NOSCE TE IPSUM

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RBH,B RBH,BCB6 RBH,B B6 ! ! / @))& @))& 166 The theatre ,,Nabadi’’ art instructor Ms. Nino Turabelidze
! / @))&6 @))&6 RBH,B RBH,BCB RBH,B Exactly these precaution miracles are served by “NABADI” perfect performance, they knew very well about that and is natural that they pay more attention to foggy mysteries of millennium, to confer mankind meaning to this harmless folk-lore performance with first glance, to obtain grand childhood mission and by mixing art and science first to instill dramaturgy into choreography. For me, as for investigator of esoteric and aesthetic depths, is rather smiling to stage work traditions in folk-lore. Once, there was a period when choreographs with rush hats on their heads were picking tea, bunch of grapes, tangerines, were cutting firewood and so on. It is still ecstasy followed by half-wild tribes. Art is imitation according Plato, but not the whole copy of work traditions. City motifs, umbrella rolling like women from Takaratsuka, carrying provisions with vases are not modern things. Art is thinking with symbols. Pay a tribute of respect to contemporaneity, was said above, - i.e. – dainty for quinine. I would be very pleased if the congenial icon painted on logo did not appear on stage at the end of the performance as a symbol of rising to heaven, really soul rising fireworks. Culmination loading comes on sword and feltcloak. Felt-cloak is turned into the main hero of performance, into magic instrument, into flying carpet as well, into symbol of rising to heavens. The performance is rolling against snow-slip direction, like it is a bounder of Sisyphus that needs to roll up to the top. All these are crowned with technical abilities by connecting slides as requisites. “NABADIANS” already have esoteric blood in their veins and taciturn spectator arises, the space is not enough to continue performance, who cares about offered churchkhela or divine “Saferavi”. I observe the faces collected around. They are Americans; offspring of centuries ago thrown up Europeans, nature of toreador is enough felt in their blood: bull puffing, cock attack, that made them burn with fight willing. Rarity is polyphony side of “NABADI” performance as well. With few lines are brought younger songs, in return for with high doze is shown prehistorically, heathenism, because the aim of performance is to show the ancient regalia! First of all “LILEO”, hymn of sun is appeared, the final is crowned with “ODOIA” – hymn of golden fleece, the exposition of performance, knot and undo a knot is built on “CHAKRULO”, “KVIRIA”, “KHASANBEGURA”, “KRIMANCHULI” and are not only successively revived our face signed with past endless fires, but the whole performance is read as an open book. . . 167
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NOSCE TE IPSUM

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