NOSCE TE IPSUM

C. V.
Stylized Folk-lore theatre “NABADI”
! / @))&6 @))&6 RBH,B RBH,BCB RBH,B
I was doubly gladdened with the performance of “NABADI” compact collective, with our own pure
ability of expressing heroic folk-lore together with the divine “SAFERAVI” and dainty, from the other
side – with slides, light-shadows, that don’t increase the weight of choreography, rhythm and follows the
whole performance as background, as motif. At the same time, as it seems, we have gained two kind of
result – we award with aesthetical delight the spectator and acquaint them with the world ’ s construction
with the biography of “homo sapience” and tightly connect pleasing with useful.
The sun energy, coming from cosmos will be cylinder-shaped dressed although the Earth and
will roll it in the funnel. Tree, roused from the Earth – which is the life fecundate, visual icon of
energy coming in humus – Jaia, the dream tree is really cylinder-shaped. This sacral tree, this
immortal plant is repeated by Sumerians with writing, by Kolkhs – with triangle stone boards
hoisted on columns – distance kirbes (golden fleese), by Egyptians – with pyramids - monument
icon of divine energy transferred in human and inculcated in eternity. Civilization of any level that
perhaps was before and will be after growing quiet of mankind cognition, will never be able to
escape from this regularity. All Atstek citizens with their priest were killed with such a manner by
Kortesiens that they did not ask a single thing, they even did not have a wish to look into cannibal
savages souls. Thousands of documents containing information were burned, but “Tsolkini” was
safe. The templates were also safe – with seven steps and thirteen merlons, the high of that is 91
meters. To bereave this information is impossible; it is formula, product of any deep intelligence.
The one, who is less acquainted in the essence of the matter, will consider “NABADI” dances as
Ethnographical adornment, but they reflect the history of Christ Arisen, more earlier, the mystery of
chained Prometheus with the shape of drafts expressed with the language of choreography and plastic
polyphony.
The mummy’s hand-crossed pose, ritual equip of Pharaoh: crossed scepter and Gonio – are some
kind of preparation for rise to the heaven, not the death, but transformation, transfer from a second lasting
moment to eternal life. The one, who has kept “Tsolkini”, David star and the thirty fifth letter of Jan with
symbol, was traveling in time and space without any obstruction.
“NABADI” sword keeps in Sumerian dagger the source, on the sword-hilt of which there is imprinted
a triangle with circles. Two-bladed Kolkhian axe with its own is triangle shaped as well. This mystery was
realized by Northern Druids – the priests of Scandinavian people. They prejudiced humans’ destiny with
the help of trees, while in reality a tree – jaia, -ja, i.e. the soars of life is connected with the creation
mystery according the Bible (tree – khe – khala – means birth according Megrian, at the same time tree as
the attribute of virgin, female sex in Kolkhi-Slavian). All about that is discussed with the help of symbols
in Nino Turabelidze stylized folk-lore performance.
We can not demand from “NABADI” liken their perfect performance to something ethno-scientific
clip, where the scene is overloaded with obscure requisites, but with moderation, with useful slides the
performance would get more perspective.
The moment of sun-shine lower from the heaven on the screen, the image of tall and slander tree are
mysteries of divine fecundate according Salvador Dali as well. And their orthographical decoration gives
us David star geometrically; Pyramid – architecturally, tree, its base, and its spreading body from top to
bottom – Botanically. Druids knew these secrets as well as Kartushians, Kholkhians by what they
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