PDF Manual of the TC Electronic VoiceWorks Plus - Direct Pro Audio

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QUICK START12. Hopefully, you’ve waited until now to raise yourmonitoring/PA levels and if you have, you should begreeted by a voice that sounds nice and dry at areasonable level.13.Turn off BYPASS by pressing the button so the LEDis off.Turn the DATA WHEEL to preset number 1 andpress the wheel to load this preset.You’re now readyto explore the factory presets in VoiceWorksPlus.Making front panel tweaksBefore you get to exploring the presets, here are sometips that will help you.Browsing presetsWhen you first turn on VoiceWorksPlus, the last presetloaded will be loaded for you.Turn the Data Wheel tobrowse through the preset list.As you do so, the nameand information fields of the next preset will bepreviewed in the main LCD and the effect buttons willflash indicating which effects will turn on. An “H:” onthe lower line indicates a harmony preset. An “M:”indicates a modeling preset.To load presets, push the Data Wheel.Adjusting the mixYou can vary the global mix (all presets will be affectedin the same way) by adjusting the soft knobs. As youturn one of them, the LCD display will temporarilychange to show the value of all four levels beforereturning to the main display. Note that a value of “0”denotes full level, not Off.You can use the soft knob onthe far right as a master volume instead of your mixerif that is more convenient. Any adjustment of thesesettings will remain through subsequent power upsessions.Enabling and disabling the effectsblocksThe three block on/off buttons above the soft knobsallow you to temporarily enable or disable:1. the Harmony or Modeling block in the preset. (In aharmony preset this is the harmony mute button).2. pitch correction in the preset3. the reverb, delay or μMod effect in the presetReloading the preset or loading another will return theblock on/off status to what was stored.10
QUICK STARTExploring the presetsThe presets are grouped by the different abilities of theproduct which makes it much simpler for browsing.The different harmony modes require different inputsfrom you and the preset groupings make it easier tocompare presets of a harmony single control methodwith others of that same method.Harmony presets that utilize MIDIinputPresets 1 to 10: Chord harmony modePresets 11 to 20: Notes harmony modePresets 57 to 60: Combi harmony modeIf you have connected a MIDI keyboard or the outputof a MIDI sequencer track to VoiceWorksPlus, you canuse these presets to produce harmony for anycombination of melody and musical accompaniment.MIDI Channel channel 1 is recognized by default so setthe output of your keyboard or sequencer track tosend on channel 1.The text on the lower line of the lcd display will showan H: indicating that it is a harmony preset and either“Chord”,“Notes” or “Combi” which are the names ofthe MIDI-controlled harmony modes.In the Chord harmony presets, the chords you play onyour keyboard are interpreted by VoiceWorksPlus toproduce related harmony intervals that move whileyou sing. Holding a chord and singing a melody orarpeggio will result in a moving harmony arrangement.In Notes presets, you play melodies or chords thatdefine the exact harmony intervals while you sing.Holding a chord or a note while you sing a melody orarpeggio will “freeze” the harmony arrangement on thenotes held on the keyboard. VoiceWorksPlus willrecognize up to 4 MIDI notes at a time although somepresets may be set to mono (1 voice) or duophonic (2voices) operation.Combi mode presets use the same key and scale inputas Scale presets do with the extended ability totemporarily insert MIDI chords from a keyboard toadjust inappropriate Scale voicings. To work best, thesung melody note should be in the chord played.Harmony presets you set with Keyand ScalePresets 21 to 30: Scale harmony modeThese presets require that you input the key and scaleof your song. No further input is generally requiredbecause the musical intelligence built intoVoiceWorksPlus shifts the intervals automatically whileyou sing.The factory default key setting for all of thesepresets is A major so, if you sing a song in this key youwon’t have to keep changing key and scale each timeyou load a new preset.To change key and scale, press EDIT and turn the DataWheel to locate edit screen H0. Use the soft knobs toselect the combination of key and scale for your songthat sounds good over your chord changes. Note thatVoiceWorksPlus is configured so that all presets sharethe key and scale settings saved with the last preset.If you wish to change this so each preset has a differentkey (perhaps for different songs in live performance),the Setup menu has a parameter called Chord/Keywhich is set to “Global”.You can set this to “Preset” ifyou prefer.The Scale harmony technique works best when theaccompaniment uses the simple chord changes foundin pop and blues. A preset with a single 3rd harmonyinterval will usually produce pleasing harmony withmore songs than presets that have a 5th or additionalinterval.Presets that change voice characterPresets 31 to 40These presets use modeling and the hybrid shifter tomodify the timbre and pitch of your voice. In most ofthese presets, your dry voice is replaced with themodeled version so you can use them to mimic othersingers’ growl, rasp or timbre and create cartooncharacters. In a few of the presets, a duet is createdwith the modeled voice and your dry voice hardpanned left and right.There is an “M:” on the lower line of the displayindicating that the preset uses modeling.The remainderof the text on the lower line shows the amount ofpitch shifting in cents (hundredths of a semitone), if anyis enabled in the preset.Load any preset from this group and talk or sing intoyour mic.11
Page 5 and 6: IMPORTANT SAFETY INSTRUCTIONSEMC /
Page 7 and 8: TABLE OF CONTENTSProduct Overview .
Page 9 and 10: FRONT PANEL DESCRIPTIONS1 2 3 41. P
Page 11 and 12: FRONT PANEL DESCRIPTIONSBYPASS butt
Page 13: QUICK STARTGetting set upThere are
Page 17 and 18: EDITING OVERVIEWEditing overviewWhe
Page 19: EDITING OVERVIEWHow to change the l
Page 22 and 23: HARMONY EDITINGHumanization - menus
Page 25 and 26: HARMONY BACKGROUND AND TIPSChapter
Page 27 and 28: HARMONY BACKGROUND AND TIPStransiti
Page 29: HARMONY BACKGROUND AND TIPSChord ty
Page 32 and 33: LEAD VOICE MODEL EDITINGL2: Scoop A
Page 34 and 35: LEAD VOICE MODEL EDITINGHybr (Hybri
Page 36 and 37: PITCH CORRECTIONAttk (Correction At
Page 38 and 39: REVERB, μMOD AND DELAY EDITINGM0:
Page 41: THE TRANSDUCER BLOCKChapter Overvie
Page 44 and 45: THE SETUP MENUCut/Boost Range: Sets
Page 46 and 47: 4242
Page 48 and 49: SIGNAL FLOW DIAGRAMVoiceWorksPlus S

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