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So—what was my next move?<br />

It was quarter past four, and I decided my next move was visiting Sadie. I started for my car, which<br />

was parked on Main Street. On the corner of Main and Houston, just past the old courthouse, I had a<br />

sensation of being watched and turned around. No one was on the sidewalk behind me. It was the<br />

Depository that was watching, all those blank windows overlooking Elm Street, where the presidential<br />

motorcade would arrive some two hundred days from that Easter Sunday.<br />

8<br />

They were serving dinner on Sadie’s floor when I arrived: chop suey. The smell brought back a vivid<br />

image of the way the blood had gushed over John Clayton’s hand and forearm before he fell to the<br />

carpet, mercifully facedown.<br />

“Hey there, Mr. Amberson,” the head nurse said as I signed in. She was a graying woman in a<br />

starched white cap and uniform. A pocket watch was pinned to her formidable bosom. She was looking<br />

at me from behind a barricade of bouquets. “There was a fair amount of shouting in there last night.<br />

I’m only telling you because you’re her fiancé, right?”<br />

“Right,” I said. Certainly it was what I wanted to be, slashed face or no slashed face.<br />

The nurse leaned toward me between two overloaded vases. A few daisies brushed through her hair.<br />

“Look, I don’t ordinarily gossip about my patients, and I ream out the younger nurses who do. But the<br />

way her parents treated her wasn’t right. I guess I don’t entirely blame them for riding down from<br />

Georgia with that lunatic’s folks, but—”<br />

“Wait. Are you telling me the Dunhills and the Claytons carpooled?”<br />

“I guess they were all palsy-walsy back in happier days, so all right, fine, but to tell her that while<br />

they were visiting their daughter, their good friends the Claytons were downstairs signing their son’s<br />

body out of the morgue . . .” She shook her head. “Daddy never said boo, but that woman . . .”<br />

She looked around to make sure we were still alone, saw we were, and turned back to me. Her plain<br />

country face was grim with outrage.<br />

“She never shut up. One question about how her daughter was feeling, then it was the poor Claytons<br />

this and the poor Claytons that. Your Miss Dunhill held her tongue until her mother said what a<br />

shame it was that they’d have to change churches again. Then the girl lost her temper and started<br />

shouting at them to get out.”<br />

“Good for her,” I said.<br />

“I heard her yell, ‘Do you want to see what your good friends’ son did to me?’ and honey-pie, that’s<br />

when I started running. She was trying to pull off the bandages. And the mother . . . she was leaning<br />

forward, Mr. Amberson. Eager. She actually wanted to look. I hustled them out and got one of the<br />

residents to give Miss Dunhill a shot and quiet her down. The father—a little mouse of a man—tried<br />

to apologize for his wife. ‘She didn’t know she was upsetting Sadie,’ he says. ‘Well,’ I says back, ‘what<br />

about you? Cat get your tongue?’ And do you know what the woman said, just before they got on the<br />

elevator?”<br />

I shook my head.<br />

“She said, ‘I can’t blame him, how can I? He used to play in our yard, and he was just the sweetest<br />

boy.’ Can you believe that?”<br />

I could. Because I thought I had already met Mrs. Dunhill, in a manner of speaking. On West<br />

Seventh Street, chasing after her older son and yelling at the top of her lungs. Stop, Robert, don’t walk so<br />

fast, I’m not done with you.<br />

“You may find her . . . overly emotional,” the nurse said. “I just wanted you to know there’s a good

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