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S P R I N G 2 0 1 3 - USS at Tufts - Tufts University

S P R I N G 2 0 1 3 - USS at Tufts - Tufts University

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Course ListingsFall 2012DramaDR 0028VOICE & SPEECHAn introductory course designed to strengthen and expand the fullrange of flexibility, variety, and contrast in vocal expression, with special<strong>at</strong>tention to the demands of performance. Explor<strong>at</strong>ion of the connectionbetween movement and sound, the duality of bre<strong>at</strong>h and posture, thedevelopment of tonal energy, the dynamics of vowels, the articul<strong>at</strong>ion ofconsonants and their action in texts. Involves physical as well as vocalwork. For non-actors and actors alike.SectionsART OF CONFIDENT EXPRESS01083 DR 002801 G+ Grossman, Barba 1.0 PerformanceHangar;the ArtOf ConfidentExpressionDR 0039CONTEMP AMERICAN THEATRETwenty first century the<strong>at</strong>re as a major cultural and political art form.Readings and discussions of a selection of important plays andperformances will explore how the playwrights address issues of race,class, gender, and n<strong>at</strong>ional identity. Investig<strong>at</strong>ion of major economicand ethical issues affecting the American the<strong>at</strong>re including interracialcasting, the economic demands of producing on Broadway, regionalthe<strong>at</strong>re homogeneity, and the selection criteria of Pulitzer Prize andTony Award nomin<strong>at</strong>ions.Sections04214 DR 003901 E+MW Baldyga, N<strong>at</strong>aly 1.0 Contempory AmThe<strong>at</strong>er,Baldyga &MontezDR 0050INTRO TO FILM STUDIES(Cross-listed as ILVS 50.) Introduction to fundamental methodologiesfor reading film. Overview of film studies with emphasis on film as acomplex art form. Narr<strong>at</strong>ive as a formal system, film genres, style andits rel<strong>at</strong>ed techniques, critical approaches to film analysis, film history.Weekly screening of relevant films selected from both Hollywood andworld cinemas.Sections01088 DR 005001 E+MW Ndounou, Monica 1.0 C-lst Ilvs50,permissionOf Instructor03977 DR 0050R ARR Ndounou, Monica 0.0 Non-mand<strong>at</strong>oryRecit<strong>at</strong>ion,meets Sunday6-9pmDR 0051LATINO THEATRE AND FILMAn introduction to L<strong>at</strong>ino the<strong>at</strong>re, film, and performance as a potentcre<strong>at</strong>ive and political force in the United St<strong>at</strong>es. Represent<strong>at</strong>ive worksby L<strong>at</strong>ino playwrights, performance artists, and filmmakers will bediscussed in light of issues such as labor and immigr<strong>at</strong>ion, gender andsexuality, gener<strong>at</strong>ion gaps in L<strong>at</strong>ino culture, hybridized identities,interculturalism, and the United St<strong>at</strong>es' rel<strong>at</strong>ionship with L<strong>at</strong>in Americann<strong>at</strong>ions. May be taken <strong>at</strong> the 100 level with consent.Sections04215 DR 005101 K+ Montez, Noe 1.0 L<strong>at</strong>ino The<strong>at</strong>re& Film. NoeMontez InstrDR 0077SCREENWRITING IAn introduction to the craft of screenwriting with an emphasis on story,structure, character development, dialogue, visuals, genre, and thelanguage of film. Films and produced screenplays will be analyzed toillustr<strong>at</strong>e the aforementioned topics. Students will workshop theirm<strong>at</strong>erials weekly and are expected to provide insightful analysis of theirclassm<strong>at</strong>es' work. By the end of the course, students will be required tocomplete the first act of a fe<strong>at</strong>ure-length screenplay and an outline ofActs II and III. Kouguell.Prerequisites:Sections01090DR 007701 3 Kouguell, Susan 1.0 Thu9:10-11:40amDR 0080PRACTICUM IN ACTINGRehearsal and performance of a role in a departmental majorproduction, under the direction and instruction of a faculty member.Auditions are open to the <strong>Tufts</strong> community. Course registr<strong>at</strong>ion occursafter casting, and all cast members are required to register (with theexception of design<strong>at</strong>ed small roles). May be repe<strong>at</strong>ed for credit, butonly two one-half course credits of DR 80 and/or 81 can be used tos<strong>at</strong>isfy the requirements for the drama major or minor. One-half coursecredit.Prerequisites: Permission of instructor.Sections01091DR 008001 TBA Senelick, Laure 0.5 Permission OfInstructorDR 0081PRACTICUM IN PRODUCTIONSignificant particip<strong>at</strong>ion in the design, technical, or managementaspects of production, with the supervision and instruction of theappropri<strong>at</strong>e faculty member. Specific projects, assignments, and otherwork will be geared to the requirements of the particular production. Allstudents with substantial responsibilities on a major production mustregister for this course. May be repe<strong>at</strong>ed for credit, but only twoone-half course credits of DR 80 and/or 81 may be used to s<strong>at</strong>isfy therequirements for the drama major or minor. One-half course credit.Prerequisites: Permission of instructor.Sections01092010930109401095DR 008101 ARR Girard, Linda R 0.5 Permission OfInstructorDR 008102 ARR Staff 0.5 Permission OfInstructorDR 008103 Simpson, Ted 0.5 Permission OfInstructorDR 008104 ARR Mulligan, John 0.5 Permission OfInstructorDR 0093SPECIAL TOPICSAdvanced projects for independent or group study in acting, directing,designing, and other arts of the the<strong>at</strong>re, as well as in the history ofthe<strong>at</strong>re and drama. Applicants for this course must give evidence ofboth interest in and capacity for doing specialized work in their chosenproject. Credit as arranged.Please see departmental website for specific details.SectionsCONTEMP MUSICAL THEATRE03878 DR 009303 D+ Grossman, Barba 1.0 Prereq: Dr 33;Permission OfInstructorDR 0100ACTING IIIAn advanced course aimed <strong>at</strong> improving the actor's skills and capabilityin the use of body and voice, analysis and interpret<strong>at</strong>ion of roles,characteriz<strong>at</strong>ion, and emotional projection. An intensive study of actingstyles, both by way of period and of technique. Individual and ensembleacting in exercises and scenes requiring various types of interpret<strong>at</strong>ionand styles. May be repe<strong>at</strong>ed for credit.Prerequisites: DR 12 and permission of instructor.Sections01099DR 010001 ARR Thomas, Sheride 1.0 Preq:dr 12 &Inst Perm;Meets In PerfHangar<strong>Tufts</strong> <strong>University</strong> Course Listings, Fall 2012Page 57

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