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XVII - Master Paintings - Jean Luc Baroni and Marty de Cambiaire

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Molteni had begun his artistic training at the Brera<br />

Aca<strong>de</strong>my but his lack of financial security lead to his<br />

move to Bologna where he became a pupil of the<br />

picture restorer Giuseppe Guizzardi. On returning<br />

to Milan, parallel to his painting career, he quickly<br />

became established as a sought-after specialist in<br />

conservation, acting as a consultant to the Louvre <strong>and</strong><br />

to the British Museum as well as to leading collectors<br />

<strong>and</strong> connoisseurs.<br />

In 1837, Molteni travelled to Vienna to paint the<br />

portrait of Emperor Ferdin<strong>and</strong> I. There he discovered the<br />

Bie<strong>de</strong>rmeier style, which had become very fashionable<br />

in Austria, <strong>and</strong> met Nazarene painters Johann Friedrich<br />

Overbeck <strong>and</strong> Friedrich von Amerling, whose works he<br />

highly admired. During the 1840s Molteni concentrated<br />

on painting scenes of contemporary everyday life in a<br />

slightly looser style. These works proved extremely<br />

popular with both critics <strong>and</strong> collectors. In 1854,<br />

however, Molteni was appointed curator of the Brera<br />

Aca<strong>de</strong>my <strong>and</strong> with this en<strong>de</strong>d his career as a painter.<br />

par manque <strong>de</strong> moyens financiers il déménagea à<br />

Bologne où il <strong>de</strong>vint l’élève du restaurateur <strong>de</strong> tableau,<br />

Giuseppe Guizzardi. De retour à Milan, parallèlement<br />

à sa carrière <strong>de</strong> peintre, il fut rapi<strong>de</strong>ment considéré<br />

comme un spécialiste recherché <strong>de</strong> la conservation,<br />

travaillant parfois comme conseiller auprès du musée<br />

du Louvre et du British Museum ainsi qu’auprès<br />

d’importants collectionneurs et amateurs.<br />

En 1837, il voyagea à Vienne pour réaliser le portrait<br />

<strong>de</strong> l’empereur Ferdin<strong>and</strong> I er . Là, il découvrit le style<br />

Bie<strong>de</strong>rmeier alors en pleine vogue et rencontra les<br />

peintres nazaréens, Johann Friedrich Overbeck et<br />

Friedrich von Amerling, dont il admira beaucoup<br />

les œuvres. Dans les années 1840, il se consacra<br />

à la réalisation <strong>de</strong> scènes <strong>de</strong> la vie contemporaine<br />

et populaire dans un style plus relâché. Ces œuvres<br />

furent très appréciées <strong>de</strong>s collectionneurs comme <strong>de</strong><br />

la critique. En 1854, cependant, Molteni fut nommé<br />

conservateur <strong>de</strong> la Pinacoteca di Brera et ab<strong>and</strong>onna<br />

sa carrière <strong>de</strong> peintre.<br />

92

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