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Owner's Manual - Roland

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Delay (Add echoes to the sound)<br />

Chapter 4. Applying Effects to the Sound (Effects)<br />

Delay is an effect which adds echoes to the sound. It is effective when applied to solo phrases or to densely rhythmic phrases.<br />

Described here is how to set the Delay effect.<br />

Turning delay on/off<br />

Delay is turned on by pressing [DELAY] and confirming that its indicator has lighted. To turn it off, press the button again,<br />

extinguishing the indicator.<br />

* This lets you turn the effect on/off for all parts regardless of other settings.<br />

Adjusting the delay volume for individual parts<br />

Refer to the explanation of “Part Delay Level” in “Modifying the settings of each part” (p. 19).<br />

Making detailed settings<br />

1. Hold down [DELAY] and press [EDIT].<br />

* If the D-FIELD function ASSIGN 2 is set to “DELAY,” you can also access the setting screen by holding down the D-FIELD function<br />

button [ASSIGN 2] and pressing [EDIT].<br />

2. Press [ENTER] to select a parameter.<br />

3. Turn [VALUE] to modify the setting.<br />

4. When you are finished, press [EXIT].<br />

Screen Parameter Explanation Value<br />

TYPE Selecting the type. SHORT, LONG<br />

TIME Adjusts the time from the original sound until<br />

when the delayed sound is heard (the interval between<br />

repeats).<br />

* On the D-2, it is not possible to set a delay time<br />

longer than 1 second. When the delay time is<br />

synchronized to the BPM, selecting a note value<br />

which would make the delay time exceed 1second<br />

will cause the delay time to be halved, and the<br />

delay sound will be heard at 1/2 the specified<br />

interval. In addition, even if 1/2 the length would<br />

exceed 1 second, the delay time will be shortened<br />

to 1/4 the length.<br />

FEEDBACK Sets the amount of delayed sound to be repeated, as<br />

a proportion of the original sound.<br />

HF DAMP Specifies the frequency at which the high frequency<br />

portions of the reverberation will be cut. Lowering<br />

this setting will cause more of the upper frequency<br />

content to be cut, making the reverberation more<br />

muted in tone.If this “BYPASS” is selected, the high<br />

frequency range will not be cut.<br />

OUTPUT Allows you to select a destination for the sound after<br />

reverb has been applied.Selecting LINE outputs<br />

the sound to the OUTPUT jacks on the rear panel;<br />

selecting REV outputs it to Reverb; or selecting<br />

LINE + REV outputs the sound to both the OUT-<br />

PUT jacks and Reverb.<br />

DELAY OUTPUT<br />

LEVEL<br />

This adjusts the volume of the delay sound for all<br />

eight parts (the rhythm part and parts 1-7).<br />

MFX TO DLY LEVEL Applies the Delay equally to each of the parts with<br />

Multi-effects set at ON regardless of the Part Delay<br />

Level for each part.<br />

When “TYPE” is SHORT: 0.1-275 (ms)<br />

When “TYPE” is LONG: 200 (ms)-1 (s), notes<br />

(*1)<br />

0–98 (%) Y<br />

200 (Hz)–8.00 (kHz), BYPASS<br />

LINE, REV, LINE+REV<br />

* 1: 16 (16th note), 8T (8th note triplets), 16. (dotted 16th note), 8 (8th note), 4T (quarter note triplets), 8. (dotted 8th note), 4 (quarter note), 2T (half note<br />

triplets), 4. (dotted quarter note), 2 (half note)<br />

* Parameters with an “X” or “Y” following the value will be selected when using D-FIELD to control the delay (p. 39). “X” can be controlled by moving<br />

your finger to left and right, and “Y” by moving your finger up and down.<br />

0–127<br />

0–127<br />

* This setting does not have any effect on a part<br />

with the MFX switch turned off (p. 19).<br />

X<br />

43<br />

Chapter 4

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