Course ListingsFall 2012DanceDNC 0051DNC MOV/CREATIVE PROCESSVigorous non-level movement, group processes, and cre<strong>at</strong>iveproblem-solving, culmin<strong>at</strong>ing in ensemble jamming. World dance videosprovide a context for nonstylized m<strong>at</strong>erials. One-half or one coursecredit.Sections01046 DNC 005101 E+MW Mccusker, Danie 1.0 Meets Jax DncLab01047 DNC 005102 E+MW Celichowska, Re 0.5 Jax Dnc LabDNC 0053BEG MODERN DANCEDevelopment of alignment techniques, selected vocabulary, and shortcombin<strong>at</strong>ions with emphasis on musicality and group dynamics.Cre<strong>at</strong>ive problem-solving and analysis of performance. No prerequisite.One-half course credit.Sections01048 DNC 005301 F+TR Celichowska, Re 0.5 Jax Dnc Lab03859 DNC 005302 F+TR Celichowska, Re 0.5 Freshman Only.DNC 0054BG BALLET W/CREATIVE WRKIntroduction to basic ballet vocabulary through the practice of traditionalbarre and center work. Contextualiz<strong>at</strong>ion of ballet techniques inintroductory compositional problems.Sections01050 DNC 005401 ARR Mccusker, Danie 0.5 Meets Mw9-10:15am DncLab01051 DNC 005402 ARR Mccusker, Danie 0.5 FreshmenOnly.meets Mw900am 1015amDnc LabDNC 0055INTERMED MODERN DANCEIntermedi<strong>at</strong>e or lower modern techniques, adapted for those with basictraining in a movement discipline such as modern, ballet, jazz, oranother cultural form. Coaching of performance qualities such asmusicality and group dynamics. Cre<strong>at</strong>ive opportunities and appreci<strong>at</strong>ionof performance. One-half course credit.Sections01052 DNC 005501 G+ Thigpen, Mila 0.5 Jax Dnc Lab01053 DNC 005502 G+ Thigpen, Mila 0.5 Freshmen Only.Dnc LabDNC 0058TUFTS DANCE ENSEMBLEDevelopment of a performance work through faculty direction orensemble collabor<strong>at</strong>ion led by a faculty member. Cre<strong>at</strong>ion,performance, video document<strong>at</strong>ion, and analysis of form and content inaesthetic context. May be repe<strong>at</strong>ed. One-half course creditPrerequisites: Studio Dance experience.Sections010540105504304DNC 005801 L+ Celichowska, Re 0.5 Pre-req: InterTo AdvancedTechDNC 005802 L+ Celichowska, R 0.5 Freshmen InterTo Adv TechDNC 005803 Mccusker, Danie 0.5DNC 0059BEG HIP HOP FUSIONHip hop dance techniques influenced by pop jazz with consider<strong>at</strong>ions ofcultural, aesthetic, or historical context. For beginners and those withlimited experience. One-half course credit.Sections01057 DNC 005901 J+ Swain, Daniel 0.5 Jax Dnc LabDNC 0063NORTH INDIAN DNC KATHAKIntroduction to this classical dance-the<strong>at</strong>re of North India. Basicmovements, footwork p<strong>at</strong>terns, spins, rhythms, and abhinaya(story-telling). Cultural context and historical background interwoven.Prerequisites: For complete novices and those with some experience.Sections01058DNC 006301 H+ Hayden, Gretche 0.5 Meets JacksonDance LabDNC 0065THE ART OF SALSASalsa dance techniques and combin<strong>at</strong>ions in context of L<strong>at</strong>ino/a culture.Focus on dance proficiency, Afro-L<strong>at</strong>in roots, and music/dancerel<strong>at</strong>ionship. Primarily a studio course, some written assignments aswell as ethnographic practicum in the field. One-half course credit.Sections01059 DNC 006501 I+MW Thigpen, Mila 0.5 Female Section,Meets Jax DncLab01060 DNC 006502 I+MW