11.09.2019 Views

Historical Painting Techniques, Materials, and Studio Practice

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

[37] To make crude verzino for writing <strong>and</strong> miniature painting. Take the brazilwood<br />

<strong>and</strong> finely scrape of the quantity you think you need, with a piece of glass.<br />

Put these scrapings in a new glass. Add so much vinegar to it, that it covers<br />

the brazilwood half a fmger's width, <strong>and</strong> not more. The vinegar must be<br />

strong <strong>and</strong> clear. Add to the substance in this glass the quantity of about a<br />

bean of gum Arabic <strong>and</strong> the same amount of well-pulverized roche alum.<br />

Place it in the sun <strong>and</strong> make sure that the glass is well covered. Keep it this<br />

way for three or four days. If there is no sun, then keep it for four days so<br />

close to the fire that it gets lukewarm. When it is warmed this way, put it in<br />

shells as shown here, <strong>and</strong> let it st<strong>and</strong> in these shells, until it seems done to<br />

you. Know that the longer it remains, the better it is. Next put it in a bottle.<br />

{17v} Write with this on your work. If you want to make red clothlet colors<br />

of it, dip in to soak the pieces of cloth <strong>and</strong> let them dry in the previously<br />

described way, except that in the making of the clothIets [neither] the alum<br />

nor the gum Arabic should be used.<br />

[38] To make a purple clothlet for writing <strong>and</strong> miniature painting. Take the petals<br />

of the "papatello," which is a sort of wild poppy. Crush them <strong>and</strong> take out<br />

the juice. To one glass of juice it needs to have about the size of a bean of<br />

well-pulverized roche alum. Then dip in the piece of cloth, once or twice,<br />

until you think that it has taken enough of the color.<br />

[39] To make a beautiful blue at little cost. Take quicklime <strong>and</strong> green <strong>and</strong> ground<br />

verdigris <strong>and</strong> sal armoniac, as much of one as of the other. Grind these all<br />

together with urine <strong>and</strong> you will see a beautiful blue. Temper it with the<br />

previously described glair, when you want to work with it (31).<br />

[40] To make invisible letters, which you cannot see unless near the fire. Take sal<br />

armoniac, the amount of it is about the size of a chestnut to half a glass of<br />

water. Write with this water when it is dissolved, <strong>and</strong> if you want to read it<br />

you heat the parchment near the fire <strong>and</strong> the letters will appear as if they<br />

were written in ink.<br />

[41] To make black letters with every water you write. Take galls <strong>and</strong> vitriol, as<br />

much of one as of the other. Grind it <strong>and</strong> sieve it <strong>and</strong> put it on the parchment<br />

like a varnish coating. Next write on this with any water you want <strong>and</strong> while<br />

you are writing the letters will appear black.<br />

[42] To erase letters from goatskin parchment without a scraping iron. Take the juice<br />

of a lemon or of a strong orange <strong>and</strong> immerse {18r} a sponge in it. Rub<br />

with this sponge on the letters <strong>and</strong> they will be taken off as if they never had<br />

been written.<br />

[43] To make a ground fo r gold. Take slaked gypsum, as much as you need, <strong>and</strong><br />

Armenian bole about one third of the gypsum, <strong>and</strong> of aloe one third of the<br />

bole. Then grind everything together very fine with water on the porphyry<br />

stone. Let it dry on the porphyry stone <strong>and</strong> then grind it again very fine.<br />

Add a little bit of c<strong>and</strong>y sugar <strong>and</strong> when it is ground enough, gather it in a<br />

glazed horn <strong>and</strong> temper it with equal quantities of the aforesaid glair <strong>and</strong><br />

water of animal glue, that is hide glue. Make this gold ground so liquid that<br />

it flows from the pen <strong>and</strong> write whatever you want. And if it appears not to<br />

have enough volume, write over it a second time, like before. Scrape it carefully<br />

with a scraping iron when it is dry, so that the letter will be plane <strong>and</strong><br />

smooth. When you want to lay the gold, huff on the letter <strong>and</strong> immediately<br />

lay the leaf of gold or silver. Press on it with the calf's tooth. Then clean it<br />

with some cotton wool so that what sticks out from the letter will be wiped<br />

off. If you want to make a head of a frame with this gold ground with the<br />

brush like described, paint it over the first application <strong>and</strong> then scrape it <strong>and</strong><br />

lay the gold.<br />

[44] To make French glue for many purposes. Take animal glue, i.e. bone glue,<br />

<strong>and</strong> put it to soak in so much water that it covers the glue. Put it to soak in<br />

the evening <strong>and</strong> put it on the fire in the morning. When you soak it, it does<br />

not matter {18v} if there is not enough water to cover it completely, because<br />

Wallert 43

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!