Torrance Journal for Applied Creativity
TorranceJournal_V1
TorranceJournal_V1
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These tools provide guidelines to foster<br />
creative thinking. While there is not a<br />
guideline on how to teach these skills<br />
there is recognition of the importance<br />
of these elements. Understanding and<br />
analyzing how these relate to the four<br />
skills of fluency, flexibility, originality, and<br />
elaboration provide depth in the generation<br />
of classroom activities to foster their<br />
development.<br />
Environment that supports creativity<br />
The classroom environment is<br />
critical in all aspects of learning. The<br />
two key elements of psychological safety<br />
and intrinsic motivation are important<br />
elements that must be included <strong>for</strong> the<br />
environment to support creativity.<br />
Starko (2010) states that psychological<br />
safety includes unconditional<br />
acceptance with the understanding that<br />
while not all behaviors are acceptable,<br />
there are clear rules and consequences:<br />
lack of external evaluation, empathetic<br />
understanding, the creation and enactment<br />
of a creative group atmosphere,<br />
prevention and avoidance of negative<br />
sanctions with a celebration of new ideas<br />
or thoughts, avoidance of group pressure<br />
and competition, and rewarding creative<br />
thinking and output. Teachers need<br />
to create an environment where their<br />
students can embrace creativity and the<br />
school/administration also needs to<br />
establish the same type of environment<br />
<strong>for</strong> their teachers.<br />
Klaus Urban (2007) developed<br />
25 recommendations <strong>for</strong> stimulating and<br />
nurturing creativity in school. Many of<br />
these recommendations have to do with<br />
the psychological safety of the classroom.<br />
Some of these recommendations include<br />
“avoiding group pressure and envy of<br />
competition” as well as “negative reactions<br />
or sanctions by classmates,” “demonstrating<br />
and appreciating humor,” “support[ing]<br />
self-initiated questioning and<br />
learning,” “provok[ing] and provid[ing]<br />
<strong>for</strong> situations by challenging, stimulating<br />
and requiring creative behavior,”<br />
“allowing errors and mistakes,” “support[ing]<br />
interests as well as perception<br />
and acquisition of knowledge,” and “develop[ing]<br />
and demonstrat[ing] constructive<br />
criticism, not just criticism.” There<br />
are many ways to create an environment<br />
that is psychologically safe <strong>for</strong> creative<br />
expression and developing creativity.<br />
Formulating statements that<br />
stimulate or provoke questions by students,<br />
allowing errors and mistakes, providing<br />
opportunities to pursue personal<br />
interests and passions, and fostering quiet<br />
reflection, exploration of materials and<br />
ideas, and stimulation can foster intrinsic<br />
motivation. Research by Amabile (1996)<br />
shows that, “Intrinsic motivation is conducive<br />
to creativity; controlling extrinsic<br />
motivation is detrimental to creativity,<br />
but in<strong>for</strong>mation or enabling extrinsic<br />
motivation can be conducive particularly<br />
if initial levels of intrinsic motivation<br />
are high (p. 119)” (as cited in Starko,<br />
2010, p. 248). Developing a classroom<br />
environment that is focused on minimizing<br />
creativity killers and fostering the<br />
internal motivation of students is key.<br />
Many of the recommendations<br />
<strong>for</strong> a creative classroom should be in<br />
place <strong>for</strong> a safe learning environment.<br />
The awareness and focus on creativity<br />
will impact the environment as well as<br />
the teachers and students within that<br />
environment. Recognition of creativity<br />
killers is important when focusing on<br />
the environment. For example, the use<br />
of external awards limits creativity in the<br />
classroom.<br />
<strong>Creativity</strong> Blocks/Killers<br />
<strong>Creativity</strong> can be fostered<br />
through the use of coaching or critiquing.<br />
The art of educational criticism can be<br />
utilized when evaluating creativity in the<br />
classroom. “The critic (in this case the<br />
teacher) needs to perceive what is subtle<br />
and complex, must appreciate the …<br />
meaning of events, and must be able to<br />
make those meanings vivid through the<br />
language he or she uses to communicate”<br />
(Eisner, 2002, p 57). This critique helps<br />
the student push past the requirements<br />
and make meaning of the assignments.<br />
Research has identified many blocks or<br />
killers to creativity. These blocks involve<br />
a variety of aspects related to classroom<br />
practice including grades. When students<br />
are focused on grades, this critique<br />
becomes irrelevant. These practices<br />
Isabelle Gawedzki<br />
accept various methods of output while<br />
ensuring the content is being represented.<br />
With grading on their minds, many<br />
students will not push themselves past<br />
the requirements. Projects will not be<br />
as creative because it is generally easier<br />
to do something within the scope of the<br />
requirements rather than push boundaries.<br />
Teachers should provide students<br />
instruction and opportunities to<br />
utilize the skills <strong>for</strong> creative thinking.<br />
Without these skills students will be<br />
unable to generate the ideas necessary<br />
to venture beyond the known. Teachers<br />
often provide students choices within<br />
the classroom. However, restricting<br />
choices can be damaging to creative<br />
environments. Students should be given<br />
open-ended opportunities in order to<br />
grow and develop their creative ideas.<br />
When restricting choices, Einstein stated<br />
“This coercion had such a deterring effect<br />
upon me that after I passed the final<br />
examination, I found the consideration<br />
of any scientific problems distasteful to<br />
me <strong>for</strong> an entire year [Einstein, 1949]”<br />
(Grangrade, Kothari, & Verma, 2005,<br />
pg 57). Thankfully, he moved passed his<br />
immediate distaste <strong>for</strong> the problems and<br />
found a passion within the field involving<br />
inquiry and problem solving.<br />
Interaction <strong>for</strong> students is<br />
important <strong>for</strong> their growth but constant<br />
supervision can have a deterring effect.<br />
The student needs to feel safe in order to<br />
explore, start over, try again, or muddle<br />
through without the feeling of being<br />
monitored. Guidance by coaching or<br />
critiquing is important but the idea of<br />
being watched does not allow <strong>for</strong> “private”<br />
mistakes and failures.<br />
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