Thigpen, Mila 0.5 Male Section.Meets Jax DncLabDNC 0068W AFRICAN DNC IDENTITYDances of Senegal, Mali, and Guinea involving the performing ofpersonal identity. Themes include male and female roles, the weddingceremony, and family form<strong>at</strong>ion. Movements range from the highlyaerobic to lilting to those with challenging coordin<strong>at</strong>ions of the body.Cultural context is a significant element of the course. All levels; nopre-requisite. One-half course credit.Sections01061 DNC 006801 K+ Coles, Gregory 0.5 Pre-reqUndergrad A&sOnly Except 3EngineersDNC 0091SPECIAL TOPICSGuided independent study of an approved topic or courses in not yet inthe curriculum. Credit as arranged.Please see departmental website for specific details.Prerequisites: Permission of instructor.SectionsBEG JAZZ DECADES01062 DNC 009101 K+ Staff 0.5 Jax Dnc StudioBEG JAZZ DECADES03615 DNC 009102 K+ Waguespack, Jac 0.5 PreReq:freshmanOnly.BEGINNING SALSA PEDAGOGY04383 DNC 009103 J+ Thigpen, Mila 0.5<strong>Tufts</strong> <strong>University</strong> Course Listings, Fall 2012Page 55
Course ListingsFall 2012DramaDR 0002ANCIENT/MEDIEVAL THEATREEarly performance rituals in Africa, Asia, the Americas, and Europe; theclassical drama of Greece, Rome, and India; and the the<strong>at</strong>re ofmedieval Europe and Asia. Special <strong>at</strong>tention paid to the ways the<strong>at</strong>rehas challenged or supported the society th<strong>at</strong> produced it and to howethnicity, gender, sexuality, religion, class, and other social constructshave shaped performance, playwriting, and production. Rel<strong>at</strong>ionshipbetween these cultures and their the<strong>at</strong>res through a close examin<strong>at</strong>ionof approxim<strong>at</strong>ely twenty plays, rel<strong>at</strong>ed critical readings, research,present<strong>at</strong>ions and discussions. May be taken before DR 03 and/or DR04.Sections04216 DR 000201 I+ Baldyga, N<strong>at</strong>aly 1.0 Ancient &MedievalThe<strong>at</strong>reDR 0005PRODUCTION PREP CREWParticip<strong>at</strong>ion in scenery construction, costume construction, electrics, orpaint crewfor departmental major productions. Minimum of 30 hours inone semester. Required for Drama major. No credit; pass/fail grading.Prerequisites: Drama major or minor, and permission of instructor.Sections01064010650106601067DR 000501 TBA Simpson, Ted 0.0 ConsentRequired/pass-fail OnlyDR 000502 TBA Mulligan, John 0.0 ConsentRequired/pass-fail OnlyDR 000503 TBA Girard, Linda R 0.0 Drama Major &ConsentRequired/pass-fail OnlyDR 000504 TBA Staff 0.0 ConsentRequired/pass-fail OnlyDR 0006PRODUCTION RUN CREWParticip<strong>at</strong>ion in backstage, costume, lighting, or sound crew duringtechnical and dress rehersals, and performances of a faculty -directedmajor production. Required for all drama majors. No credit; pass-failgradingPrerequisites: Drama major and pemission of instructor.Sections01068010690107001071DR 000601 TBA Mulligan, John 0.0 NoCredit/pass-failOnly/consent/arena The<strong>at</strong>erDR 000602 TBA Girard, Linda R 0.0 NoCredit/pass-failOnly/consentDR 000603 TBA Simpson, Ted 0.0 NoCredit/pass-failOnly/consentDR 000604 TBA Mulligan, John 0.0 NoCredit/pass-failOnly/consentDR 0010ACTING I:INTRO TO ACTINGA basic course in acting aimed <strong>at</strong> enhancing self-confidence, oralexpression, and cre<strong>at</strong>ivity. Emphasis