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true hallucinations.htm - Shroomery

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<strong>true</strong> <strong>hallucinations</strong>.<strong>htm</strong><br />

will move toward meeting. The saucer is an excellent metaphor for this. When Jung suggested that the saucer was the human soul, he was<br />

more correct than he may have supposed. It is not so far away. That is the other thing. The last shift of epochs gave us relativity theory and<br />

quantum mechanics. Another epochal shift looms, but whether or not it is the final epoch is hard to say. Our roles as parts of the process<br />

introduces an uncertainty in our observations that bedevils prediction.<br />

All these themes are woven around DMT, possibly because DMT creates a microcosm of this very shift of epochs in the experience of a single<br />

individual. It seems to lift the perceiving mind out of the confines of ordinary space and time and give a glimpse of the largest frame of being<br />

possible. When Plato remarked that "Time is the moving image of Eternity," he made a statement every voyage into the DMT space<br />

reinforces. Like the shift of epoch called the apocalypse and anticipated by religious hysterics, DMT seems to illuminate the regions beyond<br />

death. And what is the dimension beyond life as illuminated by DMT? If we can trust our own perceptions, then it is a place in which thrives<br />

an ecology of souls whose stuff of being is more syntactical than material. It seems to be a nearby realm inhabited by eternal elfin entelechies<br />

made entirely of information and joyous self-expression. The afterlife is more Celtic fairyland than existential nonentity; at least that is the<br />

evidence of the DMT experience.<br />

We human beings must admit that ours is a peculiar situation: having been born, we are autonomous, open chemical systems that maintain<br />

themselves through metabolism at a point far from equilibrium. And we are creatures of thought. What is that? What are the three dimensions?<br />

What is energy? We find ourselves in the strange position of being alive. Having been born, we know we are going to die. A lot of thinking<br />

says that this is not so strange, that this happens in the universe—living things appear. And yet our physics, which can light the fires of the<br />

stars in our deserts, cannot explain the strangeness of the phenomenon of our being alive.<br />

Organisms are completely outside the realm of physical explanation at this point for science. So what is it for? Spenser and Shakespeare,<br />

quantum theory and the cave paintings at Altamira. Who are we? What is history? And what does it push toward? Now<br />

we have unleashed processes potentially fatal to the planet. We have triggered the final crises for all life. We have done this, but we do not<br />

control it. No single one of us. No leader or state can call a halt to the fact of our being trapped in history. We are moving toward the<br />

unimaginable as information piles up about the real nature of the situation we confront. To paraphrase J. B. S. Haldane: Our situation may not<br />

only be stranger than we suppose; it may be stranger that we can suppose.<br />

CHAPTER NINETEEN<br />

THE COMING OF THE STROPHARIAD<br />

In which Ev and I part company and the mushroom delivers an oration while turning into an underground growth industry.<br />

SUCH ARE THE CONCERNS with which I navigated the intervening years to the present. But during the two year period after my second<br />

return from La Chorrera, before the publication of The Invisible Landscape in 1975, I was not idle.<br />

My brother and I concluded that the truly novel element, the candidate for being the causal agent at La Chorrera, was the mushrooms. It was<br />

Stropharia cubensis that stood behind all of the effects we had experienced. As this realization grew, so did the understanding that new<br />

expeditions into the unimaginable could be launched only if a supply of mushrooms could be secured. It happened that on the second trip to<br />

La Chorrera the mushroom had been much less abundant than before. This scarcity had impelled me to take a number of spore prints from the<br />

few specimens that we did run across. Those spore prints had been kept refrigerated over the years while my brother and I pursued academic<br />

careers and wrote our book.<br />

During those years we dabbled with the thought of cultivating Stropharia cubensis, but the only work on the subject was Wasson and Heim's<br />

work in French, and it somehow seemed a remote and technically difficult thing to attempt. In the spring of 1972, we had already isolated the<br />

mycelium of the mushroom and had it growing on agar in petri dishes. But we could get nothing to happen. Then in the early spring of 1975<br />

we encountered an article detailing a method for growing commercial mushrooms on rye in canning jars under very carefully controlled<br />

conditions. We wondered if perhaps this method would also work for Stropharia cubensis and get our stalled exploration of the invisible world<br />

moving again.<br />

file:///C|/Documents%20and%20Settings/All%20Users/Doc...lture/True%20Hallucinations/<strong>true</strong>%20<strong>hallucinations</strong>.<strong>htm</strong> (92 of 106)4/14/2004 10:01:16 PM

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