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TruE 3 Create Density Satin Areas Density 4 Density 6 Density 9 Density 12 Density may be varied between 2 and 40 and compensation between 0 and 30. Zigzag and edge walk underlay are available, suitable for use with denser satin areas. Satin Fill Pattern No Satin Pattern Satin Pattern 6 Satin Pattern 9 Stitch angle lines show the angle of stitches across the area Satin areas may be created in any of the 12 satin fill patterns. The satin fill pattern is perpendicular to the stitch angle lines in the satin area. Stitch angle lines may be adjusted as desired. Satin Areas TruE 3 Create Stitch Guide 15
Continuous Columns TruE 3 Create Continuous Satin Feathered Satin Richelieu Bars Tapered Motifs Place alternate points to define a continuous column of any length. Four types of continuous column are available: Continuous Satin Use Continuous Satin to create a straight or curved column of parallel stitches. The column may be of any length. Feathered Satin For lifelike realistic feathers or fur, use Feathered Satin, where the start and end points of the stitches are random rather than all parallel. Richelieu Bars Use Richelieu Bars to create a column of short sections of satin perpendicular to the direction of the column, typically used for cutwork designs. Choose the number of bars, and the width of the satin. Tapered Motifs Use Tapered Motifs to create a line of motifs that vary in size according to the width of the column. Tapered motifs are often used in lace designs. Continuous Columns TruE 3 Create Stitch Guide 16
Page 1 and 2: TECHNICAL BULLETIN COMMON EMBROIDER
Page 3 and 4: TECHNICAL BULLETIN COMMON EMBROIDER
Page 5 and 6: Embroidery / Digitizing Glossary -
Page 13 and 14: 10/28/2016 Digitizing Glossary E
Page 15 and 16: 10/28/2016 Needles Getting To Th
Page 17 and 18: 10/28/2016 Needles Getting To Th
Page 19 and 20: 10/28/2016 Thick and Thin: So Many
Page 21 and 22: 10/28/2016 Thick and Thin: So Many
Page 23 and 24: Pattern Fill Density TruE 3 Create
Page 25 and 26: Fill Areas with Line TruE 3 Create
Page 27 and 28: Motif Fill Areas Motif and Other Fi
Page 29 and 30: TruE 3 Create 11 12 13 14 15 16 17
Page 35: TruE 3 Create 71 72 73 74 75 Shape
Page 39 and 40: TruE 3 Create Satin Density Satin D
Page 41 and 42: TruE 3 Create Line Types 2mm Runnin
Page 43 and 44: Satin vs. Fill Stitch | Applique Ca
Page 45 and 46: Satin vs. Fill Stitch | Applique Ca
Page 47 and 48: • Hole Stitch Type: The type of s
Page 49 and 50: Density : Density is a calculation
Page 51 and 52: • Second Side: Applies the random
Page 53 and 54: • Narrow Curve Approach: ➢ ➢
Page 55 and 56: • Outline: The outline control wi
Page 57 and 58: ➢ Continuous: This is the default
Page 59 and 60: ➢ ➢ Stretch: When stitches are
Page 61 and 62: ➢ ➢ Connect Blocks: What type o
Page 63 and 64: 10/28/2016 Threads & Bobbins Embroi
Page 69 and 70: 10/28/2016 Understanding Hoop Size
Page 77 and 78: 10/28/2016 Understanding Alphabet a
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Page 81 and 82: 10/28/2016 Lettering Setups: Mach
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10/28/2016 Stitchout or Sewing Prob
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10/28/2016 Why Can’t I Have the R
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10/28/2016 Pointers for Appliqué S
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10/28/2016 Pointers for Appliqué a
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10/28/2016 Tips For Using Pufy Foam
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Run Stitch A run stitch is formed b
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Jagged Edge This is an effect that
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Bean Stitch This is a variation of
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Underlay Types Underlay is the most
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Stitch Length The length of a stitc
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Tatami Stitch The density of a Fill
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Push and Pull Learning to identify
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Here are some general pull compensa
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When digitizing an embroidery desig
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Tie In and Tie Off & Trims Tie ins
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10/28/2016 The Pros & Cons of Resiz
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10/28/2016 The Pros & Cons of Resiz
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10/28/2016 Troubleshooting Design P
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Common Problems with Digital Embroi
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Common Problems with Digital Embroi
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10/28/2016 Working With Photographs
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10/28/2016 Working With Photographs
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