on concentr<strong>at</strong>ion, motiv<strong>at</strong>ion, andimprovis<strong>at</strong>ion, and wh<strong>at</strong> it means to cre<strong>at</strong>e a character and speakbefore an audience. Limit of eighteen students per section.Sections01072 DR 001001 ARR Ashley, Michell 1.0 Meets Mw9:30-11:45 Aid7501073 DR 001002 ARR Goldman-feldman 1.0 Mon & Wed01:30-3:45. Aid7501074 DR 001003 ARR Abel 1.0 Tue & Thu12-2:15. Aid 7501075 DR 001004 ARR Pounds-williams 1.0 Tue & Thu4:30-6:45. Aid7503616 DR 001005 ARR Morris, Michael 1.0 Mw4:30p-6:45pmDR 0012ACTING IITechniques and theories of acting for students with substantial prioracting experience in productions and/or classes. The role of the actor inrel<strong>at</strong>ion to the play as a whole. Work on stage speech, movement,projection, characteriz<strong>at</strong>ion, and interpret<strong>at</strong>ion through various types ofscenes.Prerequisites: Permission of instructor based on brief interview andaudition (through which first-year students may place out of DR 10).Sections01077 DR 001201 ARR Thomas, Sheride 1.0 Tu&th9:30-11:45performnHanger/consentDR 0017THEATER TECHNOLOGYThe tools, m<strong>at</strong>erials, and techniques of mounting a the<strong>at</strong>ricalproduction. Emphasis on scenic construction including basic carpentry,painting, and rigging techniques. Required lab hours to be arranged.Sections03976 DR 001701 5+ Mulligan, John 1.0DR 0018LIGHTING IThe study of the aesthetics, processes, and tools of lighting design forthe stage. Script analysis, research, color theory, equipment, designprinciples for arena and proscenium stages, design document<strong>at</strong>ion,using a combin<strong>at</strong>ion of hands-on exercises, paper projects, andcomputer visualiz<strong>at</strong>ion.Sections01078 DR 001801 F+TR Lilienthal, Bri 1.0 Meets Jaxl 2b &Light Lab,labFee $200DR 0021COMPUTER ASSISTED DESIGNA project-based examin<strong>at</strong>ion of design principles, using 3-D software asa design environment. Design projects focus on the present<strong>at</strong>ionalelements of architectural, the<strong>at</strong>rical, and commercial design. Topicsinclude modeling, texturing, lighting, and anim<strong>at</strong>ion of 3-D designs.Prerequisites: Costume, Lighting, or Set Design or any studio artsfound<strong>at</strong>ion or drawing course.Sections01080 DR 002101 Hirsig, Neal 1.0 Course TaughtOn-line OnlyDR 0027PUBLIC SPEAKINGIntroductory course exploring the fundamentals of clear, confident, andeffective communic<strong>at</strong>ion in one-on-one and group settings.Development of tension management skills, good bre<strong>at</strong>hing habits,awareness of body language, and the ability to engage an audiencethrough a series of practical exercises. Specific vocal work focuses ontone, variety of pitch, r<strong>at</strong>e, volume, and articul<strong>at</strong>ion. S<strong>at</strong>isfiesHumanities Requirement Fall 2006 and beyond.Sections01081 DR 002701 G+ Cooney, Deborah 1.0 Ugrad A&sStdts;sec 01For A&s;sec 03For Engineers01082 DR 002702 I+ Cooney, Deborah 1.0 Ugrad A&sStdts;sec 02For A&s;sec 04For Engineers03921 DR 002703 G+ Cooney, Deborah 1.0 Ugrad A&sStdts;sec 01For A&s;sec 03For Engineers03922 DR 002704 I+ Cooney, Deborah 1.0 Ugrad A&sStdts;sec 01For A&s;sec 03For Engineers<strong>Tufts</strong> <strong>University</strong> Course Listings, Fall 2012Page 56