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<strong>true</strong> <strong>hallucinations</strong>.<strong>htm</strong><br />
raving to drift off into incoherence. But I was impressed and convinced that he had somehow penetrated not only my immediate thoughts but<br />
my private memories.<br />
Most important among the factors arguing for more than a simple case of simultaneous schizophrenia is the surprising durability of the model<br />
we have created out of the careful observation of the things that happened to us. No one can deny that the theory of the hyperspatial nature of<br />
hallucinogenic drug states, and the experiment my brother devised to test that theory, yielded spectacular results. But I have taken the fruits of<br />
the visionary revelation and carried them further, deconstructing them to discover a very elegant wave/particle theory of the nature of time.<br />
Quite unexpect- • edly, what I now propose, based on those initial experiences, is a revision of the mathematical description of time used in<br />
physics. According to this theory, the old notion of time as pure duration, visualized as a smooth plane or straight line, is to be replaced by the<br />
idea that time is a very complex fractal phenomenon with many ups and downs of many sizes over which the probabilistic universe<br />
of becoming must flow like water over a boulder-strewn riverbed. I had discovered the fractal dimension of time itself, a mathematical<br />
constant that replaces probability theory with a complex, but elegant—indeed an almost magical—set of constraints on the expression of<br />
novelty.<br />
After the first mushroom experience at La Chorrera, Dennis and I were involved with two ideas in particular. These were the motifs of the<br />
"teacher" and the insect. We could feel the overwhelming presence of some unseen, intelligent entity that seemed to be observing and<br />
sometimes exerting influence to keep us moving gently toward a breakthrough. Because of the bizarre nature of the DMT flash, with its<br />
seeming stress upon themes alien, insec-tile, and interstellar, we were led to speculate that this teacher was somehow a diplomatanthropologist,<br />
come to give us the keys to galactarian citizenship. We discussed this entity in terms of a giant insect and through the insect<br />
trill of the Amazon jungle at midday we seemed to be able to discern a deeper harmonic buzz that was the signal keying us to the entity in<br />
hyperspace.<br />
This sense of the presence of an alien third party was sometimes very intense, especially from March fifth to the tenth, after which it faded off<br />
gradually. The image of the insect teacher gave rise to numerous entomological speculations:<br />
We thought at the time that the process we were involved with was akin to giving birth to a child, but also much like the metamorphosis that<br />
occurs in the life cycle of insects, especially beetles, moths, and butterflies. We "knew" that tryptamine was somehow a major part of the<br />
solution to the enzyme mysteries surrounding metamorphosis. We recalled certain unconfirmed reports of the grub of a beetle eaten by Indians<br />
in Eastern Brazil for its hallucinatory effect.<br />
The diffraction of light that occurs in natural phenomena such as rainbows, peacock feathers, certain insects, and the colors that appear on the<br />
surfaces of some metals during heating are persistent motifs within a particular stage of the alchemical opus. The cauda pavonis (the peacock's<br />
tail) is the brief stage that heralds the final<br />
whitening; by exotic intuition I "knew" that the occurrence of such iridescence in nature indicated the presence of tryptamine-related<br />
compounds. Going further, I "knew" that the New World butterfly genus Morphoea, which is characterized by a large wing area usually<br />
entirely expressed in brilliant blue iridescence, would be an ideal group upon which to conduct research to illuminate this unstudied field.<br />
I "knew" that the enzymes active in insect metamorphosis received molecular tuning and control through resonation induced by the harmonic<br />
strum of those forest insects with psychoactive trypt-amine in their bodies. The tryptamine acted for them as an antenna to the electron spin<br />
resonance signal of the collective DNA, just as it did for us in the experiment. This signal is somehow keeping the entire class Insecta keyed<br />
into a point of stable equilibrium in the evolutionary stream. This odd notion explained the remarkable durability of insect adaptation, which,<br />
it is <strong>true</strong>, stabilized its basic evolutionary strategy some hundreds of millions of years ago. Such improbable insights into nature were<br />
delivered quite conversationally by the voice in my mind.<br />
During this time, an iridescent black sheen from the mushrooms particularly caught my eye. This effect occurred when Stropharia cubensis<br />
grew in clumps, and larger mushrooms shed spores on the caps of smaller companions. Interestingly enough, this same metallic blue-black<br />
sheen was quite noticeably present on the carapace of a large and shrill beetle, a member of the genus Buprestidae that I had captured in the<br />
forest in the heat of the afternoon. It is known that the chitinous material that forms the outer covering of insects and spores is one of the most<br />
electron-dense materials in organic nature, being, in this property, similar to metal. The inner teacher urged that this specimen be analyzed for<br />
the presence of psychoactive tryptamines. If they were found, it would tend to confirm the idea that some species responsible for the buzz of<br />
the forest would be discovered to contain tryptamines. The tryptamines are the antenna of a bioelectronic system that allows the insects to key<br />
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