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The Expedition of Humphry Clinker

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THE EXPEDITION OF HUMPHRY CLINKER 105<br />

the works <strong>of</strong> one another. Yesterday, I went to return an after-<br />

noon’s visit to a gentleman <strong>of</strong> my acquaintance, at whose house I<br />

found one <strong>of</strong> the authors <strong>of</strong> the present age, who has written with<br />

some success—As I had read one or two <strong>of</strong> his performances, which<br />

gave me pleasure, I was glad <strong>of</strong> this opportunity to know his person;<br />

but his discourse and deportment destroyed all the impressions<br />

which his writings had made in his favour. He took upon him to<br />

decide dogmatically upon every subject, without deigning to shew<br />

the least cause for his differing from the general opinions <strong>of</strong> man-<br />

kind, as if it had been our duty to acquiesce in the ipse dixit <strong>of</strong> this<br />

new Pythagoras. He rejudged the characters <strong>of</strong> all the principal<br />

authors, who had died within a century <strong>of</strong> the present time; and,<br />

in this revision, paid no sort <strong>of</strong> regard to the reputation they had<br />

acquired—Milton was harsh and prosaic; Dryden, languid and<br />

verbose; Butler and Swift, without humour; Congreve, without<br />

wit; and Pope destitute <strong>of</strong> any sort <strong>of</strong> poetical merit—As for his<br />

cotemporaries, he could not bear to hear one <strong>of</strong> them mentioned<br />

with any degree <strong>of</strong> applause—<strong>The</strong>y were all dunces, pedants,<br />

plagiaries, quacks, and impostors; and you could not name a single<br />

performance, but what was tame, stupid, and insipid. It must be<br />

owned, that this writer had nothing to charge his conscience with,<br />

on the side <strong>of</strong> flattery; for, I understand, he was never known to<br />

praise one line that was written, even by those with whom he lived<br />

on terms <strong>of</strong> good-fellowship. This arrogance and presumption,<br />

in depreciating authors, for whose reputation the company may be<br />

interested, is such an insult upon the understanding, as I could<br />

not bear without wincing.<br />

I desired to know his reasons for decrying some works, which<br />

had afforded me uncommon pleasure; and, as demonstration did<br />

not seem to be his talent, I dissented from his opinion with great<br />

freedom. Having been spoiled by the deference and humility <strong>of</strong> his<br />

hearers, he did not bear contradiction with much temper; and the<br />

dispute might have grown warm, had it not been interrupted by<br />

the entrance <strong>of</strong> a rival bard, at whose appearance he always quits<br />

the place—<strong>The</strong>y are <strong>of</strong> different cabals, and have been at open war<br />

these twenty years—If the other was dogmatical, this genius was<br />

declamatory: he did not discourse, but harangue; and his orations<br />

were equally tedious and turgid. He too pronounces ex cathedra<br />

upon the characters <strong>of</strong> his cotemporaries; and though he scruples<br />

not to deal out praise, even lavishly, to the lowest reptile in Grub-

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