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“Go, Miz Dunhill,” one of the girls said. “We want to see it.” And two of her friends pushed Sadie<br />

toward me.<br />

She hesitated. I did another spin and held out my hands. The kids cheered as we moved out on the<br />

floor. They gave us room. I pulled her toward me, and after the smallest of hesitations, she spun first<br />

to the left and then to the right, the A-line of the jumper she was wearing giving her just enough<br />

room to cross her feet as she went. It was the Lindy variation Richie-from-the-ditchie and Bevviefrom-the-levee<br />

had been learning that day in the fall of 1958. It was the Hellzapoppin. Of course it<br />

was. Because the past harmonizes.<br />

I brought her to me by our clasped hands, then let her go back. We separated. Then, like people<br />

who had practiced these moves for months (possibly to a slowed-down record in a deserted picnic<br />

area), we bent and kicked, first to the left and then to the right. The kids laughed and cheered. They<br />

had formed a clapping circle around us in the middle of the polished floor.<br />

We came together and she twirled like a hopped-up ballerina beneath our linked hands.<br />

Now you squeeze to tell me left or right.<br />

The light squeeze came on my right hand, as if the thought had summoned it, and she whirled<br />

back like a propeller, her hair flying out in a fan that gleamed first red, then blue in the lights. I<br />

heard several girls gasp. I caught her and went down on one heel with her bent over my arm, hoping<br />

like hell that I wouldn’t pop my knee. I didn’t.<br />

I came up. She came with me. She went out, then came back into my arms. We danced under the<br />

lights.<br />

Dancing is life.<br />

7<br />

The hop ended at eleven, but I didn’t turn the Sunliner into Sadie’s driveway until quarter past<br />

midnight on Sunday morning. One of the things nobody tells you about the glamorous job of<br />

chaperoning teenage dances is that the shaps are the ones who have to make sure everything’s picked<br />

up and locked away once the music ends.<br />

Neither of us said much on the way back. Although Donald played several other tempting bigband<br />

jump tunes and the kids pestered us to swing-dance again, we declined. Once was memorable;<br />

twice would have been indelible. Maybe not such a good thing in a small town. For me, it already was<br />

indelible. I couldn’t stop thinking about the feel of her in my arms or her quick breath on my face.<br />

I cut the engine and turned to her. Now she’ll say “Thank you for bailing me out” or “Thanks for a<br />

lovely evening,” and that’ll be that.<br />

But she didn’t say either of those things. She didn’t say anything. She just looked at me. Hair on<br />

her shoulders. Top two buttons of the man’s Oxford-cloth shirt beneath the jumper undone. Earrings<br />

gleaming. Then we were together, first fumbling, then holding on tight. It was kissing, but it was<br />

more than kissing. It was like eating when you’ve been hungry or drinking when you’ve been thirsty. I<br />

could smell her perfume and her clean sweat under the perfume and I could taste tobacco, faint but<br />

still pungent, on her lips and tongue. Her fingers slipped through my hair (one pinky tickling for just<br />

a moment in the cup of my ear and making me shiver), then locked at the back of my neck. Her<br />

thumbs were moving, moving. Stroking bare skin at the nape that once, in another life, would have<br />

been covered by hair. I slipped my hand first beneath and then around the fullness of her breast and<br />

she murmured, “Oh, thank you, I thought I was going to fall.”<br />

“My pleasure,” I said, and squeezed gently.<br />

We necked for maybe five minutes, breathing harder as the caresses grew bolder. The windshield of

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