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The Development of Modernism in Raleigh 1945-1965 - Triangle ...

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<strong>The</strong> <strong>Development</strong> <strong>of</strong> Modern Architecture <strong>in</strong> <strong>Raleigh</strong> <strong>1945</strong>-<strong>1965</strong> 39designed Beth Meyer Synagogue, 601 St. Mary’s Street, <strong>in</strong> 1951. <strong>The</strong> split-level design,with a two-story flat-ro<strong>of</strong>ed ma<strong>in</strong> block, <strong>of</strong>fset one-story w<strong>in</strong>g, ribbon w<strong>in</strong>dows, andterraces and stairs that <strong>in</strong>tegrate the build<strong>in</strong>g <strong>in</strong>to the site, represent a significantModernist statement. <strong>The</strong> <strong>in</strong>terior was remodeled <strong>in</strong> the late twentieth century to convertthe build<strong>in</strong>g <strong>in</strong>to <strong>of</strong>fices. <strong>The</strong> most exquisite example <strong>of</strong> the postwar Neoclassical Revivalchurch is White Memorial Presbyterian Church, 1704 Oberl<strong>in</strong> Road, built <strong>in</strong> 1951. <strong>The</strong>tall brick church has a stunn<strong>in</strong>g pedimented Cor<strong>in</strong>thian portico. Forest Hills BaptistChurch, 201 Dixie Trail, built <strong>in</strong> 1960, is a monumental pedimented brick sanctuary witha mammoth steeple, but with less richness <strong>of</strong> wooden ornamentation. A notable exceptionto Colonial Revival designs is the Romanesque Revival sanctuary <strong>of</strong> Pullen MemorialBaptist Church, 1801 Hillsborough Street, by F. Carter Williams, 1951. Edenton StreetMethodist Church, 228 W. Edenton Street, is a 1957 somewhat streaml<strong>in</strong>ed GothicRevival-style brick church with ornate stonework and a notable arcade.Modernist churches are quite rare <strong>in</strong> <strong>Raleigh</strong>. <strong>The</strong> most notable are Holy Tr<strong>in</strong>ity LutheranChurch and St. Michael’s Episcopal Church. <strong>The</strong> 1959 Holy Tr<strong>in</strong>ity Lutheran Church,2723 Clark Avenue, is a Neo-Gothic design by local architect Horace Taylor with orangetapestry brick walls, raised on concrete pillars with a low story beneath the sanctuary, andtall w<strong>in</strong>dows filled with abstract sta<strong>in</strong>ed glass designs. St. Michael’s Church, designed byLeif Valand <strong>in</strong> 1956, is a modern Neo-Gothic design with sta<strong>in</strong>ed glass w<strong>in</strong>dows recessedbeh<strong>in</strong>d deep brick pilasters, a slate front-gabled ro<strong>of</strong> whose eaves extend nearly to theground, and a detached square bell tower. Other contemporary churches <strong>of</strong> slightly lesserarchitectural dist<strong>in</strong>ctiveness are Milner Memorial Presbyterian Church and St. JamesUnited Methodist Chapel. Milner Memorial, 1950 New Bern Avenue, was designed by F.Carter Williams and built <strong>in</strong> 1956-1958. <strong>The</strong> front-gabled sanctuary has a glazed façadewith tall clear glass w<strong>in</strong>dows with sta<strong>in</strong>ed glass spandrels. Along the side elevation aresawtooth w<strong>in</strong>dows. St. James Chapel, 3808 St. James Road, is a bold Neo-Gothic 1962design with a steel frame, yellow brick walls, and a steep cross-gabled ro<strong>of</strong> with jutt<strong>in</strong>g,curved shapes rem<strong>in</strong>iscent <strong>of</strong> traditional Scand<strong>in</strong>avian forms. <strong>The</strong> adjacent sanctuary <strong>of</strong>similar design was built <strong>in</strong> the late 1960s.Significance<strong>Raleigh</strong> churches, predom<strong>in</strong>antly <strong>of</strong> classical and Gothic revivalist styles, mirror postwarchurch architecture throughout the United States. To be significant, such a representativesanctuary would need to have a high quality <strong>of</strong> design and craftsmanship exhibit<strong>in</strong>g closeattention to detail that stands above the numerous other examples <strong>of</strong> the styles. Bycontrast, Modernist church designs are so rare <strong>in</strong> <strong>Raleigh</strong> that any <strong>of</strong> them from thepostwar period end<strong>in</strong>g <strong>in</strong> <strong>1965</strong> is eligible if it reta<strong>in</strong>s architectural <strong>in</strong>tegrity. <strong>The</strong> mostorig<strong>in</strong>al Modernist design, Holy Tr<strong>in</strong>ity Lutheran Church, is a very creative <strong>in</strong>tegration <strong>of</strong>high quality brickwork, stonework, and sta<strong>in</strong>ed glass, with a soar<strong>in</strong>g <strong>in</strong>terior. Such achurch has exceptional architectural significance.Registration Requirements

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