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4<br />

At midnight, the band played “Auld Lang Syne”—different arrangement from last year, same sweet<br />

song—and the balloons came drifting down. All around us, couples were kissing and embracing. We<br />

did the same.<br />

“Happy New Year, G—” She pulled back from me, frowning. “What’s wrong?”<br />

I’d had a sudden image of the Texas School Book Depository, an ugly brick square with windows<br />

like eyes. This was the year it would become an American icon.<br />

It won’t. I’ll never let you get that far, Lee. You’ll never be in that sixth-floor window. That’s my promise.<br />

“George?”<br />

“Goose walked over my grave, I guess,” I said. “Happy New Year.”<br />

I went to kiss her, but she held me back for a moment. “It’s almost here, isn’t it? What you came<br />

to do.”<br />

“Yes,” I said. “But it’s not tonight. For tonight it’s just us. So kiss me, honey. And dance with me.”<br />

5<br />

I had two lives in late 1962 and early 1963. The good one was in Jodie, and at the Candlewood in<br />

Kileen. The other was in Dallas.<br />

Lee and Marina got back together. Their first stop in Dallas was a dump just around the corner<br />

from West Neely. De Mohrenschildt helped them move in. George Bouhe wasn’t in evidence. Neither<br />

were any of the other Russian émigrés. Lee had driven them away. They hated him, Al had written in<br />

his notes, and below that: He wanted them to.<br />

The crumbling redbrick at 604 Elsbeth Street had been divided into four or five apartments<br />

bursting with poor folks who worked hard, drank hard, and produced hordes of snot-nosed yelling<br />

kids. The place actually made the Oswalds’ Fort Worth domicile look good.<br />

I didn’t need electronic assistance to monitor the deteriorating condition of their marriage; Marina<br />

continued to wear shorts even after the weather turned cool, as if to taunt him with her bruises. And<br />

her sex appeal, of course. June usually sat between them in her stroller. She no longer cried much<br />

during their shouting matches, only watched, sucking her thumb or a pacifier.<br />

One day in November of 1962, I came back from the library and observed Lee and Marina on the<br />

corner of West Neely and Elsbeth, shouting at each other. Several people (mostly women at that hour<br />

of the day) had come out on their porches to watch. June sat in the stroller wrapped in a fuzzy pink<br />

blanket, silent and forgotten.<br />

They were arguing in Russian, but the latest bone of contention was clear enough from Lee’s<br />

jabbing finger. She was wearing a straight black skirt—I don’t know if they were called pencil skirts<br />

back then or not—and the zipper on her left hip was halfway down. Probably it just snagged in the<br />

cloth, but listening to him rave, you would’ve thought she was trolling for men.<br />

She brushed back her hair, pointed at June, then waved a hand at the house they were now<br />

inhabiting—the broken gutters dripping black water, the trash and beer cans on the bald front lawn<br />

—and screamed at him in English: “You say happy lies, then bring wife and baby to this peegsty!”<br />

He flushed all the way to his hairline and clutched his arms across his thin chest, as if to anchor his<br />

hands and keep them from doing damage. He might have succeeded—that time, at least—if she<br />

hadn’t laughed, then twirled one finger around her ear in a gesture that must be common to all<br />

cultures. She started to turn away. He hauled her back, bumping the stroller and almost overturning

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