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Journals June 2018

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that, with each new work, Dickens’<br />

popularity increased until he<br />

became a national icon.<br />

Dickens’ appeal lay not just in the<br />

novelty of instalments, important<br />

though that was - the cliffhanger<br />

endings of each instalment<br />

captured the national imagination.<br />

His appeal lay just as much in his<br />

rumbustious characters; his keen<br />

observation of daily life; his use of<br />

gifted illustrators like Cruikshank,<br />

illustrators whose drawings<br />

became gold dust for later film and<br />

stage directors seeking inspiration<br />

about how Dickens visualised his<br />

characters; and a real social<br />

conscience created by his early<br />

tough and hungry years.<br />

Dickens’ work had a practical social impact too. It<br />

became an engine for social reform. His focus on<br />

child neglect and poverty jogged the national<br />

conscience. The depiction of Dotheboys Hall in<br />

Nicholas Nickelby led to the closure of many<br />

Yorkshire boarding schools like Dotheboys Hall. In<br />

another, rather different example of his influence on<br />

the nation, many thought A Christmas Carol<br />

restored life to the Victorian Christmas. Blended<br />

together, Dickens’ life, his observations of life and<br />

his writings became a major force in 19 th century<br />

Britain.<br />

Our next talk is on Wednesday 20 <strong>June</strong> <strong>2018</strong>,<br />

when Val Woodgate will talk to us on Looking at<br />

Portraits - A very English Taste. Val is a lecturer<br />

and guide at the Tate Britain and Tate Modern,<br />

as well as many other London Galleries. She is<br />

a former member of the teaching team at<br />

Dulwich Picture Gallery.<br />

Val’s talk will be about portraiture<br />

in England. For about 200 years after the<br />

Reformation, portraiture was virtually the only<br />

subject in art. During this time the majority of<br />

major painters working here were foreigners;<br />

the most important of these were Holbein and<br />

Van Dyck. From the 18th century on,<br />

outstanding British portrait painters such as<br />

Reynolds and Gainsborough came to<br />

prominence. The portrait has continued to<br />

intrigue and fascinate right up to the present<br />

day, as artists such as Lucian Freud explore and<br />

expand the subject.<br />

Our talks are at the Community<br />

Hall, Ingatestone at 7.30 for<br />

8pm, usually on the 3rd<br />

Wednesday of each month.<br />

Visitors are always welcome.<br />

The entrance fee for visitors is<br />

£7. There is plenty of parking.<br />

Full details of our future talks<br />

and other activities are on our<br />

website http:// tasbd.org.uk . If<br />

you’d like more information or<br />

to ask about our activities, call<br />

our Membership Secretary<br />

Diana Bandy on 01277 353178<br />

or our Deputy Chairman<br />

Strachan Heppell on 01277<br />

353418.<br />

Got something you want to share with the<br />

readers of The Journal.<br />

Send your Over to You letters,<br />

stories, news and sport<br />

through to info@maypolepress.com<br />

Do you want to learn a new craft or set aside<br />

time to complete an on-going project,<br />

Or need help with the next steps<br />

then join us in the<br />

Chelmer Room of Margaretting Village Hall<br />

On the first Monday of every month<br />

4 th <strong>June</strong> <strong>2018</strong><br />

2 nd July <strong>2018</strong><br />

6 th August <strong>2018</strong><br />

At 7.30pm<br />

ALL WELCOME<br />

Any enquiries please contact Lynn<br />

on 01277 355575<br />

e Journal 11

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