Owner's Manual - Roland

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60 Chapter 6. Creating an Original Pattern Creating a pattern Two methods of creating an original pattern are available: realtime recording (a method similar to recording on a tape recorder or MD recorder), and step recording (a method by which simple button operations are used to record the pattern). * If you edit another pattern, switch to Song mode, or turn off the power without saving the pattern you recorded or edited, your edits will be lost. ➔ “Saving a pattern” (p. 20) Recording as you perform (Realtime Recording) Here’s how you can record your performance on the D2’s D- FIELD controller or an external MIDI keyboard. 1. Press [PATTERN] to enter Pattern mode. 2. Turn [VALUE] to select the number of the pattern that you wish to create, and press [ENTER]. 3. Press [PART SELECT]. 4. Press a part button [R] or [1]–[7] so that the part you wish to record is the current part. The part being recorded can also be switched during recording. 5. Select a patch. ➔ Selecting a sound (Patch/Rhythm set) (p. 18) 6. Press [ ]. [ ] will light, and the D2 will be in REC STANDBY mode. 7. Make settings for the pattern. Press [ENTER] to select a parameter, and turn [VALUE] to set its value. Refer to “List of pattern settings.” 8. Press [ ] to begin realtime recording. Your performance, including operations on the D-FIELD will be recorded. 9. To stop recording, press [ ]. List of pattern settings (common to both Realtime Recording and Step Recording) Display Parameter Explanation Setting LENGTH Specify the length (number of measures) of the pattern. 1–32 COUNT IN Specify the number of measures in the count that will occur before recording. If this is “OFF,” no count will occur. If this is “NTE,” recording will start when you first operate the D-FIELD. (*1) LOOP REST If this is ON, there will be a one-measure rest (blank) before playback resumes from the beginning of the pattern. This is convenient when you wish to prevent the end of the last measure of the phrase from being recorded onto the beginning of the first measure. (*1) METRONOME Specify whether the metronome will sound. If you want the metronome to sound during step recording, set this to “ALL.” INPUT QUANTIZE TEMPLATE INPUT QUANTIZE TIMING This adjusts the recorded result so it is aligned with the template’s timing. Specify the shortest note value that you will be performing. (*1) Specify the degree of input quantization. Higher settings of this parameter will cause the timing to be corrected more precisely. (*1) OFF, 1, 2, NTE (WAIT NOTE) OFF, ON OFF: The metronome will not sound. ALL: The metronome will sound all the time, regardless of the mode of operation. REC (REALTIME REC ONLY): The metronome will sound only during realtime recording. PLY (PLAY&REC): The metronome will sound during playback and during realtime recording. OFF, notes (*2) * 1 This parameter is valid only for realtime recording. * 2 32 (32th note), 16T (16th note triplets), 16 (16th note), 8T (8th note triplets), 8 (8th note), 4T (quarter note triplets), 4 (quarter note) 0–100
The display during realtime recording The CURRENT display will indicate the measure and beat being recorded. The NEXT display will indicate the number of measures in the entire pattern. (Example) Measure 3, beat 2, pattern length is 8 measures The current recording location (grid line) within the measure is also shown by the beat scan indicators. D-FIELD functions that can be recorded in real time Functions that can record sound • [ADLIB] • [ASSIGN 1 (AP1, AP2, PRV, PAD)] • [SD ROLL] Functions that can record effects • [FILTER] • [MFX] • [X-FADER] • [ASSIGN 2 (all except for QTE and EXT)] • [ASSIGN 3 (PAN)] Practice performing in recording mode (Rehearsal) You can temporarily suspend recording without actually stopping realtime recording. This allows you to alternate between practicing and recording without having to actually start and stop recording. 1. During realtime recording, press [ ]. [ ] will blink, and you will be in rehearsal mode. In this state, your performance will not be recorded. 2. When you are finished practicing, press [ again. ] once [ ] will light, and you will return to normal realtime recording mode. Chapter 6. Creating an Original Pattern Erasing unwanted data while recording (Realtime Erase) Instances of a particular kind of data that occur within data you are playing back can be erased from the current part. Simply press the relevant button (see below) while holding down [EXIT (ERASE)]. Instances of the specified form of data that occur at the moments when you have the buttons pressed will be erased. [EXIT]+[ ] All performance data will be erased. [EXIT]+[EDIT] Erase all control data etc. [EXIT]+[NOTE NUMBER] Notes of the selected note number will be erased. [EXIT]+[VELOCITY] All notes will be erased. [EXIT]+external keyboard Notes between the lowest and highest notes you pressed on the keyboard will be erased. If you wish to connect an external keyboard and record, turn Auto Channel (p. 77) to “ON.” Part editing while you record in real time If you perform part edit (p. 19) operations during realtime recording, your editing operations will also be recorded. By using this feature, you can reproduce changes in level and pan during pattern playback. 61 Chapter 6
Page 1 and 2:
Thank you, and congratulations on y
Page 3 and 4:
011 • Do not allow any objects (e
Page 5 and 6:
Contents IMPORTANT NOTES ..........
