Owner's Manual - Roland

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Chapter 4. Applying Effects to the Sound (Effects) Multi-Effects (MFX) Multi-effects provides 25 different Effect Types, each of which let you apply a different effect. Described here is how to enter the MFX-related settings. Turning the multi-effects on/off The multi-effects is turned on by pressing [MFX] and getting the indicator to light. To turn it off, press the button again, extinguishing the indicator. * This lets you turn the effect on/off for all parts, regardless of other settings. Applying the multi-effects to individual parts Refer to the explanation of “Part MFX Switch” in “Modifying the settings of each part” (p. 19). Using the part buttons to turn the multi-effects on/off You can also turn the multi-effects on/off for an individual part by holding down the D-FIELD function button [MFX] and pressing the corresponding part button. The multi-effects is on for parts whose part button is lit while you are pressing the D-FIELD function button [MFX]. * This method cannot be used to set the MFX switch of the rhythm part to “RHY.” The setting can be changed from “RHY” to “OFF,” but will always change from “OFF” to “ON.” Making detailed settings 1. Hold down [MFX] and press [EDIT]. * You can also access the setting screen by holding down the D- FIELD function button [MFX] and pressing [EDIT]. 2. Turn [VALUE] to select the desired type of multieffects. 3. Press [ENTER] to select the parameter. 4. Turn [VALUE] to modify the setting. 5. When you are finished, press [EXIT]. 44 Available Settings No MFX TYPE Description 1 4BAND EQ modify the tone 2 SPECTRUM add character to the sound 3 ENHANCER add sparkle to the sound 4 OVERDRIVE distort the sound mildly 5 DISTORTION distort the sound severely 6 Lo-Fi simulate a “low-fidelity” sound 7 NOISE add various types of noise 8 RADIO TUNING simulate a radio being tuned 9 PHONOGRAPH simulate an old record 10 COMPRESSOR make the volume level more consistent 11 LIMITER smooth out irregularities in volume 12 SLICER apply successive cuts to the sound 13 TREMOLO cyclic changes in volume 14 PHASER modulate the sound 15 CHORUS add spaciousness and depthto the sound 16 SPACE-D add transparent depth 17 TETRA CHORUS layer chorus sounds to add spaciousness 18 FLANGER add metallic resonance to the sound 19 STEP FLANGER add metallic resonance to the sound while changing the pitch in steps 20 SHORT DELAY add echoes to the sound 21 AUTO PAN automatically move the stereo location 22 FB PITCH SHIFTER skew the pitch 23 REVERB add reverberation 24 GATE REVERB sharply cut the reverberation 25 ISOLATOR Cuts off a specific range * For details on the settings for each effect, refer to the explanations on the next and following pages.
Chapter 4. Applying Effects to the Sound (Effects) * Parameters with an “X” or “Y” following the value will be selected when using D-FIELD to control the multi-effects (p. 33). “X” can be controlled by moving your finger to left and right, and “Y” by moving your finger up and down. 1. 4 Band EQ (Modify the tone) fig.MFXEQ This is a 4 band (high, midrange x 2, low) stereo equalizer. Screen Parameter Explanation Value LOW FREQ (LOW Frequency) Determines the frequency of the low range. 200, 400 (Hz) 2. Spectrum (Add Character to the Sound) fig.MFXSPE LOW GAIN Adjusts the volume of the low frequency range. -15–15 HIGH FREQ (HIGH Frequency) Determines the frequency of the high range. 4.00, 8.00 (kHz) HIGH GAIN Adjusts the volume of the high frequency range. -15–15 PEAK1 FREQ (Peaking 1 Frequency) PEAK1 Q (Peaking 1Q) PEAK1 GAIN (Peaking 1 GAIN) PEAK2 FREQ (Peaking 2 Frequency) PEAK2 Q (Peaking 2Q) PEAK2 GAIN (Peaking 2 GAIN) Determines the frequency of midrange 1. 200 (Hz)–8.00 (kHz) Specifies the width of the frequency range affected by midrange 1. As this setting is increased, the affected area will become narrower. 0.5–8.0 Adjusts the volume of midrange 1. -15–15 X Determines the frequency of midrange 2. 200 (Hz)–8.00 (kHz) Specifies the width of the frequency range affected by midrange 2. As this setting is increased, the affected area will become narrower. 0.5–8.0 Adjusts the volume of midrange 2. -15–15 Y OUTPUT LEVEL Adjusts the output level from the 4 band EQ. 0–127 This is a type of filter, which modifies the tonal character by boosting or cutting specific frequencies. It is similar to an equalizer, but when you wish to add character to the sound, the Spectrum effect will produce a more distinctive result. Screen Parameter Explanation Value LOW-HIGH GAIN Specifies the volume change at 500 Hz and 8.00 kHz. -15–15 X MIDDLE GAIN Specifies the volume change at 1.25 kHz. -15–15 Y BAND WIDTH Specifies the width of the bands in which the volume will be adjusted. OUTPUT PAN Specifies the panning of the sound that is output from the Spectrum effect. 1–5 L64–R63 OUTPUT LEVEL Specifies the volume that is output from the Spectrum effect. 0–127 45 Chapter 4
Page 1 and 2: Thank you, and congratulations on y
Page 3 and 4: 011 • Do not allow any objects (e
Page 5 and 6: Contents IMPORTANT NOTES ..........
