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The Gateway Chronicle 2020

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30<br />

third bar of ‘Deutschland über Alles’. Ian<br />

MacDonald comments on these allusions<br />

posing that the theme is “superficially an<br />

image of the Nazi invasion; more fundamentally<br />

a satirical picture of Stalinist society<br />

in the thirties."<br />

On 2 nd September, the day the Germans<br />

began bombarding the city, Shostakovich<br />

began the Symphony’s second movement<br />

and he completed<br />

in within two<br />

weeks. He then<br />

played what he<br />

had written so far<br />

to a small group<br />

of Leningrad musicians<br />

and started<br />

work of the third<br />

movement which<br />

he completed on<br />

29 th September in<br />

the city. Shostakovich<br />

and his family<br />

were then<br />

evacuated to Moscow<br />

on 1 October<br />

1941. <strong>The</strong>y moved<br />

to Kuybyshev<br />

(now Samara) on<br />

22 nd October,<br />

where the symphony<br />

was finally<br />

completed.<br />

<strong>The</strong> symphony<br />

was first premiered<br />

by the Bolshoi <strong>The</strong>atre orchestra in<br />

Kuibyshev, though the most compelling<br />

performance was the premiere in Leningrad<br />

by the Radio Orchestra in the besieged<br />

city. <strong>The</strong> orchestra had only 14 musicians<br />

left, so the conductor Karl Eliasberg<br />

had to recruit anyone who could<br />

play an instrument to perform. Posters<br />

were put up and orchestral players were<br />

given extra rations to achieve an acceptably<br />

sized orchestra. <strong>The</strong> concert was given<br />

on 9 th August 1942, coincidentally (or perhaps<br />

not so) the same day that Hitler had<br />

chosen to celebrate the fall of Leningrad<br />

with a banquet. Loudspeakers broadcast<br />

the performance throughout the city as<br />

well as to the German forces in a move of<br />

psychological warfare. <strong>The</strong> Soviet commander<br />

of the Leningrad front, General<br />

Govorov, ordered a bombardment of German<br />

artillery positions in advance to ensure<br />

their silence during the performance<br />

of the symphony- an operation code<br />

named “Squall”.<br />

Antiaircraft guns guarding<br />

the sky of Leningrad, in<br />

<strong>The</strong> political situation in Russia<br />

can be seen through the<br />

front of St Isaac’s Cathedral<br />

musical compositions of Shostakovich, in<br />

which his anti-Stalin, anti-Hitler and fascist<br />

beliefs are clearly reflected: from his<br />

defiant opera “Lady Macbeth of the<br />

Mtsenk District” and the denunciation<br />

that followed, through to the conservative<br />

yet successful Fifth Symphony and his reemergence<br />

as an acceptable composer, culminating<br />

in the Seventh Symphony and its<br />

performance in Leningrad in 1942.<br />

Rosanna, L6AMG

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