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Myth, Protest and Struggle in Okinawa

Myth, Protest and Struggle in Okinawa

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Introduction 7<br />

common, <strong>in</strong>visible elements are sometimes more encompass<strong>in</strong>g <strong>and</strong> cohesive <strong>and</strong><br />

sometime less so, sometimes more able to outbid compet<strong>in</strong>g claims on loyalty<br />

<strong>and</strong> sometimes less so, sometimes more s<strong>in</strong>gle-m<strong>in</strong>ded <strong>and</strong> sometimes less so.<br />

The ‘community of protest’, however, is always there, always a virtual presence;<br />

always, as Arasaki’s image suggests, able to become real <strong>and</strong> visible <strong>in</strong> the form<br />

of a wave. But this image is not so much an explanation as it is a way of restat<strong>in</strong>g<br />

the problem: How is this complex <strong>and</strong> shift<strong>in</strong>g social constellation possible? And<br />

more specifically, what susta<strong>in</strong>s the sense of a unified Ok<strong>in</strong>awan community of<br />

protest <strong>and</strong> what susta<strong>in</strong>s the idea of its <strong>in</strong>visible presence?<br />

As will be more fully expla<strong>in</strong>ed <strong>in</strong> Chapter 2, this book bases much of its <strong>in</strong>quiry<br />

on constructivist currents <strong>in</strong> social theory – particularly new social movement theory<br />

– <strong>in</strong> anthropology <strong>and</strong>, to a more limited extent, contemporary history. The often<br />

<strong>in</strong>terwoven ideas of collective identity, myth, <strong>and</strong> the political imag<strong>in</strong>ary are central<br />

to these answers. Briefly, I will expla<strong>in</strong> that Ok<strong>in</strong>awa’s community of protest<br />

(conceived of as a unified entity) has important mythic qualities. The mean<strong>in</strong>g of<br />

this perhaps provocative claim will be more fully explored <strong>in</strong> Chapter 2 but here<br />

I want to briefly emphasize what it does not mean.<br />

It does not mean that expressions such as the ‘Ok<strong>in</strong>awan movement’ (Ok<strong>in</strong>awa<br />

no undō) or the ‘<strong>Struggle</strong> of Ok<strong>in</strong>awa’ (Ok<strong>in</strong>awa no tatakai), frequently used<br />

by protesters, are empty. It is not the movement’s existence but its mode of existence<br />

that is <strong>in</strong> question here <strong>and</strong> the s<strong>in</strong>gle most important characteristic of the<br />

movement’s life is its <strong>in</strong>formality: undocumented experiences <strong>and</strong> memories, shared<br />

stories transmitted orally, <strong>and</strong> unwritten histories. It is these which give the<br />

movement its mythic character.<br />

It is important to note that my appeal to the notion of ‘myth’ is predicated on<br />

the suspension of questions of truth or falsehood. Thus, I certa<strong>in</strong>ly do not mean<br />

that the abuses or experiences of marg<strong>in</strong>alization experienced by the Ok<strong>in</strong>awans<br />

were fictional as opposed to factual. The myth of an ‘Ok<strong>in</strong>awan <strong>Struggle</strong>’ does not<br />

refer to the series of actual events that took place, but to the ways <strong>in</strong> which they<br />

are described <strong>and</strong> told, <strong>and</strong> redescribed <strong>and</strong> retold.<br />

In myth are expressed the thought patterns by which a group formulates selfcognition<br />

<strong>and</strong> self-realization, atta<strong>in</strong>s self-knowledge <strong>and</strong> self-confidence,<br />

expla<strong>in</strong>s its own source <strong>and</strong> be<strong>in</strong>g <strong>and</strong> that of its surround<strong>in</strong>gs, <strong>and</strong> sometimes<br />

tries to chart its dest<strong>in</strong>ies. By myth man has lived, died <strong>and</strong> – all too often –<br />

killed.<br />

(Puhvel 1987: 2)<br />

<strong>Myth</strong> <strong>in</strong> this book means a story or a narrative that resonates <strong>in</strong> the community of<br />

protest. It connects present action to the collective remembrance of the past of a<br />

group of people, <strong>in</strong> this case, the ‘Ok<strong>in</strong>awans’. Historical experiences of marg<strong>in</strong>alization<br />

<strong>and</strong> discrim<strong>in</strong>ation, <strong>in</strong> particular of the Battle of Ok<strong>in</strong>awa, <strong>and</strong> of the<br />

experiences <strong>and</strong> legacy of protests such as the all-isl<strong>and</strong> struggles aga<strong>in</strong>st the US<br />

military regime, shared by different generations, locations, <strong>and</strong> sectors with<strong>in</strong><br />

Ok<strong>in</strong>awa, aga<strong>in</strong>, are important str<strong>and</strong>s <strong>in</strong> this myth. ‘<strong>Myth</strong>’ is to be taken seriously

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