Page 7 and 8: Contents Chapter 8. System Settings
Page 9 and 10: How to read this manual The D2 manu
Page 11 and 12: Rear panel Panel Descriptions/ Maki
Page 13 and 14: How characters and numerals are dis
Page 15 and 16: Chapter 2. Playing Patterns Basics
Page 17 and 18: Muting individual rhythm sounds The
Page 19 and 20: Modifying the settings of each part
Page 21 and 22: Chapter 3. About the D-FIELD What i
Page 23 and 24: SOUND mode Playing back a phrase (R
Page 25 and 26: Chapter 3. About the D-FIELD Applyi
Page 27 and 28: Playing arpeggios (ASSIGN 1: ARPEGG
Page 29 and 30: Beat pattern Chapter 3. About the D
Page 31 and 32: Chapter 3. About the D-FIELD Auditi
Page 33 and 34: XY mode Chapter 3. About the D-FIEL
Page 35 and 36: Making detailed settings 1. Hold do
Page 37 and 38: Chapter 3. About the D-FIELD Changi
Page 39 and 40: Changing the reverb depth (ASSIGN 2
Page 41 and 42: Sounding a snare roll (SD ROLL) Cha
Page 43: Delay (Add echoes to the sound) Cha
Page 47 and 48: 5. Distortion (Distort the Sound Se
Page 49 and 50: 9. Phonograph (Simulates an Old Rec
Page 51 and 52: 14. Phaser (Modulate the Sound) Cha
Page 53 and 54: 18. Flanger (Add Metallic Resonance
Page 55 and 56: Chapter 4. Applying Effects to the
Page 57 and 58: 24. Gate Reverb (Sharply Cut the Re
Page 59 and 60: Chapter 5. Replacing phrases to cre
Page 61 and 62: The display during realtime recordi
Page 63 and 64: Inputting notes Changing the locati
Page 65 and 66: Editing a pattern (Pattern Edit) Th
Page 67 and 68: Erasing unwanted data (Erase) fig.P
Page 69 and 70: Chapter 7. Playing and Creating Son
Page 71 and 72: Inserting a step (Step Insert) You
Page 73 and 74: Chapter 8. System Settings and MIDI
Page 75 and 76: RPS TRIGGER QUANTIZE Chapter 8. Sys
Page 77 and 78: MIDI reception settings Chapter 8.
Page 79 and 80: Using the D2 together with an exter
Page 81 and 82: Saving data on an external sequence
Page 83 and 84: Error Message List If the D2 is ope
Page 85 and 86: No. Name 065 Timpani 066 Steel Drum
Page 87 and 88: Note No. 35 C2 36 38 40 41 43 45 47
Page 89 and 90: Note No. 35 C2 36 38 40 41 43 45 47
Page 91 and 92: Note No. 35 C2 36 38 40 41 43 45 47
Page 93 and 94: No. Pattern Name BPM Mes. Programme
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RPS Set List D-FIELD No. Pattern Na
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Waveform List Group A No Name No Na
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● Program Change status 2nd byte
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❍Hold 2 (Controller number 69) st
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●Start status FAH * This message
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■1-3.Patch +———————
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6. Supplementary material ■Exampl
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goovebox (Sequencer Section) Model
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Index Numerics 4 Band EQ ..........
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MEMO
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This product complies with the requ
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Owner's Manual - Roland

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