepted by the muni-<br />

cipal authorities) appropriation in Tokyo are so-called<br />

pot gardens, which stand in front of the houses on the pave-<br />

ment and sometimes on the street (fig. 20). Thus, in an<br />

unobtrusive way the residents of the buildings extend their<br />

interior space to the exterior space, thus transforming<br />

the roji almost unnoticeably from an open area to an inner<br />

area.<br />

The street <strong>as</strong> t<strong>as</strong>k<br />

This investigation of urban spaces in Tokyo and Shanghai<br />

shows that the Western way of dividing space into private<br />

and public are<strong>as</strong> cannot be transferred to Chinese and<br />

Japanese cities. The different sense of space – or better,<br />

the different production of space – in China and Japan<br />

h<strong>as</strong> given rise in the course of the centuries to specific<br />

kinds of building, which cannot be meaningfully gr<strong>as</strong>ped<br />

by the private/public dichotomy. A lilong quarter in Shang-<br />

hai or a roji in Tokyo are both designs that give this<br />

different constitution of space a visible form. The inter-<br />

play between spatial perception, spatial conception and<br />

material space design h<strong>as</strong> yielded an attractive living<br />

space where people have felt comfortable for generations.<br />

There is the danger that these spaces will disappear if<br />

municipal authorities and multinational investors do not<br />

respect the specific sense of space of their own culture<br />

and prefer architectures and m<strong>as</strong>ter plans from the West.<br />

The street in particular – and this applies to both E<strong>as</strong>t<br />

Asian and Central European cities – plays a role for<br />

preserving active living spaces that should not be underestimated,<br />

which is why the architect Kisho Kurokawa,<br />

for one, h<strong>as</strong> repeatedly pleaded (and I would like to close<br />

by joining him in this plea) that the street should be<br />

taken seriously <strong>as</strong> an urban development t<strong>as</strong>k (see note 5).<br />

Reference list<br />

ETH Zurich, Swiss<br />

Federal Institute<br />

of Technology<br />

(ed.), Faculty of<br />

Architecture,<br />

Professor Günther<br />

Vogt. See also:<br />

http://www.<br />

taking-to-thestreets.com.<br />

Haarmann, Anke.<br />

"Public Blue: Eine<br />

Besetzung des öf-<br />

fentlichen Raums",<br />

In: Archiv von<br />

The Thing Hamburg:<br />

Plattform für<br />

Kunst und Kritik<br />

(30 March 2007):<br />

http://www.thing-<br />

hamburg.de/index.<br />

php?id=499<br />

(accessed 08 March<br />

2011).<br />

Kurokawa, Kisho<br />

(2005). D<strong>as</strong><br />

Kurokawa-Manifest,<br />

Jovis, Berlin.<br />

Krusche, Jürgen<br />

and Frank Roost<br />

(2010). Tokyo: Die<br />

str<strong>as</strong>se als ge-<br />

lebter Raum. Lars<br />

Müller Publishers,<br />

Baden.<br />

Krusche, Jürgen<br />

(2011). str<strong>as</strong>senräume<br />

in berlin,<br />

shanghai, Tokyo,<br />

Zürich: eine<br />

fotoethnografische<br />

untersuchung. Lars<br />

Müller Publishers,<br />

Baden.<br />

Lefebvre, Henri<br />

(1974). la<br />

production de<br />

l'espace. Éditions<br />

Anthropos, Paris.<br />

(published in<br />

English <strong>as</strong> The<br />

Production of<br />

space. Blackwell,<br />

Oxford, 1991).<br />

Münch, Barbara.<br />

"Verborgene Kon-<br />

tinuitäten des<br />

chinesischen<br />

Urbanismus". In:<br />

Archplus,<br />

chinesischer<br />

Hochgeschwindigkeitsurbanismus,<br />

Vol. 168,<br />

1/2004.<br />

Schoon, Sonia.<br />

"Umfriedung und<br />

Draussen in der<br />

dichotomen Lebens-<br />

welt Shanghai."<br />

In: Jürgen H<strong>as</strong>se<br />

(ed.) (2008).<br />

Die stadt als<br />

Wohnraum, Alber,<br />

Munich.<br />

Schulz, Evelyn.<br />

"Die 'Renaissance<br />

der Stadt' (toshi<br />

saisei) und die<br />

Wiederentdeckung<br />

der Hinterg<strong>as</strong>sen<br />

(roji) – Aspekte<br />

der Literatur und<br />

Kultur des<br />

Flanierens." In:<br />

Jürgen Krusche<br />

(ed.) (2008). Der<br />

Raum der stadt.<br />

Jon<strong>as</strong>, Marburg.<br />

Soja, Edward<br />

(1996). Third<br />

space. Blackwell,<br />

Cambridge.<br />

Zhang, Guanzeng.<br />

"Struktur und<br />

Wandel des öffent-<br />

lichen Raums in<br />

Shanghai." In: Die<br />

aufgeschlossene<br />

stadt: Öffentlicher<br />

stadtraum<br />

in china von<br />

Anting bis Zhuhai,<br />

Dieter H<strong>as</strong>senpflug<br />

(ed.) (2004). VDG,<br />

Weimar.

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