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Notable New Orleanians: A Tricentennial Tribute

An illustrated history of New Orleans paired with the histories of companies that have helped shape the city.

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Marie Laveau.<br />

MARIE LAVEAU AND DAUGHTER MARIE, THE HISTORIC<br />

NEW ORLEANS COLLECTION, 1974.25.23.131.<br />

family. Marie Laveau herself in August 1819 married Jacques Paris, a free quadroon from Haiti, at<br />

St. Louis Cathedral.<br />

Abundant notarial records show that it was not uncommon for free women of color to engage in business<br />

or build their own homes. Francoise Fusillé, Marie Laveau, Modest Foucher, Madeline Oger,<br />

Charlotte Morand, Rosette Rochon, Eulalie Mandeville, and Helene Toussaint, were among the many who<br />

built homes or engaged in business. Real estate, however, did not interest Marie Laveau. The comfort the<br />

spiritual world provided the poor drew her to Voudou rituals that evoked her and her people’s African<br />

backgrounds. Voudou services were primarily small affairs conducted in small rooms such as those at<br />

Marie Laveau’s home on St. Ann Street. The center piece was an array of food, plants, and candles displayed<br />

on a white tablecloth spread on the floor. A series of chants led swiftly to dancing movements that<br />

gradually spread throughout the room. Charms and gris gris were created and distributed as desired.<br />

Just before Laveau died in 1881, The Daily Picayune sent a reporter to the house. His description<br />

suggests it was a Spanish style cottage with a tile roof; inside, a walnut bedstead almost filled the room<br />

on which rested the Voudoo queen. The house had<br />

“a low roof of red tiles that peeped over the top of<br />

the rude decrepit board fence…The room was one<br />

of those low, close compartments with whitewashed<br />

walls and ceiling and bare floor…through<br />

the passage way back could be seen the yard, and<br />

further back a house, well lighted, whence came<br />

the music of the organ and the sound of dancing.”<br />

The census of 1880 records persons of color Marie<br />

[Laveau] Glapion living here at 95 [actually 80]<br />

years of age. Her daughter Philomène Glapion<br />

Legendre, thirty-nine, kept house, along with her<br />

three children Fidelia, Noemie, and Alexandre.<br />

In Marie’s view, Voudou had a dimension of<br />

social service along with its spiritual qualities. In<br />

that capacity she served as chaplain for condemned<br />

men in parish prison. 2 Unfortunately, none of<br />

Marie’s children seem to have carried on her arts.<br />

Her daughter Marie Philomène Glapion strongly<br />

objected to such allegations, selling the house on St.<br />

Ann Street a few years after Marie’s death.<br />

1 Ina Johanna Fandrich, The Mysterious Voodoo Queen, Marie Laveaux: A Study of Powerful female Leadership in Nineteenth-<br />

Century <strong>New</strong> Orleans. Routledge, <strong>New</strong> York, 2005. See also Liliane Crété, Daily Life in Louisiana, 1815-1830. Baton<br />

Rouge: Louisiana State University Press, 1978.<br />

2 Carolyn Morrow Long, A <strong>New</strong> Orleans Voudou Priestess: The Legend and Reality of Marie Laveau. (Gainsville: University<br />

Press of Florida, 2006}, 110, 164.<br />

<br />

S AMUEL J ARVIS P ETERS<br />

(1801-1855)<br />

Samuel Jarvis Peters was the embodiment of the Anglo-American civic leader and businessman<br />

who emigrated to <strong>New</strong> Orleans and led its American Sector growth. As a banker he was president<br />

successively of City Bank and Louisiana State Bank. As a businessman in 1832, he founded a <strong>New</strong><br />

Orleans Chamber of Commerce. As a politician in 1836, he ran for the city council and opposed<br />

NOTABLE NEW ORLEANIANS: A <strong>Tricentennial</strong> <strong>Tribute</strong><br />

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