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CHAPTER 19<br />

1<br />

George de Mohrenschildt made his grand entrance on the afternoon of September fifteenth, a dark and<br />

rainy Saturday. He was behind the wheel of a coffee-colored Cadillac right out of a Chuck Berry song.<br />

With him was a man I knew, George Bouhe, and one I didn’t—a skinny whip of a guy with a fuzz of<br />

white hair and the ramrod back of a fellow who’s spent a good deal of time in the military and is still<br />

happy about it. De Mohrenschildt went around to the back of the car and opened the trunk. I dashed<br />

to get the distance mike.<br />

When I came back with my gear, Bouhe had a folded-up playpen under his arm, and the militarylooking<br />

guy had an armload of toys. De Mohrenschildt was empty-handed, and mounted the steps in<br />

front of the other two with his head up and his chest thrown out. He was tall and powerfully built.<br />

His graying hair was combed slantwise back from his broad forehead in a way that said—to me, at<br />

least—look on my works, ye mighty, and despair. For I am GEORGE.<br />

I plugged in the tape recorder, put on the headphones, and tilted the mike-equipped bowl across<br />

the street.<br />

Marina was out of sight. Lee was sitting on the couch, reading a thick paperback by the light of the<br />

lamp on the bureau. When he heard footsteps on the porch, he looked up with a frown and tossed his<br />

book on the coffee table. More goddam expats, he might have been thinking.<br />

But he went to answer the knock. He held out his hand to the silver-haired stranger on his porch,<br />

but de Mohrenschildt surprised him—and me—by pulling Lee into his arms and bussing him on both<br />

cheeks. Then he held him back by the shoulders. His voice was deep and accented—German rather<br />

than Russian, I thought. “Let me look at a young man who has journeyed so far and come back with<br />

his ideals intact!” Then he pulled Lee into another hug. Oswald’s head just showed above the bigger<br />

man’s shoulder, and I saw something even more surprising: Lee Harvey Oswald was smiling.<br />

2<br />

Marina came out of the baby’s room with June in her arms. She exclaimed with pleasure when she saw<br />

Bouhe, and thanked him for the playpen and what she called, in her stilted English, the “child’s<br />

playings.” Bouhe introduced the skinny man as Lawrence Orlov—Colonel Lawrence Orlov, if you<br />

please—and de Mohrenschildt as “a friend of the Russian community.”<br />

Bouhe and Orlov went to work setting the playpen up in the middle of the floor. Marina stood with<br />

them, chatting in Russian. Like Bouhe, Orlov couldn’t seem to take his eyes off the young Russian<br />

mother. Marina was wearing a smock top and shorts showcasing legs that went up forever. Lee’s smile<br />

was gone. He was retreating into his usual gloom.<br />

Only de Mohrenschildt wouldn’t let him. He spotted Lee’s paperback, sprang to the coffee table,<br />

and picked it up. “Atlas Shrugged?” Speaking just to Lee. Completely ignoring the others, who were<br />

admiring the new playpen. “Ayn Rand? What is a young revolutionary doing with this?”<br />

“Know your enemy,” Lee said, and when de Mohrenschildt burst into a hearty roar of laughter,<br />

Lee’s smile resurfaced.<br />

“And what do you make of Miss Rand’s cri de coeur?” That struck a cord when I played the tape

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