1004 THEORY AND PRACTICE IN LANGUAGE STUDIES6) Now that we have f<strong>in</strong>ished the course, we shall start do<strong>in</strong>g more revision work.7) While runn<strong>in</strong>g down the stairs,I heard the clock strike twelve.8) It would be wise to h<strong>and</strong>le this delicate problem with calmness <strong>and</strong> patience.9) A teach<strong>in</strong>g symposium will be held <strong>in</strong> the school hall at 2:00 p.m. tomorrow.10) It is uncerta<strong>in</strong> whether he could come.11) Wenwen liked his misunderst<strong>and</strong><strong>in</strong>g of her refusal, <strong>and</strong> this made her relax a little.12) We must firmly implement the guidel<strong>in</strong>es <strong>and</strong> decisions adopted by this meet<strong>in</strong>g.13) Literature <strong>and</strong> art are subord<strong>in</strong>ate to politics, but <strong>in</strong> their turn exert a great <strong>in</strong>fluence on politics.14) I feel that the sweep<strong>in</strong>g cars are too ruthless; they regard the fallen leaves as rubbish, somewhat <strong>in</strong>humane.15) I th<strong>in</strong>k it a pity that you didn’t try harder.16) a. To do the same th<strong>in</strong>g every day he f<strong>in</strong>ds it unbearable.b. He f<strong>in</strong>ds it unbearable to do the same th<strong>in</strong>g every day.c. He f<strong>in</strong>ds to do the same th<strong>in</strong>g every day unbearable.17) A shadow sweeps across my eyes <strong>and</strong> my memory draws me back to a dusk over ten years ago.18) Summer gives man various k<strong>in</strong>ds of tests, tra<strong>in</strong><strong>in</strong>g their patience, wisdom <strong>and</strong> alertness.19) Scientific research is an important means of underst<strong>and</strong><strong>in</strong>g the world <strong>and</strong> at the same time serves as thefoundation of technological progress.20) Modesty makes people make progress, while (<strong>and</strong>) pride makes people lose beh<strong>in</strong>d.21) It’s better to be prepared than unprepared for everyth<strong>in</strong>g.22) How a computer works will be expla<strong>in</strong>ed <strong>in</strong> detail at the next lecture.23) Some people th<strong>in</strong>k that boys are cleverer than girls. This is not necessarily the case, however.24) The world won’t end even if we fail a hundred times. As long as we don’t lose heart, we’ll succeed <strong>in</strong> the end.25) Over the past ten years, with jo<strong>in</strong>t efforts a big progress has been made <strong>in</strong> graduate education <strong>in</strong> Ch<strong>in</strong>a.26) After read<strong>in</strong>g the letter the old man was so disappo<strong>in</strong>ted that he tore it <strong>in</strong>to little bits with trembl<strong>in</strong>g f<strong>in</strong>gers.27) I propose that we go to f<strong>in</strong>d Prof. Smith <strong>in</strong> his office right after the meet<strong>in</strong>g <strong>and</strong> <strong>in</strong>vite him to our Englisheven<strong>in</strong>g.28) You should make the payment right after the goods are delivered.29) Adopt<strong>in</strong>g this method, we have improved our efficiency <strong>in</strong> English learn<strong>in</strong>g.30) When we start doesn’t matter. The most important th<strong>in</strong>g is that we should make good preparations for it.REFERENCES[1] Corder, S. P. (1971). Introduc<strong>in</strong>g Applied L<strong>in</strong>guistics. New York: Pengu<strong>in</strong> Books.[2] Ellis, R. (1994). The Study of Second <strong>Language</strong> Acquisition. Oxford: Oxford University Press.[3] James, C. (1980). Contrastive Analysis. London: Longman.[4] James, C. (2001). Errors <strong>in</strong> <strong>Language</strong> Learn<strong>in</strong>g <strong>and</strong> Use: Explor<strong>in</strong>g Error Analysis. Beij<strong>in</strong>g: Foreign <strong>Language</strong> Teach<strong>in</strong>g <strong>and</strong>Research Press.[5] Karashen, S. (1982). Pr<strong>in</strong>ciples <strong>and</strong> <strong>Practice</strong>s of Second <strong>Language</strong> Acquisition. Oxford: Pergamon Press.[6] Lado, R. (1957). L<strong>in</strong>guistics across Cultures. Annarbor: University Of Michigan Press[7] Lian Shuneng. (2010). Contrastive <strong>Studies</strong> of English <strong>and</strong> Ch<strong>in</strong>ese. Beij<strong>in</strong>g: Higher Education Press.[8] Odl<strong>in</strong>, T. (2001). <strong>Language</strong> Transfer: Cross-l<strong>in</strong>guistic <strong>in</strong>fluence <strong>in</strong> language learn<strong>in</strong>g. Shanghai: Shanghai Foreign <strong>Language</strong>Education Press.