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Notable New Orleanians: A Tricentennial Tribute

An illustrated history of New Orleans paired with the histories of companies that have helped shape the city.

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De Armas, Notarial License.<br />

GEORGE H. AND KATHERINE M. DAVIS COLLECTION,<br />

LOUISIANA RESEARCH COLLECTION, TULANE UNIVERSITY.<br />

two Civil Codes; and the interesting Tratato de Clausulas Instrumentals, which would have provided<br />

the formularies for Spanish wills, marriage contracts, sales, and mortgages.<br />

Christoval’s oldest son Miguel (1783-1823),<br />

the notary Michel de Armas (volumes 1809-1823)<br />

became the first important city notary of <strong>New</strong><br />

Orleans. His acts record the activities of the city<br />

corporation in dividing the “Commons” along<br />

what is now Canal St and Esplanade, along with<br />

dozens of sales of the lots to individuals. Michel<br />

also passed the 1810 act of sale to the city of their<br />

plantation by Mr. and Mrs. Claude Tremé. This<br />

transaction precipitated the city’s creation of the<br />

Faubourg Tremé and its sales of land there, Tremé<br />

being the only faubourg not created by private<br />

landowners. Among hundreds of clients, Michel<br />

counted second-generation members of the Enoul<br />

Livaudais family, Edward Livingston, Louise de la<br />

Ronde Castillon (widow of Andres Almonester<br />

and mother of Madame de Pontalba) and Bernard<br />

Marigny, many of whose early sales of land in his<br />

faubourg appear in Michel de Armas’ volumes.<br />

An avid book collector and student of civil law,<br />

Michel assembled one of the most important<br />

libraries of Early American Louisiana. His library,<br />

which he kept in his home and office in the 400 block of Chartres Street, consisted of some 3500 volumes<br />

in French, English, Spanish, Latin, Italian and Greek. As S. Reeves has reported, “Because of his<br />

notarial and legal practice, about a third of the library consisted of legal books such as civil law treatises,<br />

digests, and court reports,” along with the world’s great classical works, natural histories, and<br />

literature in English and French. 2 Michel de Armas died sadly in 1823 at forty, leaving a wife<br />

(Gertrude Dubreuil) and four minor children. The inventory of his estate, including his property, furniture,<br />

books and papers, took a notarial team and family members three months to compile. 3<br />

Michel’s brother Felix Nicolas de Armas (1796-1839) assumed Michel’s notarial and city notary<br />

commission in 1823, practicing as a notary until his death at forty-three, another short life. His acts<br />

reflect the continuing activities of the city to complete its sales and quittances in Tremé, along with<br />

almost innumerable Creole family activities and succession sales—Destrehan, Foucher, Freret,<br />

Marigny, the Rivardes of Bayou St. John, and so on. Felix de Armas became the family notary for<br />

Bernard Marigny, his early 1834 acts recording the sales of land in Mandeville after Marigny’s great<br />

auction of lots there after assembling the tracts of land that would form the town.<br />

Their youngest brother Octave de Armas (1804- ca. 1889) seems to have made up for the short<br />

lives of his siblings, practicing as a notary from 1828 until 1889 (a record) and completing 108 volumes.<br />

His vast works cannot be encapsulated, except to note that Octave became the notary for the<br />

Catholic Church and Archdiocese of <strong>New</strong> Orleans, along with several white Protestant and African-<br />

American religious groups. Much of the growth of local churches shows in his record of building<br />

contracts, mortgages, sales, and acts of incorporation. He was never a city notary, however.<br />

In the third generation, Felix, Jr., and Charles A. de Armas (1824-ca. 1889), sons of Felix; and<br />

Arthur de Armas (1850-1903, son of Michel, appear in local records, Felix, serving only briefly as a<br />

notary, and Charles’ notarial volumes covering only the period 1833 to 1836. Notarial practice was<br />

not his calling, as Charles de Armas was one of the great artists of <strong>New</strong> Orleans history.<br />

With some 300 Plan Book drawings and surveys and thousands of sketches, Charles Arthur de<br />

Armas found his calling in the public auction system of civil law <strong>New</strong> Orleans. A gifted artist, he<br />

drew and painted a vast body of mid-19th Century water color drawings for hanging in the auction<br />

NOTABLE NEW ORLEANIANS: A <strong>Tricentennial</strong> <strong>Tribute</strong><br />

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