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Torrance Journal for Applied Creativity

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These tools provide guidelines to foster<br />

creative thinking. While there is not a<br />

guideline on how to teach these skills<br />

there is recognition of the importance<br />

of these elements. Understanding and<br />

analyzing how these relate to the four<br />

skills of fluency, flexibility, originality, and<br />

elaboration provide depth in the generation<br />

of classroom activities to foster their<br />

development.<br />

Environment that supports creativity<br />

The classroom environment is<br />

critical in all aspects of learning. The<br />

two key elements of psychological safety<br />

and intrinsic motivation are important<br />

elements that must be included <strong>for</strong> the<br />

environment to support creativity.<br />

Starko (2010) states that psychological<br />

safety includes unconditional<br />

acceptance with the understanding that<br />

while not all behaviors are acceptable,<br />

there are clear rules and consequences:<br />

lack of external evaluation, empathetic<br />

understanding, the creation and enactment<br />

of a creative group atmosphere,<br />

prevention and avoidance of negative<br />

sanctions with a celebration of new ideas<br />

or thoughts, avoidance of group pressure<br />

and competition, and rewarding creative<br />

thinking and output. Teachers need<br />

to create an environment where their<br />

students can embrace creativity and the<br />

school/administration also needs to<br />

establish the same type of environment<br />

<strong>for</strong> their teachers.<br />

Klaus Urban (2007) developed<br />

25 recommendations <strong>for</strong> stimulating and<br />

nurturing creativity in school. Many of<br />

these recommendations have to do with<br />

the psychological safety of the classroom.<br />

Some of these recommendations include<br />

“avoiding group pressure and envy of<br />

competition” as well as “negative reactions<br />

or sanctions by classmates,” “demonstrating<br />

and appreciating humor,” “support[ing]<br />

self-initiated questioning and<br />

learning,” “provok[ing] and provid[ing]<br />

<strong>for</strong> situations by challenging, stimulating<br />

and requiring creative behavior,”<br />

“allowing errors and mistakes,” “support[ing]<br />

interests as well as perception<br />

and acquisition of knowledge,” and “develop[ing]<br />

and demonstrat[ing] constructive<br />

criticism, not just criticism.” There<br />

are many ways to create an environment<br />

that is psychologically safe <strong>for</strong> creative<br />

expression and developing creativity.<br />

Formulating statements that<br />

stimulate or provoke questions by students,<br />

allowing errors and mistakes, providing<br />

opportunities to pursue personal<br />

interests and passions, and fostering quiet<br />

reflection, exploration of materials and<br />

ideas, and stimulation can foster intrinsic<br />

motivation. Research by Amabile (1996)<br />

shows that, “Intrinsic motivation is conducive<br />

to creativity; controlling extrinsic<br />

motivation is detrimental to creativity,<br />

but in<strong>for</strong>mation or enabling extrinsic<br />

motivation can be conducive particularly<br />

if initial levels of intrinsic motivation<br />

are high (p. 119)” (as cited in Starko,<br />

2010, p. 248). Developing a classroom<br />

environment that is focused on minimizing<br />

creativity killers and fostering the<br />

internal motivation of students is key.<br />

Many of the recommendations<br />

<strong>for</strong> a creative classroom should be in<br />

place <strong>for</strong> a safe learning environment.<br />

The awareness and focus on creativity<br />

will impact the environment as well as<br />

the teachers and students within that<br />

environment. Recognition of creativity<br />

killers is important when focusing on<br />

the environment. For example, the use<br />

of external awards limits creativity in the<br />

classroom.<br />

<strong>Creativity</strong> Blocks/Killers<br />

<strong>Creativity</strong> can be fostered<br />

through the use of coaching or critiquing.<br />

The art of educational criticism can be<br />

utilized when evaluating creativity in the<br />

classroom. “The critic (in this case the<br />

teacher) needs to perceive what is subtle<br />

and complex, must appreciate the …<br />

meaning of events, and must be able to<br />

make those meanings vivid through the<br />

language he or she uses to communicate”<br />

(Eisner, 2002, p 57). This critique helps<br />

the student push past the requirements<br />

and make meaning of the assignments.<br />

Research has identified many blocks or<br />

killers to creativity. These blocks involve<br />

a variety of aspects related to classroom<br />

practice including grades. When students<br />

are focused on grades, this critique<br />

becomes irrelevant. These practices<br />

Isabelle Gawedzki<br />

accept various methods of output while<br />

ensuring the content is being represented.<br />

With grading on their minds, many<br />

students will not push themselves past<br />

the requirements. Projects will not be<br />

as creative because it is generally easier<br />

to do something within the scope of the<br />

requirements rather than push boundaries.<br />

Teachers should provide students<br />

instruction and opportunities to<br />

utilize the skills <strong>for</strong> creative thinking.<br />

Without these skills students will be<br />

unable to generate the ideas necessary<br />

to venture beyond the known. Teachers<br />

often provide students choices within<br />

the classroom. However, restricting<br />

choices can be damaging to creative<br />

environments. Students should be given<br />

open-ended opportunities in order to<br />

grow and develop their creative ideas.<br />

When restricting choices, Einstein stated<br />

“This coercion had such a deterring effect<br />

upon me that after I passed the final<br />

examination, I found the consideration<br />

of any scientific problems distasteful to<br />

me <strong>for</strong> an entire year [Einstein, 1949]”<br />

(Grangrade, Kothari, & Verma, 2005,<br />

pg 57). Thankfully, he moved passed his<br />

immediate distaste <strong>for</strong> the problems and<br />

found a passion within the field involving<br />

inquiry and problem solving.<br />

Interaction <strong>for</strong> students is<br />

important <strong>for</strong> their growth but constant<br />

supervision can have a deterring effect.<br />

The student needs to feel safe in order to<br />

explore, start over, try again, or muddle<br />

through without the feeling of being<br />

monitored. Guidance by coaching or<br />

critiquing is important but the idea of<br />

being watched does not allow <strong>for</strong> “private”<br />

mistakes and failures.<br />

35

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