04.08.2016 Views

Torrance Journal for Applied Creativity

TorranceJournal_V1

TorranceJournal_V1

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

A Place of Their Own:<br />

The Role of Makerspaces and STEAM Labs in<br />

Developing the Talents of Creative Students<br />

by Barbara A. Kerr & Nicole M. Farmer<br />

Creative adolescents often have dual interests in arts and science/technology,<br />

and may have strong potential <strong>for</strong> becoming innovators in crossover occupations<br />

in STEAM (Science, Technology, Engineering, Arts, and Math). Profiling that takes<br />

into account the characteristics of adult innovators when they were adolescents may<br />

be the best way of finding students who can benefit from career development in<br />

STEAM fields. The STEAM movement and the Maker Movement provide unique<br />

opportunities <strong>for</strong> students with creative personalities, dual interests, and spatial-visual<br />

ability to try out new methods and materials, learn paths to invention, and<br />

find mentors and models.<br />

The Need <strong>for</strong> Innovators<br />

Innovation is the key to societal<br />

progress, but creativity has been left<br />

behind in today’s schools. Although<br />

there have been many calls <strong>for</strong> increased<br />

attention to creativity in the schools in<br />

the popular media, few schools have<br />

as their primary focus the nurturing of<br />

creativity. In November 2007, The Conference<br />

Board and Americans <strong>for</strong> the<br />

Arts, in collaboration with the American<br />

Association of School Administrators,<br />

surveyed public school superintendents<br />

and American business executives<br />

to compare their views on creativity<br />

(National Conference Board, 2007).<br />

Overwhelmingly, both the superintendents<br />

and employers agreed that creativity<br />

is increasingly important in U.S.<br />

workplaces; yet, there is a gap between<br />

understanding this truth and putting it<br />

into meaningful practice. Among the<br />

key findings of this research was the fact<br />

that 85 percent of employers concerned<br />

with hiring creative people say they<br />

can't find the applicants they seek.<br />

In addition, many creative<br />

people often turn away from creative<br />

careers, particularly in Science, Technology,<br />

Engineering, and Mathematics<br />

(STEM). Although few longitudinal<br />

studies of exceptionally creative students<br />

exist, 40-year follow-ups have shown<br />

that many creative individuals chose<br />

against public achievement in academic<br />

and STEM fields and in favor of personal<br />

achievement in arts, design, writing,<br />

and social services. A report from the<br />

President’s Council of Advisors on Science<br />

and Technology (2012) found that<br />

nearly half of science oriented students,<br />

even the most creative, were not pursuing<br />

STEM degrees to completion – and<br />

it is very likely that many future innovators<br />

prematurely leave STEM majors.<br />

If this is the case, where can we<br />

turn to fill our need <strong>for</strong> future STEM<br />

innovators? Creative secondary students<br />

are an untapped population of potential<br />

STEM innovators. Creative students<br />

who in adolescence have dual artistic<br />

and scientific interests and who excel<br />

in spatial-visual abilities may be prime<br />

candidates <strong>for</strong> recruitment into STEM<br />

fields. New methods of creativity assessment<br />

make it possible to identify these<br />

students practically and efficiently.<br />

Finding Future Innovators<br />

Most identification practices<br />

<strong>for</strong> creative students have as their goal<br />

the selection of students <strong>for</strong> a gifted<br />

education program. These are focused<br />

on cognitive abilities, as measured by<br />

instruments such as the <strong>Torrance</strong> Tests<br />

of Creative Thinking (1998) or creative<br />

cognition, such as the Runco Ideational<br />

Behavior Scale (2000-2001). There is<br />

a disconnect, however, between these<br />

identification practices and career<br />

guidance. It is difficult <strong>for</strong> counselors<br />

to identify those students with potential<br />

<strong>for</strong> success in creative fields <strong>for</strong> the<br />

specialized career counseling they need<br />

because they often do not have access<br />

to cognitive measures, portfolios, or<br />

competition results.<br />

In STEM fields, there has been<br />

much emphasis on widening the pool of<br />

potential scientists by attracting women,<br />

minorities, and people who otherwise<br />

might not have considered options in<br />

science. Few ef<strong>for</strong>ts have been made to<br />

identify those students who are likely to<br />

be creative in STEM fields—a characteristic<br />

that cuts across race, class, and<br />

gender (Domino & Domino, 2006). It<br />

is particularly important <strong>for</strong> counselors<br />

to find and guide those people who are<br />

most likely to be scientific innovators<br />

into appropriate educational and career<br />

paths.<br />

123

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!