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CHAPTER 7<br />

1<br />

How should I tell you about my seven weeks in Derry? How to explain the way I came to hate and fear<br />

it?<br />

It wasn’t because it kept secrets (although it did), and it wasn’t because terrible crimes, some of<br />

them still unsolved, had happened there (although they had). All that’s over, the girl named Beverly<br />

had said, the boy named Richie had agreed, and I came to believe that, too . . . although I also came to<br />

believe the shadow never completely left that city with its odd sunken downtown.<br />

It was a sense of impending failure that made me hate it. And that feeling of being in a prison with<br />

elastic walls. If I wanted to leave, it would let me go (willingly!), but if I stayed, it would squeeze me<br />

tighter. It would squeeze me until I couldn’t breathe. And—here’s the bad part—leaving wasn’t an<br />

option, because now I had seen Harry before the limp and before the trusting but slightly dazed smile.<br />

I had seen him before he became Hoptoad Harry, hoppin down the av-a-new.<br />

I had seen his sister, too. Now she was more than just a name in a painstakingly written essay, a<br />

faceless little girl who loved to pick flowers and put them in vases. Sometimes I lay awake thinking of<br />

how she planned to go trick-or-treating as Princess Summerfall Winterspring. Unless I did<br />

something, that was never going to happen. There was a coffin waiting for her after a long and<br />

fruitless struggle for life. There was a coffin waiting for her mother, whose first name I still didn’t<br />

know. And for Troy. And for Arthur, known as Tugga.<br />

If I let that happen, I didn’t see how I could live with myself. So I stayed, but it wasn’t easy. And<br />

every time I thought of putting myself through this again, in Dallas, my mind threatened to freeze<br />

up. At least, I told myself, Dallas wouldn’t be like Derry. Because no place on earth could be like<br />

Derry.<br />

How should I tell you, then?<br />

In my life as a teacher, I used to hammer away at the idea of simplicity. In both fiction and<br />

nonfiction, there’s only one question and one answer. What happened? the reader asks. This is what<br />

happened, the writer responds. This . . . and this . . . and this, too. Keep it simple. It’s the only sure way<br />

home.<br />

So I’ll try, although you must always keep in mind that in Derry, reality is a thin skim of ice over a<br />

deep lake of dark water. But still:<br />

What happened?<br />

This happened. And this. And this, too.<br />

2<br />

On Friday, my second full day in Derry, I went down to the Center Street Market. I waited until five<br />

in the afternoon, because I thought that was when the place would be busiest—Friday’s payday, after<br />

all, and for a lot of people (by which I mean wives; one of the rules of life in 1958 is Men Don’t Buy<br />

Groceries) that meant shopping day. Lots of shoppers would make it easier for me to blend in. To help<br />

in that regard, I went to W. T. Grant’s and supplemented my wardrobe with some chinos and blue<br />

workshirts. Remembering No Suspenders and his buddies outside the Sleepy Silver Dollar, I also

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