7 Emile Bernard to Andries Bonger, Pont-Aven, 31 December 1892, in Neil McWilliam, ed., Émile Bernard: les lettres d’un artiste, Monts 2012, 204-5. 8 Leo Jansen, Hans Luijten <strong>and</strong> Nienke Bakker, Vincent van Gogh – Painted with Words: The Letters to Émile Bernard, New York 2008, 58 <strong>and</strong> 177, letter 7 written c. 19 June 1888. 9 Jo van Gogh-Bonger to Émile Bernard, 26 January 1893, Art-Documents, no. 17, 1952. 10 Extracts from the letters referring to O’Conor are quoted in Clau<strong>de</strong> Ritschard, Cuno Amiet: <strong>de</strong> Pont-Aven à die Brücke, exh. cat., Geneva 2000, 18-19. 21 Achille Laugé 1 Albert Sarrault in the preface to the exhibition catalogue Achille Laugé et ses amis Bour<strong>de</strong>lle et Mailhol, cited in Nicole Tamburini, Achille Laugé 1861 – 1944 Portraits pointillistes, exhibition catalogue, Saint-Tropez, Musée <strong>de</strong> l’Annoncia<strong>de</strong>, Carcassonne, Musée <strong>de</strong>s Beaux-Arts, 1990, p. 16. 22 Umberto Boccioni 1 Maurizio Calvesi, Alberto Dambruoso, op. cit. (see literature), p. 164. 2 Portrait of a Boy (Private Collection), inscribed Galleria <strong>de</strong>gli Uffizi, Firenze Jacopo Barrucio da Pontormo / Giovinetto (illustrated in Calvesi <strong>and</strong> Cohen, Boccioni. L’opera completa, Milan, Electra, 1983, no. 19). Archives <strong>de</strong> la National Gallery of Irel<strong>and</strong>, Dublin. 7 Émile Bernard à Andries Bonger, Pont-Aven, 31 décembre 1892, dans Neil McWilliam (ed.), Émile Bernard : les lettres d’un artiste, Les presses du réel, 2012, p. 204-205. 8 Leo Jansen, Hans Luijten et Nienke Bakker (ed.), Vincent van Gogh. Painted with Words : The Letters to Émile Bernard, New York, 2008, p. 58 et 177, lettre 7 écrite vers le 19 juin 1888. 9 Jo van Gogh-Bonger à Émile Bernard, 26 janvier 1893, Art-Documents, no. 17, 1952. 10 Des extraits <strong>de</strong> lettres faisant référence à O’Conor sont cités dans Clau<strong>de</strong> Ritschard, Cuno Amiet : <strong>de</strong> Pont-Aven à die Brücke, catalogue d’exposition, Genève, 2000, p. 18- 19. 21 Achille Laugé 1 Albert Sarrault dans la préface du catalogue <strong>de</strong> l’exposition Achille Laugé et ses amis Bour<strong>de</strong>lle et Maillol, cité dans Nicole Tamburini, Achille Laugé 1861-1944, Portraits pointillistes, catalogue d’exposition, Saint-Tropez, musée <strong>de</strong> l’Annoncia<strong>de</strong>, Carcassonne, Musée <strong>de</strong>s beaux-arts, 1990, p. 16. 22 Umberto Boccioni 1 Maurizio Calvesi, Alberto Dambruoso, op. cit. (voir bibliographie), p. 164. 2 Portrait <strong>de</strong> jeune garçon (collection privée), inscrit Galleria <strong>de</strong>gli Uffizi, Firenze Jacopo Barrucio da Pontormo / Giovinetto (illustré dans Calvesi et Cohen, Boccioni. L’opera completa, Milan, Electra, 1983, no. 19). 126
In<strong>de</strong>x of the Artists Barocci, Fe<strong>de</strong>rico no. 2 Bernard, Émile no. 19 Boccioni, Umberto no. 22 Boilly, Louis-Léopold no. 13 Burrini, Giovanni Antonio no. 9 Catel, Franz Ludwig no. 14 Fracanzano, Cesare no. 8 Gagneraux, Bénigne no. 12 Gigante, Giacinto no. 15 Heintz the El<strong>de</strong>r, Joseph no. 4 Laugé, Achille no. 21 Ligozzi, Jacopo no. 3 Molteni, Giuseppe no. 16-17 Murillo, Bartolomé Esteban no. 6 O’Conor, Ro<strong>de</strong>ric no. 20 Puligo, Domenico no. 1 Rosa, Salvator no. 7 Rosi, Aless<strong>and</strong>ro no. 5 Sorolla y Bastida, Joaquín no. 18 Subleyras, Pierre no. 10 Vernet, Clau<strong>de</strong>-Joseph no. 11
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Jean-Luc Baroni & Marty de Cambiair
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We would like to thank Joanna Watso
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Domenico Puligo Florence 1492-1527
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was established by Nicolo Machiavel
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14
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to the same conclusion in his book
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are among the most striking in the
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Joseph Heintz the Elder Basel 1564
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monogrammed while ours bears a full
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Alessandro Rosi Florence 1627 - 189
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The particular shape of the Virgin
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Bartolomé Esteban Murillo Seville
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Salvator Rosa Arenella 1615 - Rome
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Cesare Fracanzano Bisceglie 1605 -
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Giovanni Antonio Burrini Bologna 16
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Pierre Subleyras Saint-Gilles-du-Ga
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of maturity. Subleyras, who had arr
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1. Claude-Joseph Vernet, By the Sea
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60
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aided, it is elegantly shown in pro
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Louis-Léopold Boilly La Bassée 17
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self-promotion with a crucifix is r
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Franz Ludwig Catel Berlin 1778 - Ro
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