[9] Richards, J. (1974). Error Analysis: Perspectives on Second <strong>Language</strong> Acquisition. London: Longman.[10] Swa<strong>in</strong>, M. (1985) Communicative competence: Some roles of comprehensible <strong>in</strong>put <strong>and</strong> comprehensible output <strong>in</strong> itsdevelopment. In Gass, S. <strong>and</strong> Madden, C. (Eds.), Input <strong>in</strong> Second <strong>Language</strong> Acquisition, pp. 235-256. New York: NewburyHouse.[11] Taylor, B. P. (1975). Adult language learn<strong>in</strong>g strategies <strong>and</strong> their pedagogical implications. TESOL Qarterly 9, 391-99.[12] Xiao Lim<strong>in</strong>g. (2002). English-Ch<strong>in</strong>ese Comparative Study <strong>and</strong> Translation. Shanghai: Shanhai Foreign <strong>Language</strong> EducationPress.[13] Yu Lim<strong>in</strong>g. (2004). <strong>Language</strong> Transfer <strong>and</strong> Second <strong>Language</strong> Acquisition. Shanghai: Shanghai Foreign <strong>Language</strong> EducationPress.[14] Wilss, W. (1996). Knowledge <strong>and</strong> Skills <strong>in</strong> Translator Behavior, Amsterdam/Philadelphia, John Benjam<strong>in</strong>s.Hui Ni was born <strong>in</strong> Heze, Sh<strong>and</strong>ong, Ch<strong>in</strong>a <strong>in</strong> 1982. She received her M.A. degree <strong>in</strong> (English) pedagogy from Bohai University,Ch<strong>in</strong>a <strong>in</strong> 2009.She is currently an assistant <strong>in</strong> the School of foreign languages, Heze University, Heze, Ch<strong>in</strong>a. Her research <strong>in</strong>terests <strong>in</strong>cludecontrastive teach<strong>in</strong>g <strong>and</strong> literary criticism. She has published many research papers <strong>in</strong> domestic magaz<strong>in</strong>es. E.g. A Contrastive Studyon Images of Woman between Ch<strong>in</strong>ese <strong>and</strong> Western Traditional Cultures (Qufu, Sh<strong>and</strong>ong: Modern Ch<strong>in</strong>ese, 2011).© 2013 ACADEMY PUBLISHER
ISSN 1799-2591<strong>Theory</strong> <strong>and</strong> <strong>Practice</strong> <strong>in</strong> <strong>Language</strong> <strong>Studies</strong>, Vol. 3, No. 6, pp. 1005-1008, June 2013© 2013 ACADEMY PUBLISHER Manufactured <strong>in</strong> F<strong>in</strong>l<strong>and</strong>.doi:10.4304/tpls.3.6.1005-1008Death Mask of LucyD<strong>in</strong>gm<strong>in</strong>g WangEnglish Department of Literature <strong>and</strong> Law School of Sichuan Agricultural University, Ya’an, Sichuan Prov<strong>in</strong>ce, Ch<strong>in</strong>aD<strong>in</strong>i ZhangEnglish Department of Literature <strong>and</strong> Law School of Sichuan Agricultural University, Ya’an, Sichuan Prov<strong>in</strong>ce, Ch<strong>in</strong>aAbstract—As a great poet, William Wordsworth describes the death <strong>in</strong> many poems. Among them, Lucypoems are <strong>in</strong> a special group. They are not only poems concern<strong>in</strong>g death but also love too. From a specialperspective of lover, the poet describes five aspects concern<strong>in</strong>g death: premonition of death, <strong>in</strong>fluence of death,mean<strong>in</strong>g of death, attitude towards death, <strong>and</strong> significance of death. With these aspects, the poems revealWordsworth’s contemplation of death. In addition, they justify that William Wordsworth practice his ownpoetics: the feel<strong>in</strong>g there<strong>in</strong> developed gives importance to the action <strong>and</strong> situation, <strong>and</strong> emphasize thesubjectivity of human be<strong>in</strong>g.Index Terms—wordsworth, death, Lucy poemsWilliam Wordsworth, the representative poet of the early Romanticism, was born <strong>in</strong> 1770. He greatly admired Nature,<strong>and</strong> emphasized imag<strong>in</strong>ation. His mother died when he was only eight. His father followed her six years later. Thetragic experience <strong>in</strong> his children gives <strong>in</strong>fluence to his life. Poems concern about the theme of death. The Lucy poemsare among those ones. The Lucy poems are a series of five poems written by Wordsworth dur<strong>in</strong>g the year 1798 <strong>and</strong>1801. The Lucy poems <strong>in</strong>clude “Strange fits of passion have I known”, “She dwelt among the untrodden ways”, “Itravelled among unknown men”, “Three years she grew <strong>in</strong> sun <strong>and</strong> shower”, <strong>and</strong> “A slumber did my spirit seal”.William Wordsworth wrote the poem dur<strong>in</strong>g a short stay while he lived <strong>in</strong> Germany. In these poems, Wordsworthidealized a character of Lucy who died young. In Lucy poems, the death theme repeatedly appears <strong>and</strong> helps tounderst<strong>and</strong> the poetic of William Wordsworth.In ancient Rome, the Romans kept the death masks of their forefathers as a way of remember<strong>in</strong>g them (Stokstad,1995, p.243). The death mask is made of wax. In Lucy poems, Wordsworth tries many ways to build a death mask ofLucy, as a special method of remember<strong>in</strong>g a lady <strong>in</strong> his m<strong>in</strong>d. Though some evidence may prove that Lucy <strong>in</strong> “Threeyears she grew” is Dorothy, Pipion also argues that Lucy poems are written under the <strong>in</strong>spiration of thoughts by MaryHutch<strong>in</strong>son (Pipion, 1988, p.100-105). As Ferguson po<strong>in</strong>ts out, though Lucy is the central figure <strong>in</strong> these poems, it isquite strange that “Lucy’s voice is nonexistent <strong>in</strong> the poems” <strong>and</strong>, when she is about to speak, “she is silenced withdeath” (Ross, 1986, p.397). There is only the voice of I, the narrator of the poem. From fem<strong>in</strong>ism perspective, Rosscriticizes that Wordsworth reta<strong>in</strong>s <strong>and</strong> <strong>in</strong>tensifies mascul<strong>in</strong>e desire by kill<strong>in</strong>g Lucy, <strong>and</strong>, <strong>in</strong> relationship with Lucy, hedeprives Lucy’s needs <strong>and</strong> desires <strong>and</strong> keeps his needs <strong>and</strong> desires as the whole (Ross, 1986, p.399). Though theidentity of Lucy <strong>and</strong> the purpose of these poems are <strong>in</strong> debat<strong>in</strong>g, it is clear that Lucy poems are filled with evidence oflove <strong>and</strong> concern of death. Different from other poems about death of Wordsworth, like “We are seven”, from aperspective of a lover, five aspects concern<strong>in</strong>g death can be traced from the text: premonition of death, <strong>in</strong>fluence ofdeath, mean<strong>in</strong>g of death, attitude towards death, <strong>and</strong> significance of death. Each poem represents one aspect. From thesepoems, the worldview <strong>and</strong> the thought of death of Wordsworth are revealed little by little. Also, from them, it can f<strong>in</strong>dsome evidence to justify that Wordsworth practices his poetics <strong>in</strong> his poetry, <strong>and</strong> gives emphasis to subjectivity, animportant character of Romanticism.The Lucy poems are <strong>in</strong> ballad measure, four-l<strong>in</strong>ed stanzas of alternat<strong>in</strong>g tetrameter <strong>and</strong> trimeter, rhym<strong>in</strong>g abab. Theyare: “Strange fits of passion have I known”, “She dwelt among the untrodden ways”, “Three years she grew”, “Aslumber did my spirit seal”, <strong>and</strong> “I traveled among unknown men”. Except the last one, all poems were written <strong>in</strong> 1799,when Wordsworth <strong>and</strong> his sister, Dorothy, were <strong>in</strong> Germany. The w<strong>in</strong>ter <strong>in</strong> Goslar was severe, <strong>and</strong> Wordsworth hadnoth<strong>in</strong>g to do except writ<strong>in</strong>g poems. In this period, Wordsworth wrote some early important poems, such as Lucy lyrics,<strong>and</strong> narrative description of boyhood experiences (skat<strong>in</strong>g, the “stolen” boat, episode, “Nutt<strong>in</strong>g”) (Pipion, 1984, p.34).Under such k<strong>in</strong>d of circumstance, Wordsworth gave his poems the thought about life; Lucy poems are his thoughtsabout death at that time. Though his mother died early, his first sight of a drawn man at Esthwaite was somewhat near.He was not yet n<strong>in</strong>e years old at that time. He thought he was lack of fear because he looked at such sights <strong>in</strong> the fairyworld of romance (Pipion, 1988, p.3). But the Wordsworth <strong>in</strong> Goslar is quite different from the young boy. He wasgrow<strong>in</strong>g <strong>in</strong>to maturity, <strong>and</strong> had much experience about life. As Williams po<strong>in</strong>ts out that Goslar is “the crucible ofWordsworth modernity” (Pipion, 1988, p.103), Wordsworth was at a turn<strong>in</strong>g po<strong>in</strong>t <strong>in</strong> his life.In Lucy poems, there are some aspects of death. When they are put together, a death mask of Lucy, an imag<strong>in</strong>arylady <strong>in</strong> Wordsworth’s m<strong>in</strong>d, appears <strong>in</strong> the m<strong>in</strong>d of the reader, like the death masks of Roman ancestors. It is thememory of Lucy. On the other h<strong>and</strong>, it is clear that Lucy poems are love poems because it can f<strong>in</strong>d evidence <strong>in</strong> the© 2013 ACADEMY PUBLISHER