Embroidery Basics Articles

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10/28/2016 Why Can’t I Have the Right Colors? <strong>Embroidery</strong> Article Meet The Author: Barbara Geer Barbara Geer, Creative Director/Digitizer, Grand Slam Designs, an embroidery stock design and contract digitizing operation, has been in the decorated apparel industry since 1990. She is a popular speaker at commercial decorated apparel and home embroidery events. She also is a frequent contributor to commercial and home embroidery publications such as EMB, Stitches, and Printwear . You may reach Barbara at 2182223501; email barb@grandslamdesigns.com or visit her W eb site at www.grandslamdesigns.com. https://www.embroiderydesigns.com/emb_learning/article/561/whycantihavetherightcolors.aspx 3/3
10/28/2016 Pointers for Appliqué SUBSCRIBE ADVERTISE RSS Imprinted Sportswear Shows Attend in Long Beach , Atlantic City, Nashville , Orlando, Fort Worth HOME NEWS SCREEN PRINTING EMBROIDERY DIGITAL DECORATING PRODUCTS GALLERIES BUILD YOUR BUSINESS How To SEARCH GO Pointers for Appliqué From adhesive to backing, use these tips to perfect the appliqué decorating process October 03, 2016 By Alice Wolf, Contributing Writer Newsletters Get Impressions' newsletters delivered weekly to your inbox EMAIL ADDRESS SEE ALL OF OUR NEWSLETTERS » Impressions Newsletter Product Guide Digital Edition Tech Tips Quick Tips SIGN ME UP » Appliqué may be a fancysounding word complete with an accent mark, but the process is nothing more than simply sewing a piece of fabric on top of another and adding a neat border of stitches. The technique can be used to quickly and inexpensively fill a large area, produce a uniform appearance on many products, and adhere to the colors or fonts of a brand or institution. Appliqué adds texture and interest, helps personalize items and adds creativity. It also can be used on all types of apparel, caps, hats and totes. Choose an Adhesive The appliqué process varies slightly by embroidery machine and software, but the principle is the same. Put in its most general terms, if you are using a stock design file, open it and print the die line, which will show the design in crosshairs so that it can be synchronized with the embroidery machine. Place your appliqué fabric on top of a piece of heat seal. Then, spray the back side of the printed die line with adhesive, position it on top of the appliqué fabric and press down. http://impressions.issshows.com/embroiderytips/PointersforApplique10351.shtml 1/3
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TECHNICAL BULLETIN COMMON EMBROIDER
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TECHNICAL BULLETIN COMMON EMBROIDER
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Embroidery / Digitizing Glossary -
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10/28/2016 Digitizing Glossary E
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10/28/2016 Needles Getting To Th
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10/28/2016 Needles Getting To Th
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10/28/2016 Thick and Thin: So Many
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10/28/2016 Thick and Thin: So Many
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Pattern Fill Density TruE 3 Create
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Fill Areas with Line TruE 3 Create
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Motif Fill Areas Motif and Other Fi
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TruE 3 Create 11 12 13 14 15 16 17
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TruE 3 Create 31 32 33 34 35 36 37
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TruE 3 Create 51 52 53 54 55 56 57
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TruE 3 Create 71 72 73 74 75 Shape
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Continuous Columns TruE 3 Create Co
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TruE 3 Create Satin Density Satin D
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TruE 3 Create Line Types 2mm Runnin
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Satin vs. Fill Stitch | Applique Ca
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Page 47 and 48: • Hole Stitch Type: The type of s
Page 49 and 50: Density : Density is a calculation
Page 51 and 52: • Second Side: Applies the random
Page 53 and 54: • Narrow Curve Approach: ➢ ➢
Page 55 and 56: • Outline: The outline control wi
Page 57 and 58: ➢ Continuous: This is the default
Page 59 and 60: ➢ ➢ Stretch: When stitches are
Page 61 and 62: ➢ ➢ Connect Blocks: What type o
Page 63 and 64: 10/28/2016 Threads & Bobbins Embroi
Page 69 and 70: 10/28/2016 Understanding Hoop Size
Page 77 and 78: 10/28/2016 Understanding Alphabet a
Page 79 and 80: 10/28/2016 Understanding Alphabet a
Page 81 and 82: 10/28/2016 Lettering Setups: Mach
Page 87 and 88: 10/28/2016 Stitchout or Sewing Prob
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Page 99 and 100: 10/28/2016 Pointers for Appliqué a
Page 101 and 102: 10/28/2016 Tips For Using Pufy Foam
Page 103 and 104: Run Stitch A run stitch is formed b
Page 105 and 106: Jagged Edge This is an effect that
Page 107 and 108: Bean Stitch This is a variation of
Page 109 and 110: Underlay Types Underlay is the most
Page 111 and 112: Stitch Length The length of a stitc
Page 113 and 114: Tatami Stitch The density of a Fill
Page 115 and 116: Push and Pull Learning to identify
Page 117 and 118: Here are some general pull compensa
Page 119 and 120: When digitizing an embroidery desig
Page 121 and 122: Tie In and Tie Off & Trims Tie ins
Page 123 and 124: 10/28/2016 The Pros & Cons of Resiz
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Page 127 and 128: 10/28/2016 Troubleshooting Design P
Page 133 and 134: Common Problems with Digital Embroi
Page 135 and 136: Common Problems with Digital Embroi
Page 137 and 138: 10/28/2016 Working With Photographs
Page 139 and 140: 10/28/2016 Working With Photographs
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