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and dislocated her shoulder as well, from the look. Her face was pale and dazed. She was crawling
across the rug in front of the TV with her hair hanging in her face. Dunning was slinging back the
hammer. This time he’d connect with her head, crushing her skull and sending her brains flying onto
the couch cushions.
Ellen was a little dervish, trying to push him back out the door. “Stop, Daddy, stop!”
He grabbed her by her hair and heaved her. She went reeling, feathers flying out of her headdress.
She struck the rocking chair and knocked it over.
“Dunning!” I shouted. “Stop it!”
He looked at me with red, streaming eyes. He was drunk. He was crying. Snot hung from his
nostrils and spit slicked his chin. His face was a cramp of rage, woe, and bewilderment.
“Who the fuck’re you?” he asked, then charged at me without waiting for an answer.
I pulled the trigger of the revolver, thinking, This time it won’t fire, it’s a Derry gun and it won’t fire.
But it did. The bullet took him in the shoulder. A red rose bloomed on his white shirt. He twisted
sideways with the impact, then came on again. He raised the sledge. The bloom on his shirt spread,
but he didn’t seem to feel it.
I pulled the trigger again, but someone jostled me just as I did, and the bullet went high and wild.
It was Harry. “Stop it, Daddy!” His voice was shrill. “Stop or I’ll shoot you!”
Arthur “Tugga” Dunning was crawling toward me, toward the kitchen. Just as Harry fired his air
rifle—ka-chow!—Dunning brought the sledge down on Tugga’s head. The boy’s face was obliterated
in a sheet of blood. Bone fragments and clumps of hair leaped high in the air; droplets of blood
spattered the overhead light fixture. Ellen and Mrs. Dunning were shrieking, shrieking.
I caught my balance and fired a third time. This one tore off Dunning’s right cheek all the way up
to the ear, but it still didn’t stop him. He’s not human is what I thought then, and what I still think
now. All I saw in his gushing eyes and gnashing mouth—he seemed to be chewing the air rather than
breathing it—was a kind of blabbering emptiness.
“Who the fuck’re you?” he repeated, then: “You’re trespassing.”
He slung the sledge back and brought it around in a whistling horizontal arc. I bent at the knees,
ducking as I did it, and although the twenty-pound head seemed to miss me entirely—I felt no pain,
not then—a wave of heat flashed across the top of my head. The gun flew out of my hand, struck the
wall, and bounced into the corner. Something warm was running down the side of my face. Did I
understand he’d clipped me just enough to tear a six-inch-long gash in my scalp? That he’d missed
either knocking me unconscious or outright killing me by maybe as little as an eighth of an inch? I
can’t say. All of this happened in less than a minute; maybe it was only thirty seconds. Life turns on a
dime, and when it does, it turns fast.
“Get out!” I shouted at Troy. “Take your sister and get out! Yell for help! Yell your head o—”
Dunning swung the sledge. I jumped back, and the head buried itself in the wall, smashing laths
and sending a puff of plaster into the air to join the gunsmoke. The TV was still playing. Still violins,
still murder music.
As Dunning struggled to pull his sledge out of the wall, something flew past me. It was the Daisy
air rifle. Harry had thrown it. The barrel struck Frank Dunning in his torn-open cheek and he
screamed with pain.
“You little bastard! I’ll kill you for that!”
Troy was carrying Ellen to the door. So that’s all right, I thought, I changed things at least that much
—
But before he could get her out, someone first filled the door and then came stumbling in,
knocking Troy Dunning and the little girl to the floor. I barely had time to see this, because Frank
had pulled the sledge free and was coming for me. I backed up, shoving Harry into the kitchen with