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Torrance Journal for Applied Creativity

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Purpose of the Study<br />

We thought the best answers as<br />

to what it takes to be creative in children<br />

might come from children themselves.<br />

We have been following 60-80 children<br />

each year <strong>for</strong> 12 years during Rocket to<br />

<strong>Creativity</strong> (RTC), a week of experiences<br />

designed to promote creative thinking<br />

and problem solving. Through excerpts<br />

from interviews, videos, and a photo<br />

journal of the creative process during the<br />

course of RTC, we present in this article<br />

the perspectives of children on whether<br />

or not creativity can be nurtured and<br />

what fosters creative thinking.<br />

The purpose of RTC is to give<br />

children a chance to experience rich<br />

opportunities, to use their imaginations<br />

to solve problems, to explore authentic<br />

topics, and to create novel products.<br />

During the week of RTC, children are<br />

engaged in problem or project-based<br />

learning (PBL). In PBL, with the teacher<br />

as a facilitator, students choose authentic<br />

problems and work on solutions to those<br />

problems. Students use the higher level<br />

thinking tasks to analyze, synthesize,<br />

evaluate, and create. In addition to being<br />

engaged in PBL, the children are also<br />

exposed to a wide range of strategies<br />

<strong>for</strong> promoting creative thinking such as<br />

brainstorming, SCAMPER, and creating<br />

metaphors (Starko, 2014). Combining<br />

PBL with creative thinking strategies has<br />

resulted in some highly creative outcomes.<br />

For example, RTC participants<br />

designed a hovercraft, invented a device<br />

<strong>for</strong> helping people with physical limitations,<br />

solved the problem of the wooly<br />

adelgid, and created animated cartoons.<br />

We have been documenting<br />

the creative process of children through<br />

photos, videos, and interviews with RTC<br />

participants. In past years, we interviewed<br />

children about their experiences<br />

during the week and how these experiences<br />

compared with those they had<br />

at school. Students’ comments about<br />

RTC from previous years indicated the<br />

value they saw in the creative process:<br />

“I wish we could make more and learn<br />

more by doing instead of just sitting at<br />

a desk. More doing, more creativeness.<br />

In RTC we don’t sit at a desk and we are<br />

not lectured.” Another child commented<br />

that school was “…like being locked up in<br />

a cage and studying numbers.”<br />

The purpose of the current<br />

study was to document how children<br />

perceive creativity.<br />

Method<br />

A qualitative case study approach<br />

was used <strong>for</strong> the design of the<br />

study. Merriam (2009) described the<br />

appropriateness of utilizing a case study<br />

framework when the researcher is intrinsically<br />

interested in the case and hopes to<br />

acquire a comprehensive understanding<br />

of the phenomenon. Ary, Jacobs, Razavieh,<br />

and Sorensen (2006) described the<br />

greatest advantage of conducting a case<br />

study as the potential <strong>for</strong> depth, defining<br />

individuals within the context of their<br />

environment.<br />

Data Collection<br />

Interviews. We conducted<br />

semi-structured interviews (Glesne,<br />

2011) with all 71 students in grades 1-8<br />

who attended RTC. We conducted the<br />

interviews throughout the course of the<br />

week, but a majority took place on the<br />

fourth day of camp after students had<br />

been immersed in the creative process.<br />

We recorded the interviews in classrooms<br />

with individuals and groups of<br />

students using iPads. Students were<br />

asked six questions.<br />

Table 1: Interview Questions<br />

Observations. Throughout the<br />

week, we closely monitored the progress<br />

of each group. This provided an intimate<br />

setting <strong>for</strong> noting details of the creative<br />

process as students worked through the<br />

project or problem-based learning experience.<br />

Finally, we viewed each of the<br />

final presentations where students often<br />

described key moments of their personal<br />

creative process.<br />

Photo Analysis. In order to<br />

document key creative moments, we used<br />

iPads and iPhones to take pictures of the<br />

students and teachers.<br />

Participants and Setting<br />

The program being studied is a<br />

one week creativity camp which provides<br />

a field experience <strong>for</strong> teachers working<br />

toward teacher licensure in gifted education<br />

at a regional state university in the<br />

Southeastern United States. It provides<br />

children ages 6-14 an opportunity to develop<br />

their creative thinking and problem<br />

solving skills. The participants in this<br />

study included 71 students and 14 teachers.<br />

In addition, 14 students enrolled<br />

in an undergraduate psychology course<br />

served as assistants to the teachers.<br />

Data Analysis<br />

We began the data analysis<br />

process by reviewing the recorded interviews.<br />

Next, we transcribed each interview<br />

and used open-coding to record<br />

1. Are you a creative person? Explain.<br />

2. What does it take to be creative?<br />

3. Can someone learn to be more creative? How?<br />

4. Why is creativity important?<br />

5. What have you learned about creativity from RTC?<br />

6. Can you describe your creative process throughout the week?<br />

• How did you come up with ideas?<br />

• Did you have any ideas that did not work?<br />

• How did you come up with solutions?<br />

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