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true hallucinations.htm - Shroomery

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<strong>true</strong> <strong>hallucinations</strong>.<strong>htm</strong><br />

made their way into public awareness via my books, and a film soon to be planned around them. My position is interesting but not enviable.<br />

Because the major idea to emerge out of this experience is the timewave and the computer software that supports it, I am in the absurd<br />

position of being either an unsung Newton or completely nuts. There is very little room to maneuver between those two positions. The<br />

timewave paints a radical picture of how time works and what history is. It provides a map of the global ebb and flow of novelty over the next<br />

twenty years and it also makes a prediction of a major transformational event in 2012. This is only as far in the future as La Chorrera lies in<br />

the past. It is soon.<br />

These personal developments have taken place against a background of deepening problems in the real world and a rising interest in the<br />

psychedelic experience by young people. I am, I am told,<br />

a minor icon in the culture of the underground. Is this all simply due to my schizophrenic tenaciousness in promulgating what are ultimately<br />

really only my ideas? Or do I have the winds of history blowing at my back and really did befriend the Logos and learn the secret of the<br />

universe, or at least one of many secrets, in the chaos at La Chorrera?<br />

I honestly confess that I do not know. As I write these words my marriage to Kat of nearly sixteen years seems caught up in a process of<br />

dissolution painful to both of us. This despite our two children, the house we built together, and both our efforts to be decent people.<br />

Apparently the presence of the Logos has done nothing to mitigate or ward off the ordinary vicissitudes of life. Like the Soul in Yeats's poem I<br />

am still an eternal thing fastened to the body of a dying animal.<br />

Yet if my sense of a special destiny and a way to save the world from the more dangerous and vulgar parts of itself is a delusion, then it is a<br />

grand delusion and one that is dying in me only slowly and by inches. I am assured by the people around me—publishers, editors, agents,<br />

marketing experts—people who are obviously uninformed as to the whispered promise of a special destiny made to me by the elves of<br />

hyperspace, that I am going to be big, have influence, and change the way people think.<br />

Perhaps this will be <strong>true</strong>. I hope so. Something happened at La Chorrera, something extraordinary. I was extremely fortunate to have briefly<br />

glimpsed a strange, beautiful, and better sort of world and to have made a marvelous pact with the alien gods who dwell there. The timewave,<br />

created over years of work, is both a prophecy concerning, and a map to, that better world. That I am an unworthy vessel for such highminded<br />

work, I am sure. I have tried to make these transcendent fantasies return to normal and take their place in the mundane and dying<br />

worldview in which we all are imprisoned by late twentieth-century culture. But the job has been more than I could do.<br />

My fear is that if these ideas are less than <strong>true</strong> then our world is destined for a very final and ordinary death, for reason has grown too feeble to<br />

save us from the demons we have set loose. My hope is that I may bear witness to the fact that there is a great mystery<br />

calling to us all, beckoning across the landscape of our history, promising to realize itself and to give real meaning to what is otherwise only<br />

the confusion of our lives and our collective past. Twenty years after the experiment at La Chorrera, I still cannot say<br />

that it shall not be.<br />

ACKNOWLEDGMENTS<br />

THE AUTHOR WISHES to express appreciation to the many friends who encouraged the writing of this book. Twenty years in the writing<br />

means their names are legion, but especially important are Ernest Waugh and Kat Harrison McKenna, both of whom read and criticized the<br />

manuscript at various stages. Thanks also to Dennis McKenna, who encouraged the telling of our adventures, and to the other members of our<br />

expedition, who offered no objections to a public revealing of our story. Special and very deep thanks is due to Dan Levy, who believed in this<br />

project from the first moment that he encountered my work and who did a superb job in editing and criticizing these pages. Without his<br />

support this tale would still be an embryonic manuscript. Special thanks also to Tom Grady, my in-house editor at Harper San Francisco, to<br />

Jeff Campbell, who did the copyediting, to Leslie Rossman, my indefatigable publicist, and to Jaime Robles, who oversaw the design of the<br />

book. Also grateful thanks to my agent, John Brockman, and his assistant, Katinka Matson. Sincere thanks also to Sara Hartley, who allowed<br />

her photograph to be used as the frontispiece. And finally thanks to all the fans, friends, and colleagues who over the years have insisted that<br />

the story of La Chorrera reach all those who sense the importance of the psychedelic experience and the strange dimensions that is makes<br />

accessible.<br />

file:///C|/Documents%20and%20Settings/All%20Users/Doc...lture/True%20Hallucinations/<strong>true</strong>%20<strong>hallucinations</strong>.<strong>htm</strong> (101 of 106)4/14/2004 10:01:16 PM

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