Page 7 and 8:
Contents Chapter 8. System Settings
Page 9 and 10: How to read this manual The D2 manu
Page 11 and 12: Rear panel Panel Descriptions/ Maki
Page 13 and 14: How characters and numerals are dis
Page 15 and 16: Chapter 2. Playing Patterns Basics
Page 17 and 18: Muting individual rhythm sounds The
Page 19 and 20: Modifying the settings of each part
Page 21 and 22: Chapter 3. About the D-FIELD What i
Page 23 and 24: SOUND mode Playing back a phrase (R
Page 25 and 26: Chapter 3. About the D-FIELD Applyi
Page 27 and 28: Playing arpeggios (ASSIGN 1: ARPEGG
Page 29 and 30: Beat pattern Chapter 3. About the D
Page 31 and 32: Chapter 3. About the D-FIELD Auditi
Page 33 and 34: XY mode Chapter 3. About the D-FIEL
Page 35 and 36: Making detailed settings 1. Hold do
Page 37 and 38: Chapter 3. About the D-FIELD Changi
Page 39 and 40: Changing the reverb depth (ASSIGN 2
Page 41 and 42: Sounding a snare roll (SD ROLL) Cha
Page 43 and 44: Delay (Add echoes to the sound) Cha
Page 45 and 46: Chapter 4. Applying Effects to the
Page 47 and 48: 5. Distortion (Distort the Sound Se
Page 49 and 50: 9. Phonograph (Simulates an Old Rec
Page 51 and 52: 14. Phaser (Modulate the Sound) Cha
Page 53 and 54: 18. Flanger (Add Metallic Resonance
Page 55 and 56: Chapter 4. Applying Effects to the
Page 57 and 58: 24. Gate Reverb (Sharply Cut the Re
Page 59: Chapter 5. Replacing phrases to cre
Page 63 and 64: Inputting notes Changing the locati
Page 65 and 66: Editing a pattern (Pattern Edit) Th
Page 67 and 68: Erasing unwanted data (Erase) fig.P
Page 69 and 70: Chapter 7. Playing and Creating Son
Page 71 and 72: Inserting a step (Step Insert) You
Page 73 and 74: Chapter 8. System Settings and MIDI
Page 75 and 76: RPS TRIGGER QUANTIZE Chapter 8. Sys
Page 77 and 78: MIDI reception settings Chapter 8.
Page 79 and 80: Using the D2 together with an exter
Page 81 and 82: Saving data on an external sequence
Page 83 and 84: Error Message List If the D2 is ope
Page 85 and 86: No. Name 065 Timpani 066 Steel Drum
Page 87 and 88: Note No. 35 C2 36 38 40 41 43 45 47
Page 89 and 90: Note No. 35 C2 36 38 40 41 43 45 47
Page 91 and 92: Note No. 35 C2 36 38 40 41 43 45 47
Page 93 and 94: No. Pattern Name BPM Mes. Programme
Page 95 and 96: RPS Set List D-FIELD No. Pattern Na
Page 97 and 98: Waveform List Group A No Name No Na
Page 99 and 100: ● Program Change status 2nd byte
Page 101 and 102: ❍Hold 2 (Controller number 69) st
Page 103 and 104: ●Start status FAH * This message
Page 105 and 106: ■1-3.Patch +———————
Page 107 and 108: 6. Supplementary material ■Exampl
Page 109 and 110: goovebox (Sequencer Section) Model
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Index Numerics 4 Band EQ ..........
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MEMO
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This product complies with the requ
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Owner's Manual - Roland

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