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Torrance Journal for Applied Creativity

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<strong>Creativity</strong> and Innovation in an Interdisciplinary<br />

and Multicultural World: Culinary Ingenuity <strong>for</strong><br />

Health’s Sake<br />

by Robin Lynn Treptow<br />

As Biernes (2005, p. 62) observes, “human beings have a long history of<br />

applying their creative abilities to their personal and social survival in unceasingly<br />

new and interesting ways”. Towards this challenge—in realms of nutriments,<br />

ecological welfare, and multicultural sensitivity—the current treatise is undertaken.<br />

Nutrition’s sustenance is vital to life: its purviews reveal a creative persistence<br />

towards a world of no death. This could well be pulled off with multicultural<br />

eco-friendly flair—using global and holistic processing and plain hard work (Nijstad,<br />

De Dreu, Rietzschel, & Baas, 2010).<br />

To sketch out this grand scheme, three goals unfold: 1) framing how<br />

creativity might inaugurate authentic survival-focused living; 2) showing ethically<br />

motivated plant-based diets to be an apropos creativity-oriented goal; and 3)<br />

applying arguments one and two towards survival of Homo sapiens—individual and<br />

communal—using creativity-inspired living. The tenets are approached sequentially.<br />

Thus, I first use everyday creativity to tug at the edges of death’s presumed<br />

certainty; next, I touch on plant-based cuisine’s ethical/health superiority; and<br />

from thence, I draw out a value-based “plan hierarchy” wherein items one and two<br />

operate. A central line of reasoning is that humans’ innate creativity (see Schmid,<br />

2005a; also Nijstad et al., 2010) grants ample latitude to “conquer death by living<br />

well.” Dialogue adheres to these assumptions: 1) humans possess innate, unlimited<br />

creativity; 2) virtue-based multicultural living is a highly desirable good; and 3)<br />

death is not inevitable—but, rather, a solvable human problem. All operates from a<br />

premise that “…being creative…involves imaginative thought, general knowledge,<br />

and some mastery of the medium and the necessary skills” (Schmid, 2005a, p. 6).<br />

Everyday <strong>Creativity</strong>—An Effective Means to Authentically Live Sans Death?<br />

There is no better era than now to boldly try out Homo sapiens’ capability<br />

to conquer the plague of death via gustatory delight in<strong>for</strong>med by wise choices.<br />

As Satter (2007) remarks, “few cultures have settled <strong>for</strong> basic survival and have,<br />

instead, endeavored to find food preparation methods that enhance the gustatory<br />

rewards from eating” (p. S144). The situation is an ancient peril turned modern—<br />

scarce food and drink <strong>for</strong> many of the world’s inhabitants (de Boer & Aiking, 2010)<br />

amidst epidemic ‘globesity’ (World Health Organization, 2014) <strong>for</strong> myriad others.<br />

Dietary focus on animal-based proteins threatens global homeostasis with resultant<br />

food insecurity (Joyce et al., 2012; de Boer & Aiking, 2010) that destabilizes<br />

transnational prosperity and tugs at our psyche. No wonder fear of death—viewed<br />

by psychoanalyst Firestone (2014) as the “ultimate resistance” to living well—debilitates<br />

and unnerves with (conscious and out-of-awareness) thoughts about death (see<br />

Pyszczynski, Greenberg, & Solomon, 1999; also Hayes, Schimel, Arndt, & Faucher,<br />

2010).<br />

But what if death’s dire outcome is merely “self-fulfilling prophecy” gotten<br />

out of hand (see Wurm, Warner, Ziegelmann, Wolff, & Schüz, 2013) or “universal<br />

learned helplessness” (see Abramson,<br />

Seligman, & Teasdale, 1978) gone awry<br />

en masse, so that no one believes death<br />

can ever be mastered outright? Recent<br />

literature reveals wiggle-room in the<br />

“cut-and-dried” pathway to death’s finale.<br />

Patterns like positive and negative<br />

cognitive habits linked, respectively, to<br />

healthy and unhealthy behaviors (Wurm<br />

et al., 2013; Meisner & Baker, 2013);<br />

cognitive and physical declines attributed<br />

to “growing older” (Kotter-Grühn,<br />

Kleinspehn-Ammerlahn, Gerstorf &<br />

Smith, 2009) rather than “disuse” as<br />

fitness expert Peterson (2008) suggests<br />

is the case; and anticipated decreases in<br />

subjective well being with greater age<br />

(Ryff, 1991) match self-fulfilling prophecy<br />

and universal learned helplessness<br />

worldviews. Additionally, perceived<br />

lacks of control impact functional<br />

health, cardio-metabolic risk, and physical<br />

activity (Infurna & Gerstorf, 2013;<br />

2014). People expect to die and so<br />

choose unhealthy behaviors (e.g., eating<br />

poorly)—thinking that nothing can be<br />

done (see Goldenberg & Arndt, 2008).<br />

Against this sobering (yet<br />

erstwhile hopeful) backdrop—“death<br />

exists now but must be conquered”—I<br />

juxtapose reflections from the initial two<br />

chapters of Therese Schmid’s (2005a;<br />

2005b) edited book, Promoting Health<br />

Through <strong>Creativity</strong>. Her key concept is<br />

mundane (ordinary) creativity—which<br />

per Nijstad and others (2010) “helps us<br />

to adapt to changing circumstances, to<br />

solve everyday problems, and to create<br />

new opportunities” (Runco, 2004).<br />

Noting that industrial development has<br />

diminished it, Schmid (2005a; 2005b)<br />

makes broad-reaching contention <strong>for</strong><br />

146

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