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I moved into Deke’s Spanish-style home on Sam Houston Road. At least for public consumption. In<br />

truth, I moved in with Sadie at 135 Bee Tree Lane. I was afraid of what we might find when we first<br />

helped her inside, and I think that Sadie was, too, stoned or not. But Miz Ellie and Jo Peet from the<br />

Home Ec Department had recruited a few trustworthy girls who had spent an entire day before Sadie’s<br />

return cleaning, polishing, and scrubbing every trace of Clayton’s filth off the walls. The living room<br />

rug had been taken up and replaced. The new one was industrial gray, hardly an exciting color, but<br />

probably a wise choice; gray things hold so few memories. Her mutilated clothing had been whisked<br />

away and replaced with new stuff.<br />

Sadie never said a word about the new rug and the different clothes. I’m not sure she even noticed<br />

them.<br />

12<br />

I spent my days there, cooking her meals, working in her little garden (which would sicken but not<br />

quite die in another hot central Texas summer), and reading Bleak House to her. We also became<br />

involved in several of the afternoon soaps: The Secret Storm, Young Doctor Malone, From These Roots, and<br />

our personal favorite, The Edge of Night.<br />

She changed the parting in her hair from the center to the right, cultivating a Veronica Lake style<br />

that would cover the worst of the scarring when the bandages eventually came off. Not that they<br />

would for a long time; the first of her reconstructive surgeries—a team effort involving four doctors—<br />

was scheduled for August fifth. Ellerton said there would be at least four more.<br />

I would drive back to Deke’s after Sadie and I had our supper (which she rarely did more than pick<br />

at), because small towns are full of big eyes attached to gabby mouths. It was best that those big eyes<br />

should see my car in Deke’s driveway after the sun went down. Once it was dark, I walked the two<br />

miles back to Sadie’s, where I slept on the new hide-a-bed sofa until five in the morning. It was<br />

almost always broken rest, because nights when Sadie didn’t awaken me, screaming and thrashing her<br />

way out of bad dreams, were rare. In the daytime, Johnny Clayton was dead. After dark he still stalked<br />

her with his gun and knife.<br />

I would go to her and soothe her as best I could. Sometimes she would trudge out to the living<br />

room with me and smoke a cigarette before shuffling back to bed, always pressing her hair down<br />

protectively over the bad side of her face. She would not let me change the bandages. That she did<br />

herself, in the bathroom, with the door closed.<br />

After one especially terrible nightmare, I came in to find her standing naked by her bed and<br />

sobbing. She had become shockingly thin. Her nightgown was puddled at her feet. She heard me and<br />

turned around, one arm across her breasts and the other hand over her crotch. Her hair swung back to<br />

her right shoulder, where it actually belonged, and I saw the swollen scars, the heavy stitching, the<br />

fallen, rumpled flesh over her cheekbone.<br />

“Get out!” she screamed. “Don’t look at me like this, why can’t you get out?”<br />

“Sadie, what is it? Why did you take off your nightgown? What’s wrong?”<br />

“I wet my bed, okay? I have to change it, so please get out and let me put some clothes on!”<br />

I went to the foot of the bed, grabbed the quilt that was folded there, and wrapped it around her.<br />

When I turned one end up in a kind of collar that hid her cheek, she calmed.<br />

“Go in the living room and be careful you don’t trip on that thing. Have a smoke. I’ll change the<br />

bed.”<br />

“No, Jake, it’s dirty.”<br />

I took her by the shoulders. “That’s what Clayton would say, and he’s dead. A little piss is all it is.”

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